99% of my ideas are poor, I could very well be wrong. so by all means go for it!

Tiny ouch, but a wonderful boldness to explore!

Great choice to spice it up properly! 👍

I believe to remember how you said once you didn't like arps. But then you do such beautiful ones!

very nice 'playing with time', it is coherent

interesting - somehow that kick seems in a bit of a different dimension to the other drums and the music,

I think intended or not - I think your violin/string (?) [best heard at 1:10 sounds real and synthetic enough to be in the 'uncanny valley' in a really positive way. It fits perfectly in the context of this track!

One Synth Challenge #189: Myth 1.5 by Dawesome

2024 Fall Music Play 

Sweet Piggy

Future Is A Myth (OSC 189 - Dawesome Myth)

This track made for the KVR One Synth Challenge using only sounds from the VSTi Myth. Also, only DAW and free 3rd party FX used.

DAW: Reaper
Track Details:
50 * Myth
50 * ReaEQ
4 * kHz Transient shaper
4 * Twin Delay
2 * Oril River
9 * LFX-1310 (autopan)
1 * Bass Professor Mark 2
4 * TAL Dub Delay
Master:
SlickEQ
MSED
Limiter No. 6
Meter:
SPAN
Youlean Loudness Meter
Stats:
LUFS-I: -13.1
DR: 6

The Mythics play Techno - OSC #189 - Myth

"The Myth of Time"

November 2024 submission for One Synth Challenge #189

Synth: 12 x Dawesome Myth 1.5
Effects: ALL effects are synth-only.

Mastering: None. No limiter, so please dial up the volume a few dB.

----
DAW: Reaper 7
Synth: 12 x Dawesome Myth 1.5
DAW effects: None
Additional effects: None
Master bus: None

-----
Some of the fun experiments in this track:
* All effects in-synth. No mastering effects. LUFS low to minimize clipping.
* The track features 3 different main time signatures with some effort into seamless transitions.
* Melody / arp lines time warped with non-linear time-warping homebrew scrips (sinus and exponential time mapping).
* Multi-instrumental 1/8 echo delay. I.e. the delays are using different Myth instruments.
* Tempo is linearly changing between 90 and 135 BPM during most of the track.
* Sound design. Just random knob turning to taste, LFO stuff and effects.
* All EQs and reverbs are in-synth.
* Most volume mixing with MIDI velocity. (not 100% though).

--- 

Theme song to the sci-fi summer flick "The Myth of Time (2031)"
Oscar winner 2032 for best original soundtrack.

In a sprawling, dystopian future where the rich control the flow of time, Alex Kane, a hardened "Time Hunter," is hired to track down and eliminate rogue time manipulators—individuals who illegally alter the timeline for personal gain. Time is no longer a fixed constant; it has become a commodity, and those who possess the power to control it live like gods. When Alex is tasked with finding Evelyn Roarke, a mysterious woman who has reportedly discovered a way to break the time loop that has enslaved humanity, he uncovers a dangerous secret.

Evelyn, once a brilliant scientist, has become a fugitive after stealing the prototype for a device that could allow anyone to escape the corporate-controlled timeline. But her discovery comes with a chilling revelation: the timeline is not what it seems, and humanity’s history has been deliberately warped to maintain a cycle of oppression. As Alex dives deeper into the underworld of time manipulation, he begins to question his own past, unraveling memories that don’t seem to belong to him and discovering that his every decision may have already been made.

Haunted by visions of alternate realities, Alex must decide whether to follow his mission and kill Evelyn, or join her in her quest to shatter the myth of time itself. In a city where past, present, and future blur into a nightmarish kaleidoscope, The Myth of Time explores the boundaries of free will, memory, and the ultimate cost of controlling time.

Organic Synthesized Chaos

The Myth of Time [OSC189]

My Entry: "Centuries". Made of OSC 189

Style: Electronic Soundtrack Circa. With Pop, Classical and Drone
elements.

~8 instances of MYTH VST3 in EXT64 beta (see screenshot at KVR thread).
~1 custom sample imported in MYTH for 2 drums sounds.
~free VST effects:  RSS EQ302, EfektorGQ36, LoudMax64.

