Beautiful...i hear this playing while a torn up viking or nordic type ship floats on a still foggy ocean, eventually coming face to face with the tallest rock face you can imagine. 

Мягкий звук, глубокие чувства и туманная атмосфера.

Рок-меланхолия

SINNER GET READY

THE SACRED LINAMENT OF JUDGMENT

Ghost of Love b/w Imaginary Girl

Ghost of Love

Molly Nilsson   I Hope You Die

INTP

From the album Glider on Western Vinyl
iTunes: https://itunes.apple.com/us/album/glider/id985322600
Amazon: http://www.amazon.com/Glider-Heather-Woods-Broderick/dp/B00W4Y7EB8
WV: http://westernvinyl.com/shop/wv135.php

Tracked live at Type Foundry recording studio in Portland, OR with Peter Broderick on drums and Dave Depper on bass

Heather Woods Broderick excels at distilling her experiences into a soulful melancholy that's enduring both for it's intimate relatable moments and its persistent sense of mystery. Her uncanny ear for evocative production and gorgeous vocal harmonies serves her well on her new album Glider. Throughout the album, the rich dreamlike atmospheres she creates hint at a darkness looming on the horizon, while the singularity of her ethereal voice always seems to linger long after the music has stopped.

Heather Woods Broderick:
Artist Page http://westernvinyl.com/artists/heather-woods-broderick.php
Website http://heatherwoodsbroderick.com/
Twitter https://twitter.com/_H_W_B_
Instagram https://instagram.com/woodsbroderick/

LIVE DATES:
5/26/15 - Holocene - Portland, OR
5/27/15 - The Tractor Tavern - Seattle, WA
5/30/15 - Turf Club - St Paul, MN
5/31/15 - Schubas - Chicago, IL
6/1/15 - The Drake - Toronto, Canada
6/2/15 - Le Divan Orange - Montreal, Canada

Heather Woods Broderick - Wyoming

KMT KI Media 2025 (19.08.2025)
Album Nr. 139 "Víkingalög by KMT" - Style: Folk, World, Nordic, Viking | Tracks: 32 (ai generated)
Lyric: Icelandic

Theme: "Víkingalög" er safn laga sem endurspegla líf og anda víkingaaldar. Frá hörðum orrustum til seiðandi sjóferða, frá goðsögnum til náttúrunnar, þessar lög flytja okkur aftur í tímann. Hlustið á raddir forfeðranna og upplifið kraftinn í Víkingalögum.

Translation: "Víkingalög" is a collection of songs reflecting the life and spirit of the Viking Age. From fierce battles to enchanting sea voyages, from mythology to nature, these songs transport us back in time. Listen to the voices of the ancestors and experience the power of Viking music.

Note: Unfortunately, I couldn't create Old Norse, but I could create Icelandic. According to the AI, this language is most similar to Old Norse.

Track 01: Víkinga Bardagi (Wikinger Schlacht)
folk, Nordic, epic

Track 03: Langskip á Sjó (Langschiff auf See)
Viking folk, sea shanty, traditional folk

Track 05: Goðanna Ljóð (Lied der Götter)
Viking folk, mythological ballad, atmospheric

Track 07: Veturnótt (Winternacht)
Nordic folk, pagan folk, atmospheric

Track 09: Valhalla Kallar (Valhalla Ruft)
folk, Nordic, dark ambient

Track 11: Sæfara Vísa (Seefahrer Lied)
folk, Nordic, viking music

Track 13: Ásatrú Bæn (Asatru Gebet)
Viking folk, religious hymn, neofolk

Track 15: Hrafns Söngur (Rabens Lied)
Viking folk, Nordic folk, atmospheric

Track 17: Sverðdans (Schwerttanz)
folk, nordic, world music

Track 19: Haustmánuður (Herbstmonat)
Viking folk, Nordic folk, atmospheric

Track 21: Víkinga Ferð (Wikinger Reise)
Nordic folk, pagan folk, epic folk

Track 23: Forn Seidur (Alte Magie)
folk, Nordic folk, ambient

Track 25: Feigðarorð (Prophezeiung)
Nordic folk, pagan folk, dark ambient

Track 27: Sumarsólstöður (Sommersonnenwende)
Viking folk, pagan folk, world music

Track 29: Ættar Minning (Ahnen Erinnerung)
Viking folk, ancestral, Nordic traditional

Track 31: Yggdrasils Rætur (Yggdrasils Wurzeln)
Viking folk, Nordic folk, world music

If you would like to use my music commercially, please contact me. No financial income may be generated from my music without my permission. My music is free for private and commercial use. However, I would appreciate it if you would credit me (Kurt Michael Treichl) as the author. Please also mention that this is AI music.

