sizzles/trickles/give me pimples/abstract/great track/sumpN pumpN/great goose bumpN

bump the FSOL shoutout -- but still its own thing. the hushed nature of this track gives tension against how much is going on within..

originally released february 2nd 2024, now on soundcloud (august 2025)

https://countrysideraveartprojectrecords.bandcamp.com/album/ossidi

For our first tape, the Icon of Sin presents to you 8 post-industrial society techno-electro tracks perfect for the Neo-Feudalist workhouse!

Undoubtably our bleakest release yet, they’ll really get you going (to work past a reasonable retirement age) in their grim and grey grooves, baby!

Futuristic and technologically led past the point of return, drowning in a muddy ancient river; the album conjures a world of firing pistons, frightened people and automated production lines.
The downtempo doomsday soundscapes are at once Detroit Electro, London Hardcore, Norwegian Black Metal and (dare I say it) Berlin Techno.

Here's a blurb from the icon himself:

“I wrote this album over a short period of time (about one week) in 2021. At the time I was living in Hackney central, in a relatively small and cold flat next to the loud Mare Street. I was going through a particularly dark and hopeless period of time due to isolation and post lockdown depression.
The windows of the flat were paper thin, vibrating loudly, too often. I had a lots of sleepless nights, which resulted in this record. I worked in a bottling line at the time, the industrial and repetitive, almost dehumanising environment definitely influenced this album.

The music was written fully on my Octatrack (apart for the track “Benders” which was performed with my modular rack). Everything has been recorded in one take as it comes out from the machine, with minimal mixing and mastering and no post production.
The sonic palette features a couple eurorack modules, sampling from Italian television and whatnot; but most importantly a lot of field recording of machineries I found in the factory I was working at, as well as random captures of environments around me - including Hackney’s busy streets - all mangled and arranged in the Octatrack.

Enjoy!” - Matteo, 2024

C.R.A.P.013/C.R.A.P T.001 
credits
released February 2, 2024

The Icon of Sin - Bottom of the Sea

Earth - Atmospheric Ambient Soundscape - Track 05

★ Starcatcher ★ #jerseyclub (ultra slowed)

Recorded in the hollow body of Deutzer Bridge, Koln, for brass ensemble, electronics, 8-channel sound. For Bruckenmusik 2018. Listen on good speakers.

Acoustic Shadows - brass (Excerpt)

Elvin Brandhi - Shelf Life (EP)*OUT NOW*

Format: Digital, Cassette
Cat.No: CANVAS003

*

“
Sickness unto death in an age of commodified well-being: approaching death from the point of view of an actualised virtual eternity. The commodification of daily life and the self, preclude the possibility of reincarnation, we do not identify ourselves as a cycle, a movement, an expression of life itself but as a single product that exists in and for itself.
 
The supermarket social network obliterates the surface of material hybridising, detaining all movement to self enclosed unit reductions, excommunicating mutation. Encapsulated in a fixed identity, packaged and promoted, immune to the infection of outsiders. The social contract of a pre-sealed self, branded with calculated sell by date, sentenced to a shelf life of inter-passive exchange.  
 
Shelf Life compiles this synthetic axis, upon which we bide out time smiling.  
Interrupt user: authorise disk-root conflict[ 
”

Elvin Brandhi is welcomed to the index of C.A.N.V.A.S. releases as the first solo release of 2019 and the third commission since the conversion from events series to label in 2018. As a performance nomad whose very practice is simultaneously about engagement with place and a lack of geographic singularity - there could not be a more fitting accomplice to C.A.N.V.A.S.’ effort as a self-publishing artist group to build a collaborative community despite increasing dispersion. This is the solo project of Welsh artist Freya Edmondes - otherwise known for her role as vocalist in father/daughter duo Yeah You - in which performances mesh a collage of electronic sounds with a disruptive stream of improvised vocals. These tracks are as close to studio versions as this fundamentally live practice gets - roaming recordings, sample blasts, club contortions and the ever present voice alchemically infused. In 25’46” of sound, Elvin’s bio-technological monster appears like a Cronenberg body horror - mouths appearing where they shouldn’t - or a living, breathing post-digital Beckett character narrating their own club induced self-destruction. Yet the future shock is fresh - Shelf Life is as fun to listen to as it is completely disarming.