What about this MYTH synth? Surely it sounds good, but of the many
'mangling' resynthesis features some I found too grainy or useless, sounding to me
like many alternative types of harmonic distortions. Therefore too
expensive as CPU load for the actual results, those could be replaced
with focused external plug-in effects, in studio use.
What I liked most of MYTH is the easy adding of envelopes and
synced LFOs to modulate the parameters, very good.

Centuries

Atmospheres from Tibet with an Ambient sounscapes and heavy percussion.
Created with Myth 1.5 synthesizer from Dawesome

Tibet OSC189

Here is my 2nd attempt at a song for KVR One-Synth Challenge. Probably the most I've worked on of the 3 this month.

DAW: Waveform 13
Synth: Dawesome Myth
Plug-ins: Just the plug-ins that came with the synth. Tweaked for the song.

Digital Van Dweller - Myth-ril Cascade

Here's my OSC for November using only Dawsome's Myth in Bitwig
made with :
30x Instances of Myth and the following free VSTS and DAW Plugins:

VSTS:
AirWindows Infrasonic
AirWindows Monitoring 3
AirWindows UltraSonic
BusterSE
BX Masterdesk Classic
FericTDSMkII
Frontier
KHs TranceGate
Limiter No6
OTT
Pancz
RareSE
SuperCharger
TDR Kotelnikov
TDR Molot
TDR Nova
Valhalla Supermassive

Bitwig:
Arpeggiator
Convolution
Delay+
EQ+
FX Grid
FX Layer
Humanize
Instrument Layer
Mid-Side Split
Multiband FX-3
Note FX Layer
Note FX Selector
Note Repeats
Note Transpose
Sculpt
Stereo Split
Tilt
Tool

Acidic Myths

Composed for the monthly KVR One Synth Challenge n. 189. Another space journey that I don’t know where it could end.

Sounds exclusively generated from the VST synth Myth by Dawesome.

Enjoy!

Blinded By C-Beams

A tongue in cheek futuristic look at synths. 

This was produced for the KVR One Synth Challenge 189 using only the synth Myth by Dawesome for all sounds produced. 

Vocal samples were created with Elevenlabs AI (with a license) and imported in to Myth for processing and effects. Two of the voices seem to have switched accents, such is AI, lol.

Made with 27 instances of Myth by Dawesome in Ableton 10. All custom patches from INIT.

 I made good use of Myth's built in effects and only used these few built in Ableton effects: Limiter x1; EQ8 x2; Utility x2, and Convolution Reverb x1.

Third Party Plugins: Loudmax Free and Youlean Loudness Meter 2 Free.

Maltoné - Strange Transmissions - OSC189

DAW - Studio One used 6 instances Myth,
 LUFS momentary max *-8* LUFS real time dynamics -*-8* LU  integrated *-11* LUFS
Not good for headphones.
Compressor,Fat Channel,Pro EQ

Jupiter structures

La Magia de los Duetos Musicales, han sido una manifestación artística donde las voces se entrelazan para crear una armonía única y poderosa. Desde los albores de la música, la conjunción de dos voces ha permitido explorar nuevas dimensiones sonoras, donde cada intérprete aporta su esencia, complementándose en un juego de contrastes y similitudes. Capítulo de una verdad, con la que te hacemos partícipe del programa, Complemento y su relación con el mundo del arte musical. Un espacio donde las voces seguirán encontrándose, complementándose y creando magia en cada nota compartida, a través de la música.

Versionando Contigo Tercera Temporada

Complemento

Yaperclicc Gritgang LucretiveProfitsclocknthemud Born2KingzRecords 

BigBag GodKing MajorLucre - Whats Up

BANDCAMP

LO LIFE

Join the challenge by going here: https://shorturl.at/bhBFQ

Please select Playlists. The playlists help to select my genres or NUSofting synths demo tracks.  
*Each track is a journey on its own. From experiments down to dance.*
[The demos tracks showcase my plug-in products at nusofting.net]

Centuries

Liqih

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