Thank you for your time. Enjoy your journey through my artificially created musical paradise.

© Album cover and music were created by Kurt Michael Treichl using AI support.

Best regards,
Kurt Michael Treichl (KMT KI Media | AI Music Austria) - Austria / Salzburg

Visit me for more on
https://www.mystic-arts.com
https://www.ai-music.at
https://www.kmt.zone

03 Langskip á Sjó (Langschiff auf See) v1

Fuzzy

All Is Full Of Love

All Is Full Of Love (Strings)

Sea Change

Lost Cause

All Bitches Die

For I Am The Light (And Mine Is The Only Way)

Eartheater - Phoenix: Flames Are Dew Upon My Skin
Format: LP / DL
Cat.No. PAN 112
Release Date: 2 October 2020
Purchase/stream: pan.lnk.to/Phoenix

Composed, produced, and arranged by Eartheater alone, Phoenix: Flames Are Dew Upon My Skin draws a path back to the primordial lava lake from which she first emerged, as it also testifies to the reincarnating resurrections the project has undergone over its first full decade of existence. While the album renews her focus on guitar performance and legible structure, Eartheater balances the unabashed prettiness of acoustic harmonic songs with the dissonant gestural embroidery of oblique instrumentals. Having fallen back in love with the idioms that first captivated her, she worked to crack open the techniques that had fossilized inside of her, while still seeking to apply the electro-alchemical knowledge she picked up along her journey. The result of a laborious revival in fire, Phoenix recontextualizes Eartheater’s combinatorial approach to production within her most confident abstractions, adjacent to some of her most direct songs to date.

Eartheater composed and workshopped most of Phoenix over a ten-week artist residency (FUGA) in Zaragoza, Spain, housed in a sprawling, cubic glass facility that looked out over wildflower-flecked mountains. Following an intensive period of recording and touring, the residency provided her with an unprecedented period of solitude in the small Spanish town. Her newfound sense of isolation ultimately became liberating, leading her to sidestep the crutches and steady grids inherent to electronic music, and to conceive pieces rooted in her guitar and her desire to perform with other players live. Eartheater’s voice glows brighter than ever at the center of Phoenix’s arrangements — her familiar operatic highs are grounded by newly expanded velvety lows, leaping lucidly up and down octaves. Her intricate guitar work flits across baroque fingerpicked passages and latches into cyclical figures that meet her voice in lush harmonic progressions. From her own guitar parts, to the orchestral string arrangements she wrote for the Spanish conservatory group Ensemble de Camara, to the harp and violin lines performed by her close friends and collaborators Marilu Donovan and Adam Markiewicz of LEYA, Eartheater’s applications of acoustic instruments bring an extraordinary emotional emphasis to her compositions. Phoenix prepares for a future where electronic sound — or even electricity itself — isn’t guaranteed, but where her music could still come to life with a group of hands dexterously winding across instruments against the light of the fire.

Eartheater drew inspiration for Phoenix from geological imagery, whose turbulence and potential for genesis mirror the trajectory of her own life and relationships. The album’s instrumental pieces directly reference these moments of upheaval, colliding audio of volcano and lightning storms with resplendent string and vocal arrangements. “Volcano” looks out over the album from its peak at the center, its tectonic plates colliding in towering melodies and layers of vocal harmonies, as piano accents crest and cascade down the mountainside. When Eartheater sings, “I’m still building mountains underground,” she is trying to reconcile the pinnacles of her ambition with the comforts of a simple existence buried beneath the surface. “Diamond in the Bedrock” finds her admiring the gemstone forming under intense pressure inside her, but rejecting the romantic promise that the diamond signifies, choosing instead to escape a relationship that has come to stifle her.

Read full press release: https://bit.ly/2XtJGvQ

Wicked Game

Lingua Ignota

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