DISIVIUS - Random knobhead

Tester for 100% Live [Hardware Only] at Rubix Warehouse Melbourne on 11/02/2024

RUBIX WAREHOUSE

Puzzler (live)

Liquid Metal

Practice for Modular People at Radio Bar Fitzroy 23/08/24

Modular People Practice Set 23:08:24

Hypno Road

Live jam on Digitone II and Devil Fish (though Digitone's effects. 


Swamp mud

Live at Hardware Theory #13 Subclub Melbourne 3:00am till 4:00am 14th feb 2025.
Instruments used - Elektron Analog Rytm MKII, Analog Four MKII, Machinedrum SPS UW MKII, Digitone II, Roland TB-303 Devil Fish through Dtronics DT-303 distortion and through Digitone's effects, all instruments run through Elektron Octatrack MKII for effects, and Heat for end of chain warmth and filtering. Photo by Porsche Jansuwan.

Lincoln Webber live @ Hardware Theory #13 - Subclub Melbourne

PTCH LVE 3

Live jam using a freshly assembled Eurorack Modular 12 voice synth/drum machine triggered from a modified Roland TR-606.

Modular rig for Modular People 11

Live jam using a freshly assembled Eurorack modular percussion synthesiser (12 voice) triggered from modified Roland TR-606. 132bpm(Breaks) to 142bpm (Techno).

Modular rig for Modular People 11 second rec

Modular rig for Modular People 11 third rec

Loose JKT

Live jam using Elektron Digitakt II, Digitone II, Analog Four MKII and Analog Rytm MKII all through Octatrack AE for effects and transitions.

SLEEPER

Live jam using Elektron Digitakt II, Rytm MKII and A4 MKIIthrough Octatrack for effects.

Foxgloves

A rework of Foxgloves. A live jam using Elektron Digitakt II, Analog Rytm MKII, Analog Four MKII through Octatrack MKII for effects.

Little Folks Gloves (Foxgloves)

A live jam using Elektron Digitakt II, Analog Rytm MKII and Analog Four MKII through Octatrack MKII for effects. 

Foxgloves (Little Folks Gloves)

Live jam using Elektron Digitakt II, Analog Rytm MKII, Roland TB-303 Devil Fish all through Elektron Octatrack MKII for transition effects

DUAL 150%

Ninja riff

Acid techno jam using Elektron Digitakt II, Analog Rytm MKII, Roland TB-303 Devil Fish, Abstrakt Instruments Avalon, Malekko Manther through Elektron Octatrack for effects. A jam prep for Squelhy Sessions 21st June at Bar 204 Reservoir Australia.

MANTHER FILES

Live Acid jam using Elektron Digitakt II, Analog Four MKII, Roland TB-303 Devil Fish, Abstrakt Instruments Avalon, and Malekko Manther, all through Elektron Octatrack for effects.

Squlechy mission

Live Acid jam in prep for Squelchy Sessions 21st June at Bar 204 Reservoir. Instruments used-
Elektron Digitakt II, Analog Rytm MKII, Analog Four MKII, Roland TB_303 Devil Fish, Abstrakt Instruments Avalon, Malekko Manther, all through Elektron Octatrack for effects.

303x the love

Live jam prep for Squelchy Session at Bar 204 Reservoir Aust. Instruments used- Elektron Digitakt II, Rytm MKII, Malekko Manther, through Elektron Octatrack for effects.

Slightly Confused Fish (Acid mix)

live jam using Elektron Digitakt II, Analog Rytm MKII, Analog Four MKII, and Malekko Manther through Elektron Octatrack for effects.

Soft attack (Fur)

A live jam using Elektron Digitakt II, Analog Rytm MKII, Analog Four MKII, and Malekko Manther all through Elektron Octatrack for effects.

Lincoln is an old-school raver at heart, with over twenty years of experience crafting unique live sets. Known for his ability to tailor performances to the vibe of any event, his  genres range from hard-edged Acid Techno to breakbeat Glitch, with countless sub-genres in between.

Since 2013, Lincoln has been delivering live electronic sets at renowned Melbourne venues such as My Aeon, Loop Bar, Rubix Warehouse, Howler Bar, Motley Bauhaus, Workshop Bar, Renaissance Festival, and live streaming on Kiss FM . His musical productions and remixes, under the alias Machinist, have been featured on labels like Acidworx, New York Haunted, and Slice Records.

Driven by a personal need for sonic therapy, Lincoln’s performances are entirely hardware-based, allowing for real-time experimentation and improvisation. His sound is a dynamic exploration of texture and shades, blurring the lines between sonic extremes and creating a deeply immersive experience for the audience.

Lincoln Webber

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