Congrat to all three of you 💚💚💚🎶

I really liked your track, congratulations, keep it up

Deep and quiet music. I feel a lot of nostagia

Very relaxing. Nice slow pace. Great for chillin'

SUPPORT gathers MOMENTUM when RECIPROCATED volume 4

'The Darkest Midnight in December' is an Irish traditional folk carol for Christmas night, after Fr William Devereux, 1728. It is from Fr Devereux's collection of Kilmore Christmas carols, called 'A New Garland'. These Christmas Carols are much more like folk songs.
I used to consider this beautiful Carol, as MY Christmas Carol. I have sung it as a solo during several Christmas concerts when I sang with the choir, 'Tonalis Company of Singers' and the choir 'Choros'. I have also sung it in folk clubs etc.
There are actually quite a few verses, but here I only sing verse 1, first solo acapella and then as a duet with myself with a movable drone and third time as a canon with drones.
This Christmas carol can be found in many Carol books with all the many ornaments actually written into the sheet music, true to the sean noes style from the West of Ireland.

The Kilmore Carols are found only in Wexford, and date back more than 300 years. In 1684 Luke Waddinge, the Roman Catholic Bishop of Ferns, published A Smale Garland of Pious and Godly Songs. The cover inscription continues: "Composed by a devout Man/ For the Solace of his Friends and/ neighbours in their afflictions." The book contained 11 Christmas songs, two of which are still sung in Kilmore today. The texts were new, while the melodies were drawn from various traditional sources.
Waddinge died shortly after his book appeared, but interest in the subject was revived by a Father William Devereux, parish priest of Drinagh, Wexford from 1730-1771 (the current Devereuxes in Kilmore are almost certainly related to this priest). Devereux published A New Garland Containing Songs for Christmas. This included some of his own carols along with a few from Waddinge's collection.

Father R. Ranson, who published an edition of the Devereux book in 1949, claims that "the carols were first sung in a little chapel at Killiane, and tradition seems to indicate that the choir consisted of six men." The chapel in question was "no more than a mud hut".

The carols proved very popular, and manuscript copies quickly spread to neighbouring parishes, including Kilmore. Diarmaid O Muirithe, who has assembled and edited a collection of all the Wexford Carols (The Wexford Carols, Dolmen Press, 1982) observes: "They were sung in most of the churches of south Wexford in the 18th century, and even well into the 19th century. I think it's a great pity that they're now no longer sung outside Kilmore." O Muirithe considers that the church hierarchy in Wexford is to some extent responsible for the carols' decline. "For centuries they had been regarded by the church with a kind of benign tolerance, no more than that."

One priest in Kilmore Quay in the 19th century decided to get rid of the carols altogether and replace them with Victorian hymnody. "But the people in Kilmore decided they wouldn't be banished. The priest was banished instead, because nobody came into the church the next year. The bishop had to transfer him."

The Darkest Midnight in December

The Darkest Midnight in December | Irish Traditional Folk Carol | Marianne Lihannah

12 Tracks of instrumentals - half somewhat dynamic and half very calming ambient all produced, composed, arranged by GRAMMY® Award Winner and three-time Nominee Darlene Koldenhoven.

Cheerful Mohana

Soar High (Instrumental)

Soar High  (Instrumental)

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Soar High  Instrumental

Way of the World (ft. Koshio)

Nissan

🦉"Atm I prefer to write high fantasy songs about landscapes and taverns of other worlds. This one is based on a little self-made story:
Deep in the endless woods there is a tavern. A place full of books, parchments and magical potions and comfort. An enchanted owl lives here and whoever visits it can be healed by the shadows and sorrow. This song has developed into an energetic flight through the night, accompanied by a catchy mantra that is supposed to enchant us." 🦉
Joran - 2023

New track from Elenniyah venturing into progressive metal and fantasy folk. This is Magic Owl. 🦉
Music and lyrics by JoRan Elane
Flute, VSTi instruments and vocals by Joran Elane
Electric guitars, bass guitar and VSTi Instruments by Paul Landry
Produced by Elenniyah
Mixed and mastered by Paul Landry in The Progulator, May 2023
Recorded in Bavaria, Germany and Oxfordshire England 2023.
♬ open.spotify.com/artist/1B2AKlcuwjPOXGbEhYOZVm
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♬ www.elenniyah.com/
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Magic Owl

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Might develop this tune a tad more yet! Used some stems for this  one, but mutilated, chopped up, and changed order of notes. Percussion created independently of riffs.
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Kind of amusing that they refer to this set of wheels as a #sculpture because I've never considered myself a #sculptor 🤣

I used to work on the Wheel Lathe in the #WheelShop at #CreweWorks, and this set of wheels was one of my last assignments before I took voluntary redundancy.

