Encore une open collab bien exploité , toujours de la bonne production et un sens artistique indéniable  .

Sooo fluid and musical//creative thoughtful vocal flow//Wonderful mix, sound and production!!

Lovely flow and spatial mix! Wondeful collab!

2025/6/2

Website

前夜 (zenya)

WELL IF YOU HAVE PLAN TO MOTOR WEST
TRAVEL MY WAY THAT’S THE BEST
TAKE THE HIGHWAY GET YOUR KICKS
OUT ON ROUTE 66  

WE SAID IT ONCE WE CAN SAY TWICE
3 BLIND MICE AFTER A FARMER’S WIFE

LET’S CHANGE OUR PLANS I SUGGEST
AND TRAVEL EAST INSTEAD OF WEST
SWITCH THE SUN OF SAN ANTONE
WITH THE DRIZZLE AND MIST OF BRIGHTON  

WE’VE SAID IT ONCE WE CAN SAY IT THRICE
3 BLIND MICE WITH A CARVING KNIFE
ROLL ON THE DICE

THANK YOU BERRY FOR YOUR LICKS
THANK YOU GARY FOR YOUR KICKS
WE’RE ALL KIDS OF THE WIDOW WITH A SHAWL
BEING MATES IS SUCH A BALL  

3 BLIND MICE AND A TAG WITH NO PRICE
DID YOU EVER SEE SUCH A THING IN YOUR LIFE ?

GONE FROM MISSOURI
AVEC MA SOURIS
DESTINATION POURRY DOWNTOWN LE PARADIS 
UN TOUR PAR LA MAIRIE ET CHOPER LE FERRY 
SI ON L’A FAIT BEFORE ON PEUT LE FAIRE ENCORE

3 BLIND MICE ON A GRAIN OF RICE
WHERE YOU AND I TOGETHER ARE ENGRAVED FOR LIFE

THERE’S MANY A ROADS 66
FIND YOUR OWN MAKE YOUR PICK
AS LONG AS THE ROAD HAS NO END
BUT GOOD OLD FRIENDS ARE UP AROUND THE BEND

PEACE AND LOVE AND SUGAR AND SPICE
EVERLASTING CHILDHOOD WITH 3 BLIND MICE

BUT IF YOU HAVE PLAN TO MOTOR WEST
TRAVEL MY WAY THAT’S THE BEST
TAKE THE HIGHWAY GET YOUR KICKS
OUT ON ROUTE 66  

HAIL HAIL ROCK N’ROLL
BEING MATES IS SUCH A BALL
COS THE HIGHER WE GET THE SOFTER WE FALL

SEE HOW THEY RUN














3 BLIND MICE (Lyrics) + Gary Reeves on drums and Barbara Browning ad. vocals

A contemplative descent into a lucid dream state of being — part ambient echoes, part neon lit dance pulse. It builds from subtle piano and synth interplay into a low-burning electronic movement that feels like moving through a memory with a lapse of time. 

Noema is my 49th upload on Soundcloud and one I have really tried to spend the vast amount of work lost in the small details on.  I hope this resonates with everyone and all who have supported and followed me over the years on this journey of music creation. I truly appreciate each and every one of you so much! 

Noema

Picture: The Return of the Prodigal Son, 1873 - Julius Schnorr von Carolsfeld

Cover of Johnny Cash's version of the original NIN song

Hurt (Johnny Cash Cover)

Soltás y das

Cuando el viento choca en los cristales
y la luna funde con la piel.
cuando sombras caen como puñales
y las horas van a su merced.
Y a pesar de los días en que dudas en creer.
Soltás, soltás, soltás y das, soltás, para ser.

Cuando la memoria vuelve al frio   
y el invierno espera en el umbral.
cuando llega del miedo y el astío
en silencio miras que hay atrás.
Y a pesar de los días en que dudas ensoñar.
Soltás, soltás, soltás y das, soltás, para ser.

Y a pesar de los días en que dudas en creer.
Soltás, soltás, soltás y das, soltás, para ser.

Letra y música
Pichy Sotomayor

Soltás y das

Wide Awake

A while ago...
https://soundcloud.com/bigpapashonan played this awesome violin and designed this wonderful instrumental,  a Big Thank You for that, it was a great pleasure to write and sing along. Please take a listen to the remix of KBS: https://soundcloud.com/bigpapashonan/trickery0228?si=35e45cbd417c4accb2a68553122900b0&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

The lines (translated, edited, retranslated, reedited...) derive from "Philoctetes“ (409 B.C.), a Greek tragedy by Sophocles (496 - 405 B.C.). Mainly it is Ulysses speaking to Neoptolemos (The son of Achilles) in order to conspire against the bowman Philoctetes…

The picture shows a detail of „The Wounded Philoctetes“, a painting by Nicolai Abildgaard, 1775

Trickery

1 
This is how far we have gone 
In the matter (4)
Into the nets
Of our own and others’ steps
That there is no way out
But just the farther

REF 
What we show here has no morals
You can’t learn anything from life with us,
And, 
If you want to pass,
You can leave now
You can leave…
You can leave now…

Bridge
Oh, you have two eyes…
Please, show me my face


2
Easily with twisted tongue
You catch him
Easily we drag him
To the ship -
In this trade 
You are not the first one
Who does, 
What he does’nt want to…
We did it before you 
We did that before…

REF 
What we show here has no morals
You can’t learn anything from life with us,
And, 
If you want to pass,
You can leave now 
You can leave…
You can leave now…

Trickery (wt KBS, raw edit)

Inspired by 'real life' and the Facebook page, Dirty Old 1970's New York City. 
Beats, production: Oussama Arichi
Vocals, Lyrics, Mix: Nadia Selvaggi
Sound Effects: Pixabay
Photo by Camilo José Vergara
P-line:
℗ 2025 Nadia Selvaggi. Oussama Arichi
C-line:
© 2025 Nadia Selvaggi, Oussama Arichi

Dirty Old Seventies New York by Oussama Arichi & Nadia Selvaggi

Wonderful dawn atmosphere nearfield recording by The Night Owl🦉

The Deep Forest

Saturday 4:30 a.m.

TIMELINE / Open collaboration from IPG1
IPG: Vocals and Verses
https://soundcloud.com/ipg1/timeline-vocals-97-bpm
Backing Track : Paploviante
https://soundcloud.com/paploviante-and-friends/enigmatic-paploviante-open-collaboration-offer
Lillithe: Arrangement and Production

Timeline   Open Collab from IPG1 with Paploviante

композиция в жанре "плохо записанный рок 70х" // a composition in the genre of "poorly recorded 70's rock"

слушать не здесь // listen not here:
https://band.link/KZCin

дополнительный контент(вариант проведения досуга под этот трек))// additional content (leisure option for this track)):
https://youtube.com/shorts/ySlNIUt0X98?si=ipA7mNlWIZeTYC9i

Timeline Open Collab from IPG1 with Paploviante

Lillithe

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