The Strange Case Of The End Of Civilization As We Know It

RETOX "The World Is Ending And It's About Time" from "Ugly Animals" available from www.threeoneg.com

RETOX "The World Is Ending And It's About Time"

Peça eletroacústica para 4 canais, feita por Roseane Yampolschi, Flora Holderbaum, Lilian Nakahodo e Débora Bérgamo. 
Passos - Roseane, Flora e Débora, gravação realizada no Sesc Paço da Liberdade, em Curitiba.
Voz - Flora Holderbaum
Captação e edição - Lilian Nakahodo
Mixagem - Lilian Nakahodo e Alexandre Rogosky (Estúdio Off Beat)

Passos que transitaram, que trabalham, que passarão por este paço
Em vários tempos
Fusão de sentimentos
Sobrepõem-se, colidem, intrometem-se no chão
Pervertem, desviam do traço ordinário 
E vão abraçar novos espaços.


ao passo que...

Field recordings of swimming with a hand made microphone

Aquasonora

Accordion and Guitar cover version of the theme from the BBC programme 'Sherlock Holmes'

Sherlock Holmes (BBC Theme)

Sunday On Mars

ode to THE DANCE OF THE CROW on theremin and music box DIY
watch video : youtu.be/elux5_-U0h0

ode to THE DANCE OF THE CROW

Experimento

Galhos

BUY VINYL: http://www.darkentriesrecords.com/store/vinyl/hypnobeat-prototech-2xlp/

Dark Entries and Serendip Lab have teamed up to release ‘Prototech’, the first vinyl retrospective by German electronic trio Hypnobeat, recorded 1984-86. James Dean Brown and Pietro Insipido formed Hypnobeat in 1983, but it was the addition of Victor Sol only a few months later that found the project reaching, as Brown puts it, "the desired level of technical sophistication." In time, Tobias Freund also lent his talents (and equipment) to this loose-fit sonic scheme, where the protagonists sought a new, electronic manifestation of mankind’s tribal music roots. Two cassette releases surfaced – 1985’s "Huggables", and "Specials/Spatials" the following year. By this point the Frankfurt-based group had already explored fiercely mechanical creative expression through various configurations of hardware and personnel, revolving around core ingredients such as the TR-808, TB-303 and MC-202. The project lived on in spirit as Brown activated Narcotic Syntax in the 90s. While a more modern, digital concern, rooted in the Perlon label family, NS still channeled the Hypnobeat concept of a "new tribalism", not least on their "Provocative Percussion" double 12" released in 2006.

For all the punky veneer, there are instances where these tracks reach staggering levels of sophistication, not least on "Slash! Buffalo Eats Brass" with its intricately programmed 303 lines and nimble beats that sound a far cry from most machine music made in 1986. Prescient "Can God Rewind?" is also dazzling in the complexity of its percussion and the richness of its synth lines in C as they throb out a bastardised version of acidic Disco straight out of the rhythm collider. Elsewhere, some tracks are more primal in their execution. Visceral opening track "The Arumbaya Fetish" was a cathartic venting of Brown’s least favourite sound on the 808, the iconic cowbell, while the astounding proto-Acid miniature "Moon Jump" places limber 303 lead lines in a hail of thunderstruck patterns. "Kilian" has a stripped down quality that speaks more to the industrial era that Hypnobeat was conceived in, and "Mission In Congo" is a raw, reverb-soaked drum workout that captures the percussive-obsessive nature of Hypnobeat perfectly. Six of the seven tracks selected on this collection were primarily powered by two 808s. "I am amazed that the release sounds like we really had a plan back then…" states Brown, but this accidental magic is in fact the raison d’etre of Hypnobeat. They weren’t the only ones prefiguring the next big revolutions in electronic music in the mid 80s, but there certainly weren’t many artists stumbling across modes of expression that sound so relevant today.
 
All songs are remastered for vinyl by George Horn at Fantasy Studios in Berkeley. Housed in a jacket featuring cave engravings by Pietro Insipido of an archer and animal printed in a wallpaper pattern style designed by Eloise Leigh. Each copy includes an transparent insert of an x-ray photograph from 1984 of Romulus Cœurque holding the circuit board of a BOSS DR-55 rhythm machine.

Prototech

Hypnobeat - Slash! Buffalo Eats Brass

Periplanetas e a Orquestra de Ruídos - projeto em fase de produção a ser lançado no início de 2018. 
Mais informações em www.coletivoarteestranha.blog/periplanetas

Periplanetas e a Orquestra de Ruídos - Leve (DEMO)

01 Herbarium (2018): Before You Thought Of Spring for electronics inside piano

Saxofone Tenor e Eletrônica: Sérgio Monteiro Freire
Piano: Santiago Beis
Mixagem: Antônio Spoladore Hurtado
Gravação: Clayton Mamedes

ao passo que...

lilian.nakahodo

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