there is no getting away. and Gary should know better

SUSIE WAS A PROPELLER FOR FRAGILE SUPERSTARS

Cast of Characters:
E Ruizzo-- https://soundcloud.com/ruizzoidman21centurions --Manuel-- composition, lyrics, Squier Stratocaster electric guitar, vocals, mix, and production
J.J. Terrell-- @j-j-terrell—JJ-- piano, accordion, and horn
TexMex Shaman– @texmex-shaman –Stephen– Jose Ramirez nylon stringed flamenco style guitar, and mastering
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums, percussion
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – four string Fender Precision Bass bass

This song began all the way back when Manuel was 16 and found love that summer with a girl named Carmen. He remembered her, though, and wrote this song about her all these years later. The title of the song means "Your name has the song," and the lyrics spell out the girl's charms using the letters of her name. Check out the lyrics and the translation below. 
  Using that inspiration, Manuel came up with the song structure and the vocal melodies to a rudimentary drum track with his electric guitar. He then asked Josh if the group would be interested in taking it on. Josh, never being one to refuse a challenging piece of music, and always on the lookout for interesting musicians with whom to collaborate, accepted his kind offer and created a project for the rest of the Eclectic Collecitve to join. He started the whole thing off by adding his bass, to which Ken added his innovative drums, to which Josh redid his bass, as is the typical process in the EC.
  Next up was JJ, who you'd think he'd grown up with Spanish music the way he added the horns, accordion, and piano. Then Stephen stepped in and added his psychedelic and intricate acoustic guitar to the stew. 
  It was all done, except for the mix at this point. Manuel did the honors, and did it very expertly. Stephen mastered it to give it more volume and dynamism, too, as he always does. 
  This was the first, but we hope not the last, time the EC has collaborated with Manuel, although we're all fans of the incredible music on his page. He was a true delight to work with, giving honest, encouraging feedback and helping us shape his song to meet his vision. We hope you enjoy listening to this song as much as we enjoyed creating it.

Original lyrics by E Ruizzo:

TU NOMBRE TIENE LA CANCIÓN  /  YOUR NAME HAS THE SONG

Qué es una lágrima en el desierto?  /  What is a tear in the desert?
Cae sin ruido, se evapora y se olvida.  /  It falls without noise, evaporates and is forgotten.
No tiene tiempo de brillar, su vida  /  It has no time to shine, its life
es corta y su camino tan incierto…  /  is short and its path so uncertain...

Ce del calor del desierto y su sol,  /  ‘C’ for the heat of the desert and its sun,
a del adiós por el que lloré tanto;  /  ‘a’ for the farewell for which I cried so much;
erre del río que forma mi llanto;  /  ‘r’ for the river formed by my crying;
eme de miedo, de magia y de amor.  /  ‘m’ for fear, for magic and for love.

E de esperanza, de espacio rosado,  /  ‘E’ for hope, for pink space,
de espina clavada, de suelta emoción;  /  for stuck thorn, for loose emotion;
ene de noche de un tiempo pasado.  /  ‘n’ for night of a past time.

Carmen, tu nombre tiene la canción  /  Carmen, your name has the song
de todo aquello que has significado:  /  of all that you have meant:
Carmen de luz, de sonrisa y de adiós.  /  Carmen of light, of smile and of goodbye.

Tu Nombre Tiene La Canción (with The Eclectic Collective)

March is such a "two-faced" month in the northern latitudes, it can caress with a kiss of sunlit warmth, or slap the face with high winds and freezing temperatures--maybe in the same day!  It is so fickle these "ides of March" which Shakespeare told us to beware of.  The mood and playing of this song came upon me like one of those Ides, riffing on something much more mellow, when I randomly strummed an E major chord, then again with more force, then faster, stronger...I had to capture the moment, but like March weather, you can't be angry all the time, and so the caress of the Cordoba nylon. You might ask what the mellow riffing sounded like I was first practicing on--wait for it:)

Two-Faced (An Ode to March)  David Dunham, Acoustic Guitars

Fragile Babies - LuGhz  Prod.Chameleon

Propeller

https://soundcloud.com/plex-auchta - bass guitar and drums
lil' spaceman - beatbox and vocals

susie's got an uzi

It seems that each season has its own "perfume of mystery".  In a typical Texas panhandle spring, it is Lilac and Russian Olive that perfume the air.  In the deep South, Magnolias are hypnotically fragrant.  In summer it is the fresh, petrichor air after a rainstorm, or a newly-mown field of hay.  In the fall there is a pungency of fallen leaves as they are raked into piles, and as the days grow cooler, smoke from a fireplace during an evening walk. It is an odor that grows stronger and crisper as winter sets in and the sweet scent of pine with the setting up of Christmas trees.  Dan wanted to capture this "perfume of mystery" with his unique composing and keyboard skills and invited me to come along. Thank you my friend for inviting me.  Hear more of Dan's beautiful and unique "French Fantasy" music @dan-t-3.

