Lovely playful samples mixed with Paploviante! Really cool 👍

The wonderful additions you've made to Paul's open collab give this such a tasty flavour, Dominique.  Beautiful work, my friend!

Breath🔥🔥 In 🔥🔥And 🔥🔥Out🔥🔥🕺🫅🙏🌄🌄🌄🌄🌄🌄🌄🌄🕺🕺🕺🕺🕺💃💃💃💃💃💃💃💃🫶🫶🫶🫶🫶🫶🫶🫶🫶🤝🤝🤝🤝🤝🤝🤝🤝👏👏👏👏👏👏👏👏🪘🪘🪘🪘🪘🪘🪘🪘🎹🎹🎹🎹🎹🎹🎹🎹🎻🎻🎻🎻🎻🎻🎻🎻🎻🎸🎸🎸🎸🎸🎸🎸🎸🪕🪕🪕🪕🪕🪕🪕🌞🌞🌞😍😍😍😍😍💚💚💚💚💚💚💚💚💚🩵🩵🩵🩵🩵🩵🩵💙💙💙💙💙💙💙💙💜💜💜💜💜💜💜💜💜💜✨✨✨✨✨✨✨✨✨🌟🌟🌟🌟🌟🌟🌟⭐⭐⭐⭐⭐⭐⭐⭐💫💫💫💫💫💫💫💫💞💞💞💞💞💞💞💞💞💓💓💓💓💓💓💖💖💖💖💖💖💖💖❤️‍🩹💖🩷🩷🩷🩷🩷🩷🩷💕💕💕💕💕💕💕💕💟💟💟💟💖💖💖💖❤️‍🔥❤️‍🔥❤️‍🔥❤️‍🔥💟💟💟💟❤️‍🔥❤️‍🔥❤️‍🔥💟💟❤️‍🔥❤️‍🔥❤️‍🔥💖💖💖❤️‍🔥❤️‍🔥❤️‍🔥💟💟💟💖💖❤️‍🔥❤️‍🔥❤️‍🔥💟💟💟💖💖💖❤️‍🔥❤️‍🔥❤️‍🔥💟💟💟💖💖💖❤️‍🔥❤️‍🔥❤️‍🔥💟♥️❤️‍🔥❤️‍🔥❤️‍🔥💟💟💟💟💖💖💖💖💟💟💟♥️❤️‍🔥❤️‍🔥❤️‍🔥💟♥️♥️♥️❤️‍🔥❤️‍🔥❤️‍🔥❤️‍🔥💟💟💟❤️‍🔥❤️‍🔥💖💖💖💖💖❤️‍🔥💟💟💟💟❤️‍🔥❤️‍🔥❤️‍🔥💟💟💟💟❤️‍🔥❤️‍🔥❤️‍🔥❤️‍🔥💟💟💟💟💟❤️‍🔥❤️‍🔥❤️‍🔥💖💖💖💖💟💟💟💟❤️‍🔥❤️‍🔥❤️‍🔥❤️‍🔥💟💟💟💟💖💖💖❤️‍🔥❤️‍🔥❤️‍🔥❤️‍🔥💟💟💟💗💖💖💖❤️‍🔥❤️‍🔥❤️‍🔥❤️‍🔥❤️‍🔥❤️‍🔥💟💟💟💟💟💟❤️‍🔥❤️‍🔥❤️‍🔥❤️‍🔥❤️‍🔥💟💟💟💟❤️‍🔥❤️‍🔥❤️‍🔥❤️‍🔥❤️‍🔥💟💟💟💟💟💖💖💖💟

CHRONOMETER WAS LATE FOR THE ECLIPSE SPECTRUM

I was honored when https://soundcloud.com/graphicsontelevisions asked me to remake ‘Tattlesnakes’ from their fantastic album ‘Pun’. Maybe it’s the wildest one, unpredictable but coherent, it inspired me immediately !!

I've remixed to my taste their original studio stems (drums & keyboards), adding my own vocals, guitars & more... hard recommendation of headphones again !!

Lyrics are from another of my ancient poems, where I played with oxytone & eproparoxytone rhymes (translated below but with lost effect in English).

