Estuve presente en el estreno. Me resultó una pieza alucinante. Saludos.

I listened to all the tracks. I really like a lot ! Ciao.

live audio bye Wapiti Ensemble 
2015

Work for Wapiti Ensemble inspired on the cicada killer wasp.
Violin -Genevieve Liboiron
Piano- Daniel Áñez

Sphecius  Wapiti Ensemble 1

Recorded at the University of Toronto, Faculty of Music, June 2015.

Anthony Thompson, clarinet & bass clarinet
Branko Džinović, accordion
Wesley Shen, piano
Michael Cox, double bass

Sound by Peter Olsen.

Watch the video here:
https://youtu.be/0NjT1GlDlrs

Rebecca Saunders - Quartet

Composed in 1998, De l’épaisseur ("From the Thickness")represents Phillipe Leroux's musical reaction to the sudden death of another French contemporary composer, Gérard Grisey. "Thickness" in the title refers to a forceful cluster, which continuously interrupts the flow of the piece, picturing the abrupt end of Grisey's life. Peformers: Rebecca MacLeod (violin), Sebastian Ostertag (cello), Branko Džinović (accordion).

Phillipe Leroux - De l’épaisseur (for violin, cello, and accordion)

Stereo version of Re-Trazo VI, originally for multichannel system.

Versión estéreo de Re-Trazo VI, originalmente para sistema multi-canal.

https://corunda.bandcamp.com/album/mineral-superficies-de-tiempo-2

ReTrazo VI / Electroacoustic [Stereo version]

dedidcated to José Menor

Perormance by José Menor, at the Ostin Music Center, UCLA, Los Angeles, December 3rd, 2017.

Premiered at the Borough New Music Series, London, October 3rd, 2017.

Toccata, for piano solo (2016)

Gab, for Saxophone Quartet (2011)
Universidad de Los Andes Saxophone Quartet: Santiago Prada, soprano sax; Luisa Fernanda Quijano, alto sax; Juanita Holguín, tenor sax; and Esteban Nicolás Nieto, baritone sax.
Live recording at Teatro Bogotá, November 2017

Buy Score: https://www.babelscores.com/catalogs/instrumental/chamber-group/5459-gab

Gab (2011)| Michele Abondano

Bernard Parmegiani’s 'De Natura Sonorum' is a monolithic twelve-movement work of electronic music, premiered in 1975. In this arrangement for sextet of the second movement, Accidents/Harmoniques, I have set myself the impossible task of distilling the infinite world of electronic sound into something reproducible by acoustic instruments. Such a process can hold a lens to the parent work to see it in a new way, be a means to discover new techniques and sounds in instrumental composition, and opens questions of reducibility: What are the essential features of a work? To what extent can we say that such a reproduction is ‘the same’ or of the same category of its source material?

Commissioned and premiered by Standing Wave, 18 January 2018, Vancouver Symphony New Music Festival, The Orpheum.

Recording by Brian Chan

A video demonstrating the process is available here:
https://www.youtube.com/watch?v=ztpaTl-4MOw

Accidents / Harmoniques (Bernard Parmegiani transcription) - Standing Wave

Harfe: Andreas Mildner
Leitung: Mariano Chiacchiarino 
WDR RSO
Wittener Musiktage 2018
Edition Peters/Leipzig

...hin... für Harfe und Orchester

Sonatine, for violin and piano(1951) Karlheinz Stockhausen

Guitarra: Juan Roberto González
Tiple: Christian Pérez B.
Charango: Emmanuel Pérez B.
Contrabajo: Carlos Arenas

(2000)

Guiticha Nº 1 y medio

Tundra es una obra para medios electrónicos y Violín compuesta junto al virtuoso violinista Juan Carlos Higuita. Tundra nos invita a sentir un espacio enorme, inhóspito y vivo, maravilloso y frío.

Sphecius Wapiti Ensemble 1

Liliana Z. del Río

Recent comments

Xésar Tena

GPS

Miguel Juárez Figueroa

Related tracks