Name: Hardrock - Feel Alive/ Change (In the House of Flies) Sped up and Reverbed by ıʞıōʎɹ 𐕣 in i would totally play cod
Duration: 2 min 25 s
Description: Hardrock - Feel Alive instrumental but sped up and reverbed to perfection

THIS WOULD BE SO GOOD IF IT WASNT SPED IP BRUU

i would totally play cod

Erosion Implosion

Erosion Implosion (Remix)

Hardrock - Feel Alive instrumental but sped up and reverbed to perfection

Hardrock - Feel Alive/ Change (In the House of Flies) Sped up and Reverbed

Destroy Lonely DEFTONES BEWARE beat TikTok

DEFTONES BEWARE destroy lonely remix TikTok

All credits go to the creator of this song: Carbon - rockhardt, all I did was louden it and put more of the sound towards the right ear.

Revamped Rockhardt - carbon

Deftones - Beware (instrumental + remix)

Beware by Deftones x Pierre1k! - Slowed and Reverb - (Type Beat)

Realize - Trxy!<3 (Slowed And Reverb)

youngest daughter

𝕮𝖍𝖆𝖓𝖌𝖊𝖘 |  𝕯𝖊𝖋𝖙𝖔𝖓𝖊𝖘

𝕮𝖍𝖆𝖓𝖌𝖊 |  𝕯𝖊𝖋𝖙𝖔𝖓𝖊𝖘

i dont care opium remix full version

Trxy! realize sped up

aiiirstriiike + d.a.1000 (p. viizzi + d.a.1000) #friiidgedeath

headspace +@d5rko

The haiku that guided this;

Winter waterfall
a rock untouched
by sunrise or sunset
(Naviar haiku challenge 607, details here: https://www.naviarrecords.com/haiku-music-challenge ),

has an obvious staring point, "Winter Waterfall" the track has finished up quite experimental.


Waterfall = white noise.
So I started with a noise source in Voltage Modular and created an evolving sequence that processed the noise output through a spectral filter bank using two instances of the WC-96 Spectral Processor from DMT Audio. I then created a rhythmic element by feeding that output through an LFO controlled envelope, passing the output on to Quadelay from Waverley Instruments. 

With the noise elements in place I added some pulses using basic VM modules then moved on. Having used a couple of tweaked Dreamsynth presets last week I decided it was time to take the deep dive and learn how to patch Dreamsynth from scratch. Dreamsynth (https://cherryaudio.com/products/dreamsynth) is deep, almost modular. I made a patch for the chord sequence; yes I know it's a bit weird but I liked it in isolation while developing the DS patch so kept it all be it sequenced, converted to MIDI and passed out from VM. While experimenting I found that if I played in a low register I got a rumbly semi random texture so I split that off and tweaked it a bit to represent the rock, triggered by a separate sequence in VM. The final element is a drone layer made from DMT Audio's "West Coast" modules (Uncertainty and Harmonic Oscillator), left over from an early experiment and passed through a band pass filter modulated by reused control, voltages from the noise sequencing. 

With all the elements in place I made two changes before recording, I added a small amount of ShimmerVerb from Eventide to the chord sequence and replaced the pure white noise that I'd planned to use at the beginning with a sample of a real waterfall from freesound (Staying close to waterfall by trader_one -- https://freesound.org/s/670515/ -- License: Creative Commons 0), because I wanted a touch of gurgling water.

With everything in place; opening waterfall, mapped physical controls, multitrack recording and no real plan. I hit record and improvised, one take, longer than I'd expected.
I'll own up to doing a lot of mastering to make the dispirit elements gel but didn't add anything significant.

Hardrock - Feel Alive/ Change (In the House of Flies) Sped up and Reverbed

ıʞıōʎɹ 𐕣

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