Related tracks: DANSE DANSE  (ft Arterial Flow)

Ein Wunderbarer Tag am Strand mit den Lunatics, 
Und wieder ein ganz herzliches Dankeschön an meinen Freund Joerxwoerx https://soundcloud.com/joerxworx

Lunatics 78 Tag Am Strand/ Joerxworx & Ratzzz

Lunatics 78/ Tag Am Strand/ Joerxworx & Ratzzz

Buy on iTunes

Star Dust In The Jungle

Mirror Of my Soul (guitar solo)

What began as a prosaic comment evolved into an enriching collaboration.  Our friend and Soundcloud poet laurate Peter joins us on a fishing voyage.  Seagull, not content to do a simple voice over, remixes the track and places us on a fishing boat, the sea a bit rough, the gulls impatient for part of the catch, and Peter not just reading but dynamically narrating what he is experiencing on the deck of the ship.  What an honor to work with these artists enlarging on our previous collaboration.  Please check out more of Seagull's music @farout-music-studio, and Peter's poignant songs and poetry @user-264930040

My sanctuary from archive gleans
The gentle times, wherein my mind
Recalls a childhood spent in dreams
Of bobbing boats on ocean spied.

Here, the call of a benevolent sea
The briny, perfumed honesty
Of adolescent memories.

But whence this salty desert sea
Where once the skinny trawler plied?
Plastic water ocean streams
Where finny, swimmy fish should lie.

Silenced of the chuggy motors
Decimated by their quotas
Where the haddock, cod and herring bloaters?

The factory ships that hoovered clean
Of scaly friends the sea main wide.
Its cheaply speckled high protein
Squandered as the herring gull cried.

Where the fishers, where the boats?
Where the nets, and yellow rubber coats?
Where the pots, and lines and corky floats?

...wherein my mind
Recalls a childhood spent in dreams
Of bobbing boats on ocean spied.
Why, they set sail for the past it seems,
Upon tomorrow's ebbing tide.

Childhood Memory--Updated (Seagull, David, and featuring Peter)

Featuring a Squier Telecaster cranked to 11, plus a rock organ, together with symphonic touches.

© 2022 Dairv Dubbleyew

The End of the Day

ORIGIN .

Composed in 2019

Re edited in October 2022.


Although my favorite artist was always Vangelis, I am influenced by many artists I listen to (not just electronic musicians). I don't think anyone can control influences, at least I, objectively speaking, am not capable of doing so.

Sometimes they are not perceived, but in others they become too evident.

In this case the influence is from Enya. An artist that I listened to at the height of her years ago and who seems sensational to me.

19 tracks from xewton forum and native MS2 instruments and 11 tracks from Synthmaster Kv331.

And...in this case.....I trusted my ear and didn't mix it in my car. You tell me how it sounds 😬.

Thank you very much for your listening and comments.

Paco.

Origin (Ver 2022)

The Whisper

Music by AudioBake
https://soundcloud.com/audiobake

Additional bass, synth, vocals & lyrics by Cosmic Keanu

Lyrics:
You try to run, you try to flee
But the streets are filled with mutant freaks

Your Mylar suit has sprung a leak
Now head crabs crawl up your feet

My Dystopia! My Dystopia! My Dystopia! Ma-ma-ma my-dystopia!

Everything sucks and it always rains
Zombies roam the streets, looking for brains

Giant rats crawl from sewer drains
Look at them close they have a human face

My Dystopia! My Dystopia! My Dystopia! Ma-ma-ma my-dystopia!

You huddle round a garbage fire
Think you’re cool in your ripped attire

The only food is mystery meat
It’s most likely made of Soylent Green!

My Dystopia! My Dystopia! My Dystopia! Ma-ma-ma my-dystopia!

Drink your Lightning Claw, it’s all the rage
Head in the cloud, mind in a daze

How we got here is now a haze
Wear hockey pads and pierce your face

My Dystopia (AudioBake & Cosmic Keanu)

New World

I'm very pleased to get to work with Karl's music yet again as we have collaborated on many projects together. When I first heard 'Haust' (Icelandic for Autumn), I was haunted by the richness of the bowed sound and the grinding industrial textures that spoke to me about the extreme environment in Iceland (https://soundcloud.com/sesar/haust). I asked Karl if I could contribute and a few weeks later I'm proud to present our 8th collaboration.

