Name: Through The Phone by Lindsay Kay in Eat This Music for 11 March 2022
Duration: 3 min 18 s
Description: "Through the Phone" is a strikingly vulnerable, empowered, and sensual song written and produced by Canadian singer-songwriter Lindsay Kay. The song, which on the surface is a song about phone sex, actually explores the universal need for connection, intimacy, and romance which the isolation of the pandemic left so many of us to search for through our phones. https://lindsaykaymusic.com/

Eat This Music for 11 March 2022

High

The Chainsmokers - High

Money Can't Buy

Stream

The Aston Shuffle & Fabich - Money Can't Buy

"Through the Phone" is a strikingly vulnerable, empowered, and sensual song written and produced by Canadian singer-songwriter Lindsay Kay. The song, which on the surface is a song about phone sex, actually explores the universal need for connection, intimacy, and romance which the isolation of the pandemic left so many of us to search for through our phones. https://lindsaykaymusic.com/

Through The Phone

New Day

Alison Wonderland - New Day

Written & Produced by Anna Lunoe
Mixed by Sam Chadburn
Mastered by Wayne Sunderland

Visuals by Adam Dal Pozzo

Double Dip

Stream/Download: nlvrecords.co/mutualxo
© NLV Records 2022

Written by Kota Banks & Swick
Produced & Mixed by Swick
Vocals Engineered by Rachad Allaf
Mastered by Wayne Sunderland

Artwork by Adam Dal Pozzo
Image by Billy Zammit

Follow Kota Banks:
Discord: https://discord.com/invite/68RzAWNqm3
Instagram: www.instagram.com/kotabanksmusic
Facebook: www.facebook.com/kotabanks
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Follow NLV Records:
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Twitter: twitter.com/nlvrecords
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Website: nlvrecords.com

Mutual XO

Don't Tease Me Rough Demo

Private link, written by Lindsay "Kay" Kupser

Just a Man ROUGH Demo

The Rest ROUGH Demo

Tired, Sick, Sad Rough Demo

I Burned It Down Rough Demo

Tide Rough Demo

Canadian singer-songwriter Lindsay Kay creates music that is "ethereal, melancholy, and dabbles in unreality while keeping gracefully attached to this world," says New Sick Music. On October 5, 2018, the Berklee College of Music graduate released her debut, full-length album For the Feminine, by the Feminine - an 8 song meditation on themes of femininity, written and produced solely by Kay herself. The album was made entirely from top to bottom by a female-identifying team – every role, from studio musicians to audio engineers to mixing to PR, was filled by a woman. Uplifting, connecting, and employing women in the largely male-dominated music industry is something Kay is passionate about continuing to prioritize in her work moving forward. For the Feminine, by the Feminine explores themes of seeking faith, the ways in which women make themselves small to make space for their male counterparts, toxic masculinity, the power in being a feminine being, consent, and much more. 

In 2019, For the Feminine won Kay an Independent Music Award for her rendition of Billy Strayhorn’s jazz standard “Lush Life.” The music video for her song “Too” – directed by frequent collaborator and filmmaker Anastasia Lebedeva-Delmark and art-directed and styled by Kay herself – was an award-winner and/or official selection in over a dozen international film festivals. During the first few months of the COVID-19 pandemic, Kay conceptualized, directed, and edited a music video in quarantine isolation entirely on her iPhone for her song “Worship Me.” This self-directed music video received two nominations from the Creator in Crisis Awards. For the Feminine has been called "a manifesto of solidarity and inclusion," by No Depression and "a record that gives comfort in hearing one’s own experiences mirrored back, and there is solace in knowing we are not alone in our pain and restlessness," by For Folk's Sake. 

Kay has staged multimedia and interdisciplinary performances all over North America and Europe, incorporating dance and movement, light installations and stage design, and elaborate costuming into her concerts. She frequently collaborates with up-and-coming female fashion designers and uses fashion as a way of expressing the messaging in her music further. She has been an artist in residence at JIWAR Creation & Society in Barcelona, The Banff Creative Arts Centre in Alberta, Canada, and La Porte Peinte Centre pour les Arts in Burgundy, France. Kay has been the recipient of arts funding and grants from FACTOR, The Canada Council for the Arts, and the Calgary Arts Development Association multiple times over to compose original music, develop musical recording projects and live performances, and to carry out independent research on female-made art. 

Kay has had the opportunity to live and work in many beautiful cities in her short 29 years, including Boston, MA, Vancouver, BC, Los Angeles, CA, and Barcelona, Spain. Learning the Spanish and French languages as a means to connect with as many people as possible is a great love and interest of Kay’s. She is currently based in Paris, France where she is working on writing her sophomore album.

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Through The Phone

Lindsay Kay

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