Very nice work, love the layers of sounds.

Weekly

A collaboration between :
Shane Beck, The Last American Poet (Words)
progettosonoro (Music)

If you should repeat the words of the poem in which I gave
Were they meaningless things you said, a poet you swore to save
Could you truly feel all those things that you said that made me sigh
To silence the poet of your life, knowing without you I will surely die
And yes, She Called Me Her King, only to let it all go & pass me by

To say it is best to let go because giving me hope is cruel & wrong
I wrote thousands of poems for you & used your name in a song
Why has She Called Me Her King when it was never really true?
Knowing that all those years I never once let go of you
I never once let go of you

Shane Beck & progettosonoro - She Called Me Her King

This song is a cover of a cover that Jerry Garcia (guitar), Merle Saunders (keys), John Kahn (bass), and Bill Vitt (drums) recorded live at the Keystone in Berkley, CA, in 1973. It's actually a cover they did of a song called Finders Keepers by the Chairmen of the Board.

Entheogenic Psychonaught (Josh Clary) - Bass and Synthesizer
K2 and the three (four) - Drums
Llanpsych - Guitar and mastering
J.J. Terrell - Clavichord and Organ

Keepers (With Entheogenic Psychonaught, Llanpsych, K2 and the Three (Four)

Synths by 
https://soundcloud.com/audiobake

Music by Hobocop
@metrocityrecords

Vocals & lyrics by https://soundcloud.com/cosmic_keanu and HOBOCOP 

DYSTOPIA (MY DYSTOPIA)

Dystopia!

You try to run, you try to flee,
But the streets are filled with mutant freaks!

Your Mylar suit has sprung a leak,
Now head crabs crawl up your feet!

Dystopia!
My Dystopia! 
My Dystopia! 
My Dystopia! 
Ma-ma-ma my-dystopia!

Everything sucks and it always rains.
Zombies roam the streets, looking for brains!

Giant rats crawl from sewer drains.
Look at them close they have a human face!

Dystopia (My Dystopia) AudioBake x HoboCop x Cosmic Keanu

WelcomeOMspirit On Saturday

DRUMAX No. 33 // ISON // The small sad story of the comet ISON ...
@docfritz // Composition, Arrangement, Soundscapes, Rhythmic Design, Artwork, Mix & Production
@joerxworx // Fantastic EWI as violin and trumpet
© 2023 // DRUMAX PROJECT // All Rights Reserved

ISON

DRUMAX No. 33 // ISON

When Summer Ends

A-Komputronika

This one sprung from the mind of eddyoffline when he sent the cool reggae guitar line over.  we’d talked about doing another jam to follow up ‘Reggae-ish’ and this is it. 
Enjoy 

Lyrix :
Hi. Get high
Lalala
Keep on Walkin
Don’t look Back

Check out our other collabs expertly aggregated at the following location 

https://on.soundcloud.com/GMwpNiMTYn8CPYDR9

when he’s not offline Eddy is here 

https://on.soundcloud.com/GgtkQXckjpeJp7ta7

Don't look back - w/ eddyoffline

Audiobake  Cyberian QOTD Remix

No Doubt In My Mind

Remedies Of Love

Made in #Ableton; Re-Release

Video;
https://youtu.be/r7OznW1BiXI?si=dkrB_ZdX9e2oEQUs

Genres;
#Electronic
#Pop

Tense Souls

Composition and Sampling collage by Synline

This song is included in the album 'Matte Black'https://on.soundcloud.com/WEXET

A Certain Light

On Sameness

Homeland is the first chapter of the Native American series — a powerful New Age dance album rooted in tradition, memory, and belonging. Every track carries the listener on a journey across sacred landscapes, where ancestral voices and the heartbeat of the earth unite in rhythm.

Tribal drums pulse like footsteps across ancient soil, airy flutes echo like calls over wide plains, and soaring strings weave melodies of strength, love, and reverence. From the meditative flow of River Spirit and the fiery energy of Voices of the Fire to the transcendent dance of Call of the Eagle and the celebratory warmth of Song of the Homeland, the album honors the eternal connection between people and the land they call home.

Both primal and uplifting, Homeland is more than music — it’s a story of roots, resilience, and the sacred bond between earth and spirit. Perfect for meditation, movement, or celebration, it lays the foundation for a larger odyssey that spans across elements, love, and the great beyond.