Music, instrumentation, arrangement and production - https://soundcloud.com/sesar
Lyrics/Vocals - me
Image - Douglas Corrance

What was grey becomes black, 
That sinking feeling, 
As darkness falls, 
Dark falls.  

Dawn's late, later still, 
That sinking feeling, 
As darkness falls, 
Dark falls.  

Grey to black as darkness falls.

Darkness Falls by Sesar & Mark J Bennett

David Lucas and his late father, Bill Lucas, an acclaimed Sydney architect attended my voice workshops held by the "Once Extra Dance Company" back in the "80's". Adventurous , creative souls with no holds barred on what was the beginnings of Danse Danse. It was then called "Dance Out Of Beat" and was a commentary on the club scene that I'd very much been a part of in the "60's" In recent times I invited Annette Scott on board who has brought it brilliantly to fruition along with my longtime collaborator, Jazz pianist/composer, Kirk Kadish. Now we have a new take on the current dance scene with a touch of empowerment as to who has the final moves.  

Janice Slater

Please go over and listen to more wonderful music @arterial-flow

DANSE DANSE  (ft Arterial Flow)

(Free WAV Download available here under '••• More'; and eventually, as part of a future solo album)

Greetings all you fun and funky SC musicians. I don’t typically upload remastered versions of a song as a new track. I usually just replace the old with the new, and change the title to reflect the remaster. But this one is special, for a few reasons (and if you’re not much into personalized mixing details, you may want to skip this liner note).

First (and most importantly)… I thought I’d lost the ability to edit the original tracks for this song. The last time I opened it up in Logic (updating it for the 2018 album remaster), the siren voices were all messed up (automation in Alchemy can have odd results sometimes). I just assumed the original native file was broken forever, because I no longer had access to that version of Logic. I had to do the album remaster from my only existing mix… and it was definitely lacking.

4 years later, I’m so glad I took a chance on reopening the native file when I concluded this ‘Siren’ trilogy. All the sounds/automations were exactly as I had left them. Prior to this attempt, I just assumed the worst, and never tried again. Thankfully, I was wrong. :D

Second… the remaster turned out much better than I hoped; and the differences were so satisfying, I thought it might be fun to have both versions up (for a side by side comparison, for any interested musicians out there. Here's the older version: https://soundcloud.com/grevusanjl/siren-rising).

So why does this one sound so much better than the original version? (And please take all of this with a grain of salt. I’m no pro. But I have discovered what works for me.)

Honestly, a tremendous amount of credit goes to having a much better understanding of Compression. For many folks, Compression is almost a dirty word. Just the title of the plug-in alone confused me at first. Why would I possibly want to compress my sounds, when I liked them as is? 

But it turns out (for me at least) that the different Compression options really shine when chosen specifically, and used minimally. As an example (and I’m not sure if your DAW offers similar options, but), Studio VCA works brilliantly with strings, female vocals and many of my favorite synths. But Studio FET works great on drums. Etc. And while some might cringe at the idea, I absolutely love what Soft Distortion does to most tracks as well. Used in mild amounts, Soft Distortion adds a phenomenal amount of spacial quality to the sound. I don’t use this one all of the time, but I bet I use it at least 75% of the time now (and Compression in general on about 95% of the tracks).  So there you go… I’m definitely a big fan of Compression… when used responsibly. :)

In addition, I’ve also learned a lot about EQing since I first did this song in 2017; so much so, that I was actually baffled by some of my earlier choices. So a large amount of the repair/update time for the 2022 remaster was spent on getting the EQing for each track set up more effectively.

And finally, I had the opportunity to give the full mix a healthy rebuild. After 5 years, you’re undoubtedly going to have a very fresh perspective on a piece. And I realized a lot of the sounds simply weren’t in their optimal positions in the stereo field. I also reconsidered where sounds faded in and out, and how intensely they did so… and I updated all of that as well. 

And there you have it, the story/history behind one of my all time personal favorites. I’m so glad I had an opportunity to revisit this one (while leaving all the original instruments true to form), and I hope you enjoy all the latest sound enhancements as well. I’m excited to hear what you think of my ’Siren Rising (2022 Remaster)’. :D

Related tracks: DANSE DANSE (ft Arterial Flow)

Lillithe