It was an old set of wheels that I I recut; I imagine a brand new set was seen as an unnecessary expense.

So next time you walk by them you'll know who the sculptor was

THE TOWN THAT TIME FORGOT: Crewe, UK

ALMOST BY DESIGN I’M REMINDED ONE MORE TIME
MEMORIES NEVER FADE, THE MISTAKES THAT I MADE,
AND WHEN THEY ALL COMBINE AND THE STARS FALL OUT OF LINE
THEN THE THINGS I’VE SAID AND DONE INVADE THE CORNERS OF MY MIND

DEMONS CRAWL UP THE WALL

ONCE THE DEMON AND THE JIN
MAKE THEMSELVES AT HOME
IT BECOMES THEIR LIFE’S WORK TO MAKE YOU PAY FOR YOUR SINS
BRUSH AGAINST YOUR SKIN, NEVER LEAVE YOU ALONE
AND DREAMS ARE NO PROTECTION, THEY CAN FIND THEIR WAY IN

DEMONS CRAWL UP THE WALL

ASSOCIATION LINKS THE CRIMES, RETRIBUTION ON REWIND
NO ESCAPING WHAT’S BEHIND, NO ESCAPING THE DEVINE

FOR RETRIBUTION BIDES HER TIME

DEMONS CRAWL UP THE WALL

DEMONS CRAWL UP THE WALL by BOORISH BOOT & GOTHIC FUNK

GREGFEST

The Wrong Turn pt.1  Classical guitar with cello
Paul Landry - Yanaha electro classical guitar and VSTi cello
Composed and performed by Paul Landry

https://www.elyssiamusic.net/
https://elyssia.bandcamp.com/
Spotify open.spotify.com/artist/6twCAGO0ozCRUSgglpOKq8
Apple music.apple.com/us/artist/elyssia/438085629
www.facebook.com/elyssiamusic/
www.youtube.com/channel/UCu2-KFD4PYwJCOanCmfGRQQ
itunes.apple.com/us/artist/elyssia/438085629

The Wrong Turn pt. 1

The Wrong Turn pt.1

A demo in 2011, This is a new version of the track with added tracks , restored as much as possible and  remixed in 2022.
⬇️Download it free here hypeddit.com/paullandry/fallingbacktoearth1
📹 www.youtube.com/watch?v=T_nN8nSQPHs
Music and vocals by Paul Landry
Paul Landry: Electric guitar, acoustic guitar, electro classical nylon guitar, piano, bass guitar, vsti mellotron. Yamaha keyboards, synthesizers, drum programming and vocals
Composed, performed, produced and recorded by Paul Landry
Album cover design and photography Paul Landry ©2019
Released through New Age Music Garden Recordings:
► www.paulssounds.com/
► itunes.apple.com/us/artist/paul-landry/id287800079
► www.youtube.com/channel/UC4oiRhX2e51zhvzHQwmVt0A
► paullandrymusic.bandcamp.com/album/cosmos

©2022 Paul Landry Music
All Rights Reserved

Falling Back To Earth

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Dark of the Day, composed, and performed by Paul Landry.
Recorded in Oxford, England, spring and autumn 2023.
Paul Landry: Fender electric guitars, yamaha acoustic guitar, Fender bass guitar, Vocals, East West VStii drums, Alchemy VSTi. Quiet Piano VSTi
Mixed and mastered by Paul Landry in The Progulator.
Cover art by Paul Landry.

🎦 Youtube: www.youtube.com/channel/UC4oiRhX2e51zhvzHQwmVt0A/
🌍​ Website: www.paulssounds.com/
⬇️​ Downloads: www.paullandrymusic.bandcamp.com/
👱‍♂️​​ Facebook: www.facebook.com/paullandrymusic/
​​🟢​ Spotify: open.spotify.com/artist/5tbvGDZA2vYsMHitQ7GNKv
☁️​ SoundCloud: @paullandrymusic
🍏​ Apple Music: music.apple.com/gb/artist/paul-landry/287800079
📻​ Radio: newagemusicplanet.com/radio
🐦​ Twitter: twitter.com/paullandrymusic/

Dark of the Day

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Dark Of The Day

This album is the musical expression of my personal experience navigating through the coronavirus crisis.
Saudade – This Portuguese word describes deep nostalgic or melancholic longing for something beloved that might never be had again, and perfectly encapsulates my dismay at the thought that life might never again be as it was before.