Like A Perfume Of Mystery (DAN-DT; composer, keyboards, David; guitars)

[ Albums ]
https://negativeheadphone.bandcamp.com

[ Youtube ]
https://www.youtube.com/c/negativeheadphone

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https://open.spotify.com/artist/6yptVqiGbvP3HpQNz2XTyQ

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Spotify

disorientation

Soul Searching

l'art pour l'art - Chiaroscur
April 2025
Duration: 3:10
Listen to the Playlist, l'art pour l'art: https://soundcloud.com/bruce-klepper-1/sets/lart-pour-lart
Cover art painting: Carol Klepper
Cover art lettering: John-Marc Ventimiglia
For guitar, harp, bansuri, Bhutan bells, Tibetan singing bowls, brushed gong, gong, virtual instruments and percussion

l'art pour l'art - Chiaroscur

all musics and what not by andrew salvner aka lil' space

baby changing station

URBAN SOULS. is a mix of genres,Jazz and ambient, a walk through the maze of streets where each one reveals its soul....

URBAN SOULS. 🎧

I felt like this one needed the extra time to unfold and develop in the direction it wanted to go, could be my longest solo piece yet! My songwriting process has moved almost entirely to Ableton Live and I'm find it to be such an inspiring workflow. This is yet another recent track where I'm having fun weaving in the guitar.

Cover image: Norman Zabusky/Hilary Shames (CC BY 3.0)

Time and Space

I might as well 
be made of clay
behind closed doors
I hide away 
Hide away
https://open.spotify.com/album/4COtd8lAfsZKpAlg8ri41k?si=bAieCzHtQOWk2fPX0fuOKg

HideAway

Originally recorded in 2002 for PKG's "When Chains Attack!"

I was rolling
I was playing
Lawful evil but not for long
Baby, my hit points are gone
Baby
Baby
They're all gone

My armor's good
And my party's strong
But I wanted to play all night long
But baby, my hit points are gone
Baby
Baby
They're all gone

With my armor class
You'd think I'd kick some ass
You'd think I'd kick some ass
But the Dungeon Master don't agree, baby
'Cause my hit points are gone
Oh yes they are
Baby
Baby
They're all gone

Steve Murphy - Guitar, Bass
Nick Nunziata - Drums, Vocals

The Hit Points Song

Little to say about this song; both lyrics and music (all organic but for programmed drums) were done very impulsively, so it may show my primal inspiration without reworks or additions. Hope you'll enjoy it!

Pic from: https://vincentmars.com/2013/11/20/the-sensual-paintings-of-fabian-perez/

Translated Lyrics:

YO PENSÉ (LA SEXTA VEZ) / I THOUGHT (THE SIXTH TIME)

Yo pensé: esa mujer no es peligrosa…
  (I thought: that woman is not dangerous …)
No esperé enamorarme como un idiota.
  (I did not expect to fall in love like an idiot.)
Me pregunté: ¿qué tiene en los ojos que tanto me tienta?
  (I wondered: what’s in her eyes which tempts me so much?)
y me acerqué para hablar con ella y verlos de cerca.
  (And I got closer to speak with her and watch them closely.)

Y si era la primera vez, ¿por qué no extrañaba hacerlo con ella?
  (And if it was the first time, why didn’t I feel strange doing it with her?)
Y si era la primera vez, ¿por qué parecía que era la sexta?
  (And if it was the first time, why did it seem to be the sixth one?)
Y si era la sexta vez, ¿por qué hubo preguntas después de la escena?
  (And if it was the sixth time, why were there questions after the scene?)

Y si fue la única vez, ¿por qué no puedo apartarla de mi cabeza?
  (And if it was the unique time, why cannot I take her out of my head?)

ER41FI08 97-17

Factor Integrante

Yo pensé (La sexta vez)

armed with seven rounds of space doodoo pistols.  -kool keith

(Don't follow me here, best on my main page ;)

susie's got an uzi

lil' spaceman

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