Echoes of the Land

Este álbum se despliega como un tejido sonoro que entrelaza lo espiritual con lo terrenal, invitando al oyente a un recorrido donde cada tema es una estación en un viaje contemplativo. La selección de piezas revela un equilibrio entre introspección, movimiento y pausa, articulando un relato que fluye con naturalidad pero que no teme a la fragmentación, como si el tiempo mismo se doblara en pequeñas escenas musicales.

El comienzo con **“oto no inori”** abre un espacio casi ritual. Su título, que evoca la idea de una “oración del sonido”, se traduce en una atmósfera meditativa y envolvente. Los timbres parecen flotar como mantras electrónicos, creando un paisaje en el que el oyente se sumerge lentamente. Es una introducción que prepara los sentidos, estableciendo un tono espiritual y etéreo.

En **“Residual Steps”** el foco se desplaza hacia el movimiento. Se perciben patrones rítmicos que sugieren pasos que quedan grabados en la memoria, huellas que no se desvanecen del todo. El tema combina repetición y variación, logrando un balance entre lo mecánico y lo humano, como si el avance se diera en círculos que dejan rastros.

La transición a **“Residual Transit”** intensifica esta idea de trayecto. Aquí los sonidos evocan desplazamientos continuos, un viaje en tránsito que nunca termina de llegar a destino. Las capas melódicas se cruzan como caminos superpuestos, reforzando la noción de desplazamiento físico y mental. Es una pieza que transmite movimiento, pero también cierta suspensión, como si viajáramos en un tren interminable.

**“Solitary Sequence”**, en este contexto, adquiere un carácter diferente al de su aparición en el otro álbum. Aquí se percibe como un punto de concentración: un patrón aislado que recuerda al pulso interior de la soledad. Su minimalismo aporta un contraste, un momento de recogimiento frente al dinamismo de los temas anteriores.

Con **“Static Harmony”** se abre un espacio más abstracto. La armonía parece suspendida en el aire, como si estuviera quieta y en movimiento al mismo tiempo. Es una exploración de la tensión entre estabilidad y transformación, un estado de contemplación donde la escucha se convierte en observación del detalle.

Finalmente, **“Velvet Interlude”** cierra el recorrido con suavidad y calidez. Como su nombre indica, funciona como un interludio aterciopelado que deja una sensación de caricia sonora, un epílogo que no busca un final rotundo, sino una disolución suave y elegante.

En conjunto, el álbum es una meditación sobre el viaje y la huella, sobre el tránsito y la pausa. Cada pieza ofrece un matiz distinto, pero juntas construyen un universo donde lo residual se convierte en memoria sonora, y lo estático en movimiento interior. Es una obra que invita a escuchar no solo con el oído, sino con la sensibilidad completa.




Chasing Resonance

Heavy Punk Rock 'n' Roll band turns into Synthwave nowadays! Brand NEW album "Ultraviolet Cosmos" available NOW!
https://shockthealgorithm.bandcamp.com/album/ultraviolet-cosmos

Yoshimayo’s music is characterized by a dreamy, experimental, and introspective fusion, blending soft electronic sounds with acoustic and organic elements. Although he remains relatively under the radar in mainstream circuits, what makes his music unique can be described through several dimensions:

🎼 Musical Characteristics of Yoshimayo:
Delicate and deep sound textures:
He creates highly immersive atmospheres, sometimes bordering on ambient music or electronic post-rock. The sound layers evolve slowly, producing an almost cinematic effect.

Emotional minimalism:
Few elements are enough to express a great deal. His music plays with the unsaid, with space and silence, often evoking an inner poetry.

Fragile and nostalgic melodies:
Melodic lines are often simple, almost childlike, yet always tinged with subtle melancholy. They evoke memories, daydreams, or meditative states.

Organic-electronic fusion:
Yoshimayo manages to blend synthetic elements (pads, drones, glitches) with classical instruments (piano, strings, soft percussion) without sounding artificial.

DIY / artisanal aesthetic:
The production sometimes intentionally sounds "handmade," yet with great care. This brings an authenticity that contrasts with the industrial standards of electronic music.

✨ What Makes Yoshimayo Unique:
A sonic identity that is recognizable within the first few seconds, without being showy.

An ability to evoke gentle, intimate, and contemplative emotions, far from mainstream conventions.

A rejection of the spectacular, which gives his music a quiet strength.

A coherent artistic direction, often accompanied by minimalist and poetic visuals.

https://www.instagram.com/yoshimayo317/

WelcomeOMspirit On Saturday

YOSHIMAYO

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