🎼 music.apple.com/us/artist/pam-asberry/1288877945
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🎼 www.youtube.com/pamasberry
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Unravlling

Saudade

📻 Get Your Music infront of 6,000 radio stations by adding it to our download website for music programmers. https://zenithmusicpromotion.com/radio-promotion

Critical Mass by Paul Landry

6,000 radio stns

Critical Mass by Paul Landry

Aria of the Aurora

Valiant Voyage

Moving safely from rock to rock or location to location is a major challenge because of the communication time delay between Earth and Mars, which is about 20 minutes on average. Unlike a remote controlled car, the drivers of rovers on Mars cannot instantly see what is happening to a rover at any given moment and they cannot send quick commands to prevent the rover from running into a rock or falling off of a cliff.

Harsh Terrain

Thank you for  all your kind comments, for listening, following and sharing <3 !  Overall Impression: An elegant take on new age music, with “The Eagle” ENIL Sounds, has a sophisticated musical palate and has written a composition with class. It’s a trifecta with a mixture of new age, ambient, and electronica with an acoustic feel that would appeal to listeners of soft pop, new age, and contemporary music today. ....https://linktr.ee/ENILSounds https://distrokid.com/hyperfollow/enilsounds/time-slips

In the WRONG PLACE at THE WRONG TIME with THE WRONG MINDSET, apparently making THE #WRONG #MUSIC, but it feels #RIGHT to ME!

Highly unlikely more than one of my tunes will ever be heard by more than a handful of listeners, so just for the record here is an incomplete list of artists my music has been compared to by other musicians, depending on which tunes they heard, StevenVellou (Gothic Funk)

RESIDENTS, PHILIP GLASS, DAVID BYRNE, FRANK ZAPPA, THE BEATLES, BAUHAUS, SISTERS OF MERCY, DAVID BOWIE, LOU REED, CAPTAIN BEEFHEART, PARLIAMENT, SYD BARRETT, PINK FLOYD, PSYCHIC TV, NEU, MOMUS, MINISTRY, CHARLES IVES, BEACH BOYS, KINKS, THE FALL, JOY DIVISION, DEPECHE MODE, GARY NUMAN, LEONARD COHEN, STONE ROSES, GIORGIO MORODER, GEORGE CLINTON, THE CURE, DALIS CAR, JOHN ASTLEY, KILLING JOKE, ALIEN SEX FIEND, ROBERT FRIPP, DEVO, B52’s, IAN CURTIS, FAD GADGET, TALKING HEADS, GORILLAZ, MIKE PATTON, JON ZORN, LES CLAYPOOL, STEVEN REICH, TOM WAITS, THE EX, TOM CORA, THE CAKE, NAPOLEON XIV, KEVIN AYERS, ROXY MUSIC, FRANK TOVEY, RUPERT HINES, ROBYN HITCHCOCK, DEVIN TOWNSEND PROJECT, SPARKS, BILL NELSON, JOHN CALE, TRIO, JULIAN COPE, HEAVEN 17, LLOYD COLE, TUBEWAY ARMY, FRONT 242, NITZER EBB, COCKNEY REBEL, SHRIEKBACK, VICTOR SNOW, GORDON LIGHTFOOT, THE THE, BABYBIRD, JOHN LENNON, ULTRAVOX, DAN DEACON, BACH, SQUEEZE, ANDREW ELDRITCH, IGGY POP, MIDNIGHT OIL, BILLY CHILDISH, BUTTHOLE SURFERS, VELVET UNDERGROUND, LOVE AND ROCKETS, ART OF NOISE, LOOK PEOPLE, CABARET VOLTAIRE, PRODIGY, et al.
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Don't take sides and I'll respect you for it; take sides and I'll treat you with the same contempt I treat anyone with a mob mentality, because mob mentality invariantly betrays an underlying intolerant right-wing mentality!
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#SUPPORT gathers #MOMENTUM when #RECIPROCATED!
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My tunes are ten times better than you might imagine!
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A lack of listens proves nothing, other than the fact that no one is finding your tunes; it does not prove, as some believe, that your tunes must be crap, so don’t ever take such a ridiculous notion on board—on an internet FLOODED with music no listens rarely has anything to do with the quality of your music, your creative talent, is almost always down to the fact that the right audience can’t find your music, because finding it is now as difficult as finding a needle in a haystack!
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SOMETHING FOR EVERYONE, EVERYTHING FOR SOMEONE!
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For diversity and consistency, I am not hesitant in saying my Soundcloud pages house the most inventive creations on here. There are others making fabulous tunes, but no one is more prolific while maintaining a high standard of pole to pole invention, and that applies to the lyrics too. I won't escape obscurity and oblivion, but that proves nothing, the internet is way, way, WAY overcrowded with unsigned music, way too much mediocre stuff, which obscure anything exceptional out there; the wood hidden away behind lots and lots and LOTS of trees, and no one has the time to look for needles in haystacks, to find a diamond in the rough, it's just way too big a task, not humanely possible!

