Sand Riders (2024) Anthology CD3 Track 12

This is just a song of personal circumstances written in the same phase as “Jigs & Fixtures”.   
Looking back after so many years, I really should not have any regrets.  The song picture is also arbitrary.
Thanks so much for stopping by.

[CREDITS]
Music / Lyrics / Vocals / Arrangement / Programming – Michael C. Lynn
Guitar Solo – Brent Mason @Band_in_a_Box
Violin Solo -  Avery Bright @Band_in_a_Box

[LYRICS]
It's been four years now					
I am still around in these castle walls					
Not yet ready for society bound					
Waiting for chances to call					
But the curtain's falling before the play begins					
Sometimes you make it					
Sometimes you have to give in					
					
In this castle					
For too long I've been here					
See the castle					
Many long to be there									
That's the castle……that's the castle

Card games in the library					
Play truant repeatedly					
Keep on fooling around					
Examination's in a daze					
All the years are gonna waste					
Feeling like a clown					
Empty stages, regret is the only thing					
Run through the pages					
Can't find the right song to sing

In this castle					
For too long I've been here					
See the castle					
Many long to be, long to be there

Requirements must be satisfied					
If you wanna get inside					
Fill the forms and stand in line					
The status that you're aiming					
Dreams you're pursuing					
Future sure looks fine					
Games hall and canteen					
Swimming pool in between					
Are just too fascinating for school-leavers at seventeen				
					
(CHORUS 2)					
Come and join the castle					
We're getting better every year				
Join the castle					
It's nice to have you here
Join the castle					
We're getting better every year				
Join the castle					
It's nice to have you, nice to have you here

The Castle

Video; https://youtu.be/ToaxoyGW6Zs

Made in April 2025

Breath Energy

Remixes 2025

Wild Wild West (Night on Earth Mix 2025)

Dear friends, We have become very dependent on the internet, but it certainly needs to be renovated. Apparently anyone can create malicious sites at any time. Criminals can recruit young people for assassination missions, and you can buy dope. In addition, hackers can disrupt important functions. Criminals can also cheat other people out of money.


The Web

It’s a dangerous Thing that we have, it’s in the sky
it fills the universe with signals to us all
and we can’t ignore them, cause then we are sold

We need it in our daily life when we call our kids
and when we pay our bills - it is the only way
cause there are no coins anymore - that people accept

And if one day the Thing does’t work, the world will stand still
and every person will soon be paralysed
noone can’t buy tickets for the bus in their town

The Thing is not under control - it can be misused
there are ugly people who publish harmful sites
that is very bad for the kids in our world

The thing is however soo cool when it’s properly used
it can make contact between wonderful people around the globe
it can make folks happy when times have gone wrong

The Web - 2025-05-04 13.05

The Earth Love II

Keeper of the Eternal Ice

Thank you for taking the time to listen to this track.In this chaotic present world, people are wandering in the 3rd dimension.
The earth is already beginning to move into the 5th dimension.
The world is moving at an accelerated pace, justice is being upheld and injustice is being exposed.
But people's lives will not change.
Because people are hiding in their shells, not seeing the reality that their minds are threatening them.
Now let us raise the flag of our true selves and return to ourselves.
The earth will support your efforts.

Burning Flame Of Black Eyes

Thank you to everyone who stopped and listened to this track.The carnation is said to be the flower that bloomed where Mary's tears fell.
The flower that symbolizes the mother must be the most beloved flower on this day!
On this day, carnations of every color shine all over the world.
Perhaps it is also a day to trace the bitter memories of her tears as a mother.

Carnation

contraste des sentiments, entre blues de la vie (mais blues, c'est bleu aussi) et musique mi funk mi soul. Enfin bon, j'en sais rien : un peu de musique quoi...

la coupe aux lèvres

When the railway runs along the coast, right beside the sea, there are many tunnels. Sometimes they’re so narrow that two tracks must draw near to one another to pass through. That’s how a strange love story begins between them.
This is a song I wrote around the year 2000, one of my last. I think it has a good mood. I’ve remixed and partially rearranged it.
You can still hear the warm tone of the Washburn, along with the old Yamaha’s sounds (including the flute). The sax — reworked by me  — is kindly provided by Dropgun Samples.
Still, as always, everything is very handcrafted.

Below is the English translation of the lyrics.

They converged at the tunnel’s mouth,
suddenly parallel —
twins of the railway.
They looked at each other, studied each other,
just enough
to not quite grasp
how much the one beside you knows of you.
They hesitated, thinking of the road behind:
companions in adventure,
but now unsure why.
And then they stared at the night gaping inside the tunnel:
a magnificent promise
to be traveled on the thread of fantasy.

