Name: :zoviet*france: - Circle Walk Gateway (Friberg/Fialkiewicz/Zumaia Mix) by Linn Friberg
Duration: 4 min 31 s
Description: This is a remix of field recordings made by :zoviet*france: for their open remix project "Hidden By The Wall". We hope you enjoy this remix, and we appreciate :zoviet*france: sharing their original field recordings with us!

https://soundcloud.com/zoviet-france/sets/hidden-by-the-wall-open-remix

This is a remix of field recordings made by :zoviet*france: for their open remix project "Hidden By The Wall". We hope you enjoy this remix, and we appreciate :zoviet*france: sharing their original field recordings with us!

:zoviet*france: - Circle Walk Gateway (Friberg/Fialkiewicz/Zumaia Mix)

This is my remix from the :zoviet*france open remix project. 
I enjoyed working on this track as I'm originally from close to the area where these recordings were made but live in a different part of the UK now so it felt special to work with these sounds. 
 
For the remix project, see below for more details. 
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This is an open remix project with 11 original, downloadable 24 bit / 48kbps field recordings we captured to create the track Hidden-by-the-Wall (included in this playlist). We invite anyone to take these and use them to create something new. If you do, please post it here on SoundCloud and let us know – we very much want to hear what you do with them.

Hidden-by-the-Wall is a new soundwork by :zoviet*france: commissioned by Green Croft Arts as part of its Collision and Conflict project.

Collision and Conflict is a GPS-triggered geolocated sound walk, presented through the Echoes phone app, that follows a circular route between Walltown and Green Croft in Northumberland, UK. The route runs alongside and close by Hadrian's Wall, a vast Roman defensive fortification that runs east/west across northern England, marking the northwestern frontier of the Roman empire. While following the route, walkers can listen to each of the 14 new music, sound and spoken word Collision and Conflict compositions at the locations to which they've been allocated along the way. Hidden-by-the-Wall can be found along a stretch of open country between Walltown and Thirlwall, a high point from which the distant Scottish borders to the north and the North Pennines to the south can be seen.

In devising Hidden-by-the-Wall we set out to capture hidden and unnoticed sounds in the vicinity and recreate lost sounds that would have been heard decades ago but have now gone forever. The original field recordings that form the hidden and unnoticed sounds are here in this playlist. More about each track can be found in the description on its page.

More on Collision and Conflict:
www.greencroftonthewall.com/collision-and-conflict

The recordings are made available under creative commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0) (creativecommons.org/licenses/by-nc-sa/4.0/)

:zoviet*france - Hidden By The Wall (Audio Obscura Remix)

all drone tones come from the ecr+ as resonator, big stereo hits and foley sounds from the convolution module as well.

ecr+ several situations

We first became aware of Mike Weis through his drumming in Chicago's Zelienople, in which he blended hypnotic, delicate grooves and shimmering auxiliary percussion into the band's unique downcast drone-folk. In recent years, Weis has expanded his exploration into meditation and ritual in music performance, exemplified by this set recorded for the 2018 Winter Solstice. Weis' mix of such unconventional percussion instruments as tongue drum, dholak, and changgo, as well as gongs, bells, and objects, all performed live, is typical in its unerring time, tightly controlled dynamics, and dense yet drifting atmosphere. The music settles in places which aren’t visible upon first sight, and, like walking through a foggy, mid-December field, pock-marked with patches of snow and tufts of brown grass, sounds reveal themselves for a moment of recognition and familiarity, only to recede, vignetted by the enveloping atmosphere. Mike Weis has been deeply admired by Notice since our inception, and In Low Light provides an engaging illustration of his practice.

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Mike Weis / mbira, tongue drum, dholak, changgo, bass drum, cymbals, gongs, singing bowls, bells, dharma bell, moktak, field recordings

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Tracklisting:

1. Number 1 - 07:06
2. Number 2 - 05:34
3. Number 3 - 03:01
4. Number 4 - 05:14
5. Number 5 - 02:48
6. Number 6 - 05:35
7. Number 7 - 03:53
8. Number 8 - 05:16

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Recorded early Winter 2018

Pre-mastering by Matt Christensen

Mastered by Branic Howard, Portland OR

Mike Weis - In Low Light (Music For The Winter Solstice) - 05 Number 5

https://open.spotify.com/album/18Wdi9q04IPQxxo1RbqlN5

KARUMA

Elisha Morningstar/Lorenzo Abattoir, Titled

GRFTPS017
Andrew Heath, Anne Chris Bakker & Mi Cosa de Resistance - Dispatches
limited edition cassette / digital - now on bandcamp
https://giraffetapes.bandcamp.com/album/dispatches

Dispatches

B1. Andrew Heath, Anne Chris Bakker & Mi Cosa de Resistance - Seems So Long Ago Now [GRFTPS017]

I walk  for miles in these urban spaces. 
I'm fragmented.

UrBNWLKS

UrbNWlK

Delphine Dora - All Is Breathing

So what ?

Zwiéspalt

Electronic music composer and compilation producer from Sweden. [she/her]

:zoviet*france: - Circle Walk Gateway (Friberg/Fialkiewicz/Zumaia Mix)

Linn Friberg

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