Full versions album here: https://soundcloud.com/graphicsontelevisions/sets/another-pun-a-brand-new
Downloadable: https://graphicsontelevisions.bandcamp.com/album/another-pun
I suggest checking out the original tracks too: @https://graphicsontelevisions.bandcamp.com/album/pun !!!

Letra  /  Lyrics:

Claro que ya no soy plástico,  /  Clearly I’m not plastic anymore,
ni estoy falto de razón,  /  nor lacking of reason,
puesto que, siendo simpático,  /  since, being friendly,
de sangre es mi corazón.  /  of blood is my heart.

Claro que soy esporádico  /  Clearly I am sporadic
en locos cantos espléndidos.  /  in splendid crazy singings.

Gritos de loco dolor,  /  Screams of insane pain,
llenos de mudo amargor,  /  full of mute bitterness,
claro que ya no son gélidos.  /  clearly are not icy anymore.

Claro que ya soy simpático  /  Clearly I’m yet friendly
y estoy falto de amargor,  /  and lacking of bitterness,
puesto que mi corazón,  /  since my heart,
siendo de sangre, no es plástico.  /  being of blood, is not plastic.

Y en mis cantos esporádicos,  /  And in my sporadic singings,
claro que ya no soy gélido.  /  clearly I’m not icy anymore.

Gritos de loca razón,  /  Screams of mad reason,
ya no gritos de dolor,  /  not screams of pain anymore,
claro que ya son espléndidos!  /  clearly are yet splendid!

ER00EC11

Tardigrade & Tattlesnakes (with Graphics on Televisions)

The vibe strives to capture a glimpse of the dream house genre of the mid-1990s.

Thanks for listening. If you enjoy it, pls like and/or repost if you want, which would be greatly appreciated. Cheers.

Chronos

Somewhat doom-laden reflection of the prospect....but cheering up, it may never come down to a rogue algorithm sparking it all off!! Hooray!......
Blues track:
Synth; Tenor saxes; Soprano saxes; flutes; alto flutes(bridge); oboes; clarinets (bass parts).
Beats and explosions c/o Garageband.

Pic. 'Silicon Cities' by Heiko Hellwig c/o Pinterest

Algorithmic - Armageddon Blues

*This cover song is non-monetizing*
Cast of Characters: 

Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Warwick fretless four-string bass, Paul Reed Smith semi hollow body electric Guitar 
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken -- drums
J.J. Terrell– @j-j-terrell – organ and love triangle
TexMex Shaman– @texmex-shaman –Stephen — production, mix, and mastering

This song, in case you're not familiar, was written by Medeski, Martin, and Wood with guitarist John Scofield, and performed by them on an album eponymously named A Go Go. Josh has always been a huge fan of both MMW and J.S., and has always wanted to play more of their music, as he used to cover a couple of their songs in one of his main old bands. 
  Josh laid down the bass and after going back an forth a couple of times with Ken and his thrilling drums, they established the rhythm section. Soon after, Josh added his jazzy guitar, as well. We needed someone to play John Medeski's part, too, of course. So, we asked JJ if he'd do the honors, which he did in grand fashion. 
  Once it was all laid down, we needed a good mix, and no one is gooder than Stephen, so we asked him to mix it for us, which he did in his always pro manner. 
  This was a lot of fun to record, and we hope that comes through. This is a stripped down Eclectic Collective collab, where most of what we're all doing is improv. We hope you enjoy listening to it as much as we enjoyed making it.

A Go Go by Medeski, Martin, Wood and Scofield (Eclectic Collective cover)

Oh Baby I need you   (Open collaboration offer Paploviante)
Backing Track: 
https://soundcloud.com/paploviante-and-friends/still-think-positive-open-collab-offer
Lillithe: Mix, Arrangement and Production

Oh Baby I Need You (Open collaboration offer Paploviante)

Royal Ghetto

Black Stars

'CON-FUSION' A jazz fusion collaboration with Andy Grossart (Bass) and Georg Boehme (Winds).
 Marvellous playing from Georg and Andy on this fast moving jazz piece. Always such a pleasure and joy to share another musical journey with both of them.