soundcloud.com/elvin-brandhi-1

Mastered by Ali Najafi
Digital Artwork by Firas Shehadeh
Tape Design by AALTAR
In Collaboration with Olan Monk

www.c-a-n-v-a-s.com

Shelf Life

Buy DL/CASSETTE

Elvin Brandhi - IMBRED WAILE / OCDC

synesthesia

From album Aleksandra Słyż - Human Glory
Listen and buy pre-order (digital / cassette): pointless-geometry.bandcamp.com

Music by https://soundcloud.com/aleksandra_slyz
Recorded in Poznań / Sztokholm 2019/2020
Mastering by Aleksandra Słyż
Artwork and design by Maks Posio / www.instagram.com/mskpsn

Release date: 22.06.2020
Limited edition of 50 copies / C39 cassette

Human Glory

Aleksandra Słyż - MG II / POINT#39

Late July Noods Residency guesting Synalegg mix in 2nd half~~
https://soundcloud.com/synalegg

Tracklist:

Ennio Morricone - Fraseggio senza struttura		
Pontiac Streator - Angelus Spit (feat. Mister Water Wet)		
__-_ - Legato Crying - Legato Crying		
Mark_Leckey - In_This_Lingering_Twilight_Sparkle_Side_A		
Glass - Underperform (OOH-sounds re-work)		
Piezo - 01.OX		
Synalegg - Commuters		
adammmmmmmmmmmm -  i...		
Joanna Brouk - Majesty Suites Entrance of the Queen of Winter Dawn		
Speaker Music - Of Our Spiritual Strivings (ft. Syanide)		
Georgia - Walking Around Soho		
Pontiac Streator - Om Ne Ud		
Mark_Leckey - In_This_Lingering_Twilight_Sparkle_Side_B		
UVB76 - Bakara		
Richard-Craig - Dillon-James		
Shelley Parker - LET THE BODY B		
more eaze & claire rousay - Post-op		
Elysia Crampton - Morning Star-Red Glare-Sequoia Bridge (feat. Jeremy Rojas)		
Oiseau Danseur - Face A		
		
		
		
		
		
		
		
SYNALEGG - guest mix (1:00:15)		
		


Emptyset - Ascent			
 Pavel Milyakov - Industry machine '87			
Voronoi - Gumbody Flash			
Ryoji Ikeda - Test pattern #0100			
Daniel M karlsson - Gaining traction with the local branches			
Ametsub - Over 6633			
Yvanko, Yab - Hydré			
Yves de Mey - Xylo			
Nebulo - Fata Morgana B			
Autechre - Known(1)			
William Fields - Prospection			
Moxus - Mush Space			
Jpegmafia - Dj Snitch Bitch interlude			
Grischa Lichtenberger - 003 0415 03 re 0112 re 0811 08 lv 1			
Bernard Parmegiani - Hors Phase			
Synalegg - Brèche

OOH-sounds W/ Synalegg - Noods Radio 26-7-20

Alpha

Clive Bell
Shakuhachi For Latin Lovers
CS 40

Clive Bell, accomplished player of the shakuhachi (Japanese flute), khene (Thai mouth organ) and other East Asian wind instruments, has travelled extensively in Japan (where he studied shakuhachi with the master Kohachiro Miyata), Thailand, Laos and Bali, researching music and meeting local practitioners. He has recorded with Jah Wobble, Peter Cusack, Sylvia Hallett and Mark Wastell among countless others. Shakuhachi For Latin Lovers illuminates his more song based explorations. Edition of 70.

Clive Bell

Pureness

// broken electronics for broken people //
co-founder https://soundcloud.com/tablerecords - 2018

for contact/booking: info@tablerecords.com

synesthesia

Liminal Objects

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