“Inside this darkness, maybe we will never part,
under this shadow, maybe you’ll finally know me,
after this night, who knows where you’ll fall asleep —
perhaps closer to the sea…”

They parted at the tunnel’s edge,
but a narrow wall concealed a silence
charged with jealousy,
shaped like fear — fear of that strange kind of courtesy,
fear of the light,
fear of the end of the tunnel.
“Parallel track,
mirror born of the railway,
traitorous twin,
lover made of parody.
Don’t tell me that
after this darkness we’ll never part,
that under this shadow you’ll finally touch me,
that after this night, who knows where you’ll take me —
perhaps down by the sea…”

And at the end of that masterpiece of engineering,
only one of them
came rushing out of the tunnel;
on instinct, he turned and saw
that the sea was beside him,
and under the sea, the sky,
and beneath the sky — who knows what lies...

“After this darkness, surely we will never part,
inside this shadow, surely you’ll let go,
after this night, I cannot say where you’ll fall asleep —
perhaps closer to the sea…”

----

Confluirono all'ingresso della galleria
improvvisamente paralleli 
gemelli della ferrovia.
Si guardarono, si studiarono quel tanto che
non basta a misurare sino in fondo
quello che hai di fianco cosa sa di te.
Indugiarono, pensarono alla strada dietro di sé:
compagni di avventura,
ma ora non capivano perché.
E poi guardarono la notte spalancata nella galleria:
magnifica promessa
da viaggiare sul filo della fantasia

"dentro questo buio forse noi non ci separeremo mai,
sotto questo scuro tu finalmente mi conoscerai,
dopo questa notte poi non so dire dove ti addormenterai,
forse più vicino al mare ..."

Si congedarono sulla bocca della galleria,
ma parete stretta nasconde silenzio
fatto a carica di gelosia,
fatto a forma di paura di quella stranissima cortesia,
paura della luce
paura della fine della galleria.
"Binario parallelo,
specchio generato dalla ferrovia,
gemello traditore,
amante da parodia.
Non dirmi che 
dopo questo buio noi non ci separaremo mai,
che sotto questo scuro tu finalmente mi toccherai,
che dopo questa notte poi chissà dove mi accompagnerai,
forse giù vicino al mare ..."

E alla fine di quel capolavoro di ingegneria,
di loro uno solo
usciva di corsa dalla galleria;
d'istinto si voltò e vide che
c'era il mare di fianco a sé,
e sotto il mare il cielo,
e sotto il cielo chissa cosa c'è ...

"dopo questo buio certo noi non ci separeremo mai,
dentro questo scuro tu sicuramente ti abbandonerai,
dopo questa notte poi non so dire dove ti addormenterai,
forse più vicino al mare ..."

----

Composed by Michele Ansani (1999)
Posted on SoundCloud: 2025, May 16

Down by the sea [Viaggio di nozze] *

dis moi quoi

Yoshimayo’s music is characterized by a dreamy, experimental, and introspective fusion, blending soft electronic sounds with acoustic and organic elements. Although he remains relatively under the radar in mainstream circuits, what makes his music unique can be described through several dimensions:

🎼 Musical Characteristics of Yoshimayo:
Delicate and deep sound textures:
He creates highly immersive atmospheres, sometimes bordering on ambient music or electronic post-rock. The sound layers evolve slowly, producing an almost cinematic effect.

Emotional minimalism:
Few elements are enough to express a great deal. His music plays with the unsaid, with space and silence, often evoking an inner poetry.

Fragile and nostalgic melodies:
Melodic lines are often simple, almost childlike, yet always tinged with subtle melancholy. They evoke memories, daydreams, or meditative states.

Organic-electronic fusion:
Yoshimayo manages to blend synthetic elements (pads, drones, glitches) with classical instruments (piano, strings, soft percussion) without sounding artificial.

DIY / artisanal aesthetic:
The production sometimes intentionally sounds "handmade," yet with great care. This brings an authenticity that contrasts with the industrial standards of electronic music.

✨ What Makes Yoshimayo Unique:
A sonic identity that is recognizable within the first few seconds, without being showy.

An ability to evoke gentle, intimate, and contemplative emotions, far from mainstream conventions.

A rejection of the spectacular, which gives his music a quiet strength.

A coherent artistic direction, often accompanied by minimalist and poetic visuals.

https://www.instagram.com/yoshimayo317/

dis moi quoi

YOSHIMAYO

Recent comments

No Mates Ensemble

David. k. A. Spencer.

Related tracks