Alan Hamilton - Composition. main arrangement, production, all keys, drum and percussion programming, brass
Andy Grossart - Bass - https://open.spotify.com/search/Andy%20Grossart
Georg Boehme - All saxes and wind arrangements - https://soundcloud.com/georg-boehme

CON-FUSION

Con-Fusion

This is a track from my album TALES OF A NOMAD, a collection of impressions from decades of living a nomadic life for professional reasons. It is inspired by the famous ballad by Johann Wolfgang von Goethe from 1782.

The Erlking

 I wrote this song after a trip to Shady Hallow Lake in Indiana. Charlie has some lake front property there and it's great for camping, fishing, roasting marshmallows and playing live concerts. It's very calm and relaxing and a great time was had by all! I wrote the song back in 2010 but the video I put together last year. Check out the video and you will be there with me:

VIDEO - https://youtu.be/Mz_vslWLXaU

I tried to keep the video as true to the lyrics as I could. It was a lot of fun putting it together. I love the tranquility of a full moon casting the silvery glow over the lake! It's very magical! I especially love the fact that there were no I-phones, computers, TV's, ect, ect. No distractions, everything was left in the car! Times like those really heal a person. It was spiritually rejuvenating!  Charlie sang the song very well but my harms were a little flat (like my head!😂, sorry about that!). It was a very cool experience for me and my wife and we got to do some jamming by the fireside on the lake too! Well, I hope everyone enjoys it and thanks for dropping by and listening! That is always appreciated! Summer will be gone soon so for now, let's just bask under the glow of an Indiana Moon!! 🌕🙏✌🏼 

“INDIANA MOON”

SHADEY HOLLOW LAKE,   
LATE SUMMER AFTERNOON,       
GUITARS STRUMMING AFTER SUNSET,    
INDIANA MOON,
                   
SOFT CAMPFIRE GLOW,     
MELLOW SLEEPY LAGOON,    
SUCH SWEET VOICES SINGING UNDER,    
THE INDIANA MOON,

DANGLING OVERHEAD,   
LIKE A SILVERY BALLOON,             
REFLECTED IN THE STILL BLACK WATER,  
INDIANA MOON,

SHADEY HOLLOW LAKE,     
LIKE A WELL-KNOWN TUNE,    
WILL FOREVER BE REMEMBERED,    
INDIANA MOON.
             
BY JIM VALDES © 2010

"INDIANA MOON" (Video - https://youtu.be/Mz_vslWLXaU)

Star crossed lovers with an arson problem. A mini musical movie about lovers on the run...
Added to the album: "Curiosities Of Outsider Art" (Sept  2025)

(Act 1: Young lovers on an arson spree)
Lyrics:
She puts the gasoline in my truck
And then we drive down
And we like to burn up
Local buildings
And alleys
And trashcans

She likes to come out with me at night
And burn things down
She can't explain it
It's just how she feels
It's what see needs
Simultaneous release
While burning down the Hardee's (a USA restaurant chain)

We got black magic spells right off the shelf
I have a split personality
And I hate Ourselves
We have  a compulsion
To  blow things up
It's all fucked up
Young arsonists in love
Young Arsonists in love (3X)

We have black magic spells
Right off the shelf
The good ones are mixed in
So it makes it hard to tell
We understanding the poetry
Of burning things up
Burning shit up
All fucked up
Young arsonists in love
(End Act 1)


(Act 2 : Chase and capture)
Young arsonists in love (3X)
We're on the run
She says: let's burn down a Chevron

We have black magic spells right off the shelf
The Doctors say we seem alright
But you know that we can't be helped
The Police ask: Is this behavior carnal?
"Officer"
She said:
"Have you forgotten how to marvel?"
Forgotten how to marvel?

Young Arsonists In Love

Pour qui je compte     ( Translated following the French text )

Vidéo :   https://youtu.be/9njE-7si0d0
Texte :           Muette
Chant lead : Philippe J
Choeurs :      Liora 

Il y a des carnets
Et des mots égarés
Tout au fond des tiroirs
Et qu'on n'relit jamais
Parce qu'on est en retard
Et qu'y a toujours quelqu'un
Dont il faut prendre soin
Et ce quelqu'un, c'est jamais soi.

Dans la frileuse Flandre,
Sous les chênes et les hêtres,
Il y a ce tas de cendre
Après un feu de fête.
Au milieu, des canettes,
Des souv'nirs jetés là
Qu'on ramass' les yeux las
Pour les trier plus tard, peut-être.

