Too Far Gone - Blake Worthington - 10/11/2024

The Light Again

Mr Easy

san fran

san fran (solo stripped)

Retro-Moderne

Can't Leave It

a country rock type track. Thanks for listening

fire

Maybe - Stray kids (Han)

Antes de que apague el sol

market

cover of the fantastic George Harrison track - my sweet lord 

My sweet lord

🖤✨ You Were The Ruin (Rework)
by The Miracle Syndicate

Footsteps fading into nothing,  
Falling back where you once stood.
Words unspoken choke the silence, 
Cut in dust and splintered wood.

I don’t speak your name, I bury 
Every sound before it breaks. 
Shadows crawl beneath the doorway, 
You were gone before you came.

You were the ruin, I was the ground, 
You let it crumble, never turned around. 
If you stayed, would it feel the same? 
Or was it lost before you came?

Love, love, love, this hopeless love, love, love.

Hands in pockets, cold in summer, 
Trains still hum a fractured tune. 
I pretend I never wonder, 
But the night still sings of you.
 
I don’t speak your name, I bury 
Every sound before it breaks. 
Shadows crawl beneath the doorway,
You were gone before you came.

You were the ruin, I was the ground, 
You let it crumble, never turned around. 
If you stayed, would it feel the same? 
Or was it lost before you came?

Love, love, love, this hopeless love, love, love

Stone and silence, steel and sighs,
Every ending feels like a lie.
Would you know me now, at all?
Or just the ghost against the wall?

Can you hear me now?

Love, love, love, this hopeless love, love, love.

Mmmm-hmmm.

You were the ruin, I was the ground, 
You let it crumble, never turned around.
No one stays, no one stays,
You were the ruin anyway.

Credits:
Written and performed by Elena Morgenstern, Nayeli Astra Xóchitl, and Brad Astra
Produced by The Miracle Syndicate
Mixed and mastered by Brad Astra at Nude Studio · Calgary · Canada
Label: Painful Records © 2025

Special Thanks:
To the ravens who guided our melodies, the universe for its endless inspiration, and to everyone who has been part of this journey. This music collection is dedicated to those who dream with their eyes open.

In Loving Memory:
To Rio, who always listened. 🐾🖤✨

You Were The Ruin (Rework)

A prolific songwriter, Lily Frost currently has 12 albums under her belt, under 5 different labels -- Warner, Nettwerk, Aporia, Boxton and Marquis.  Lily Frost comes from the Montreal underground mod scene.  She moved to Vancouver in 1992 after singing in Cairo for 6 months on a ship on the Nile, and went from busking rockabilly to spearheading the Cocktail nation with her band The Colorifics who led the Blue Lizard Lounge scene throughout the 90's.

Lily then signed to Nettwerk as a solo artist before moving to Toronto where she was born.  She has been working hard with Aporia and Marquis for the past decade.

Lily is a dramatic, stylish performer who draws from the aesthetic of Audrey Hepburn in Breakfast at Tiffany’s, the soundtracks of Quentin Tarantino, and the hot and bothered emotional drama that goes on between us fascinating humans.  The poetry of Rimbaud, the erotica of Anaïs Nin, and torch singers like Julie London and Juliette Greco all serve as strong influences.

Frost has toured from Paris to Los Angeles and has shared stages with the likes of Pink Martini, Big Bad Voodoo Daddy, Coldplay and many more. Her awards include the Video Silver Sun through Bravo, a Gemini nomination for her theme song co-write for the hit TV series “Being Erica”, and Vancouver Female Vocalist of the Year in 2003.

Lily's songs have been frequently placed in TV shows and movies such as Grey’s Anatomy, Crazy Beautiful, Chevy Cobalt, Charmed, Felicity, and many more.

Her efforts are now focused on curating a show that combines swing, rockabilly, burlesque, dance and fashion in an event called Big City Social.  Ideally, this show will hit the road to her most responsive markets of Mexico City, Los Angeles and Toronto.

"Lily Frost’s Rebound EP is the sexy, sassy story of a woman confidently exploring her romantic alternatives, told with bold horns, twangy guitars, and smoky vocals, in a moody, cinematic atmosphere. Utterly compelling."
~ Howard Druckman, Editor in Chief, SOCAN

Dud

Lily Frost

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