INVENTIVE, AUTHENTIC, DIVERSE MUSIC, INVENTIVE, AUTHENTIC, IMAGINATIVE LYRICS, but those are the last things the vast majority of listeners are looking for these days!
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Me, I'm awestruck by musicians who can't be pigeonholed, who don't conform to any borders, who don't think about which direction each new creation will take, they just go wherever that creativity takes them; pure, on the fly, innovation, imperfect but 100% authentic, as far a way from manufactured, recipe book, regurgitation, as it is possible to get, totally unforced, inspirational and way, way, WAY outside the box! There ought to be a place for such creativity, there was at one time, but a mercenary music industry put an end to that, leaving us with a situation where those who deserve the most adoration for the talents receive the least!
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Will this ever change, will a yearning for TRUE underground, creativity unique to the individual, ever return, or has the spoon-feeding gone to far this time, is its grip so vicelike nothing can break it!
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I make #INVISIBLE music, perhaps it feels that way to you too!
#Overlooked, #Underrated, Dismissed Without A Listen!
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When Soundclouders follow me or click like without leaving feedback, what is it they are hoping for? That I come listen to their tunes and heap praise on them, what? I mean really, what is the point of following someone, what is the point of liking one of their tunes, if you don't actual think they are deserving of feedback, if you don't think the tunes are as good as what you do???

EXPLODING THE MYTH THAT UNSIGNED IS UNSIGNED BECAUSE IT’S INFERIOR TO SIGNED MUSIC!

>
UNTIL this MYTH is blown out of the water we don’t have a cat in hells chance of breaking through. #TheMyth  is the BIGGEST obstacle that stands in our way, it is the FIRST hurdle we must get over, it is the message that should be going #VIRAL, it’s down to each & every one of you to make that happen!
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#ExplodeTheMyth
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Listening to just one of my tunes tells you nothing about my creative approach, listening to ten of my tunes will still tell you very little, listen to a hundred of my tunes and the penny will start to drop, but it's only after hearing 500+ of my creations and collaborations that your eyes will widen in amazement! 
However, if you don't have unlimited eclectic taste none of that applies, and the reality is, who, in this world, is going to listen to every tune I've created, no one--if even one tune is heard from beginning to end it's a minor miracle, because sadly, there is a belief that unsigned means inferior, but I've heard enough tunes by the rest of you guys to know that's a myth, that's bullshit, we create some of the most inventive, authentic, imaginative tunes out there!
Give me unsigned, independent and underground music over signed, safe, predictable, recipe book, music any day of the week!
>
I MAKE TUNES NO ONE WILL EVER LISTEN TO!
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Some musicians & music fans don’t want to hear music from the past because they would have to acknowledge IT’S ALL BEEN DONE BEFORE!
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Finally come to terms with the fact that I'm PLAYING TO AN AUDIENCE OF ONE, and even I have to FORCE myself to listen!!!
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My music and lyrics are all about different, but if no one listens no one will EVER know! 
#StevenVellou

I CREATE TUNES ON THE FLY; NO FORMULA, NO PLAN, NO DIRECTION; THEY JUST HAPPEN--I'M IGNORANT OF THE RULES INVOLVED IN THE MUSIC MAKING PROCESS, SO I'M NOT BOXED IN BY THEM, WHICH IS WHY THEY ARE SO VARIED AND UNPREDICTABLE!
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Meaningful yet tongue-in-cheek tunes that can’t be #PIGEONHOLED!
Great production ISN'T my forte, accomplished musicianship ISN'T my forte but #UndergroundInvention, #InfiniteDimensions & LYRICS are!
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
Now I don't personally believe I'm in the same league as #Bowie, other than my lyrics, more often than not, making more sense, but I do think I share his ability to adapt to different genres, and his endless, diverse, creativity, just not quite on the same level.
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
I'm not proficient/accomplished on instruments, & I have other musical limitations, but most genres come natural to me, and I much prefer having that unforced ability to being highly accomplished on instruments, highly polished on production, or having the perfect voice!
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
If I didn't feel I had my own approach, if my music was easy to pigeonhole, I would have quit music a long time ago!
Never been about fame & fortune, just about pushing the boundaries without actually intending to push the boundaries; creativity that's second nature not formula! 
Yes, I want to reach an audience but making money from my music means nothing to me!
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
NOT saying I’m THE MOST #talented musician on music promotion sites but I will say I’m one of the most #UNDERRATED! Even so, I would much rather be underrated than overrated!
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>

Soar High Instrumental

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