Alors on compte sur ses doigts.
Un' seul' main suffit quand on s'dit :
Pour qui je compte vraiment ?

Les glacières dans le coffre,
La guitare dans sa housse,
On se serre un peu fort.
Un dernier regard pour
Les lits de mousse tassée,
Et les arbres muets
Mêm' quand l' bûch'ron les couche.
Et chacun r'part de son côté.

Alors on compte sur ses doigts.
Un' seul' main suffit quand on s'dit:
Pour qui je compte vraiment ?

Et puis quand la clairière,
S'éclaircit plus encore,
Qu'on sait par cœur le bois,
Ses pièges, ses réconforts,
Assis sur les souches
On se parle à soi-même
En dénombrant ses doigts.
On se demande : Qui m'aime ? Qui m'aime ?
Et une seule main suffit. 

For whom I count on

There are notebooks
And lost words
At the bottom of drawers
That we never reread
Because we're late
And there's always someone
We have to take care of
And that someone is never ourselves.

In chilly Flanders,
Under the oak and beech trees,
There is a pile of ashes
After a festive bonfire.
In the middle, cans,
Memories thrown away
That we pick up with weary eyes
To sort through later, perhaps.

So we count on our fingers.
One hand is enough when we ask ourselves:
Who do I really count on?

The coolers in the trunk,
The guitar in its case,
We hug a little tighter.
One last look at
The beds of packed moss,
And the silent trees
Even when the lumberjack cuts them down.
And everyone goes their separate ways.

So we count on our fingers.
One hand is enough when we say to ourselves:
Who do I really count on?

And then when the clearing
Grows even brighter,
When we know the woods by heart,
Its traps, its comforts,
Sitting on the stumps
We talk to ourselves
Counting our fingers.
We ask ourselves: Who loves me? Who loves me?
And one hand is enough.

Pour qui je compte. avec Philippe J

FIRST ECLIPSE ON MARS

==========================

Year 2015.

I'd only been composing music with my iPad 1 for four years.

I was lucky enough to find an app that allowed me to "make music" easily: Music Studio 2. It's the only DAW I've ever used, aside from trying out a few tracks with Garage Band.

I made an effort to learn, and so every night I searched the software's forum, where other users were asking questions, suggesting improvements, and posting their compositions (some of which were downloadable). Little by little, I got to know some of them and established some trust (I still write to them from time to time...). Yes, I was a forty-something among people twice my age (and much older... in some cases).

The most active was my friend Ronald, who suggested composing music related to the seven deadly sins. I chose envy.

A couple of years later, I completely reworked the melody and added new sounds with synthesizers I obtained from new apps I added to my collection. Although there was some underlying music that connected the two melodies, it couldn't be said to be the same. So I decided to give it another name, and called it First Eclipse on Mars.

I hope you like it.



18 Tracks native instruments MS2 and forum Xewton
3 Tracks kv331 Synthmaster
DAW Music Studio 2
Hardware. iPad
Mix……. My car 🚘

Cover art by Aynur Zakirov


Next composition…… Requiem for an Autumn

First eclipse on mars

Mid Spectrum(Chameleon&Tot.masa)
must be checking Chameleon musiq-https://soundcloud.com/t-n-565697684
All stuff-Chameleon&Tot.masa
Thank U 4 listening from us both😉😊

mid spectrum w/Chameleom

I've flown in the air
I've sometimes even sailed the seas 
I've taken the railways
but I like to keep both feet on the ground

I've braved winters
and walked in the scorching heat
but that was yesterday
Today, what I prefer

is my home
the one I love
grabbing my guitar
and write songs
it's my home
doing what I love
and enjoying life
before it's too late
No, it's not too late

on the other side of the world
I've still had times when I've enjoyed myself
but there's nothing to do
Today, what I prefer

is my home
the one I love
grabbing my guitar
and write songs
it's my home

Jamais trop tard (Translated)

Ive always wanted to cover this song
back when i was younger it was one of my favorite fan tracks
but i never felt like i could do it justice

everything aside im pretty happy with what i have

Original by @sasterdadudester

STRIKING THE DEMON DOWN (Cover)

(Don't follow me here, best on my main page ;)

Oh Baby I Need You (Open collaboration offer Paploviante)

Lillithe

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