sonic-attack Ancients EP. Ambient in all its glory

Ancient

Abydos

03 - Abydos

CODE70

dreams speak to us in a language that is sometimes unknown but perfectly capable of leaving an imprint on the next day once we wake up ..

voice sample is taken from a vocal message send to me by the dear friend: Ugo Pisco Lumaja. link on his soundcloud page below.

https://soundcloud.com/12-days-for-a-new-way

version update on 15/08/2022. 
work in progress

...a little disclaimer: the image was taken from the web, but i can't say who is the autor, it's a broken link

 last night dream © 2022 by Nadìr is licensed under CC BY-NC-SA 4.0

Last Night Dream

Civilization Camp

This was my contribution for the Disquiet Junto Project 0582: X Techno

Here’s a copy of my post on the Disquiet Junto 0582 discussion thread:

Decided on eroded techno for my subgenre. I used an unfinished minimal techno track from a couple years ago, completed it, then copied it onto an old cassette tape with a Marantz PMD-201 mono recorder. I then routed the audio through a Walrus Audio Melee distortion+reverb guitar pedal into Ableton Live. From there, I further tried to mangle the track using Arturia Efx Fragments, MS-20, and UA LO-FI-AF filters. 

At first, the piece was a wall of noisy distortion, so I dialed everything back a bit to have a more recognizable techno beat. The booms at the beginning and end are from the effects pedal picking up the mechanical sound of switching the tape deck on and off. 

More on this 582nd weekly Disquiet Junto project, X Techno (The Assignment: Make a new subgenre), at: https://disquiet.com/0582/
More on the Disquiet Junto at: https://disquiet.com/junto/ 1
Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/
Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0582-x-techno/

Eroded Techno [disquiet0582]

naviarhaiku486

Lost in tranquil seas
Where spring feels melancholy
Another sunset

Gary Clarke joined a social media platform to raise awareness about an infrastructure issue in his local area by creating a website at Whaligoe Eye in August, 2021. During this time, he stumbled across a poetry and writing community which provided support and encouragement for his creativity.

Living right on the coastline in the Highlands of Scotland provides Gary with plenty of inspiration for his poetic endeavours, and through moments of sunrise and sunset gracing the North Sea it proves to be a motivational muse.

Seven days to make music in response to the assigned haiku: to participate visit [https://www.naviarrecords.com/about/naviar-haiku](https://www.naviarrecords.com/about/naviar-haiku?fbclid=IwAR0AimmA6Kro24P1MD_WXfL_lTdHa8phf7CHUzwkfo22YAegIs-oLYS3pyU)

Deadline: 3rd May 2023

haiku by Gary Clarke
picture by Lavi Perchik

Lost in tranquil seas (naviarhaiku486)

Performed on Steinway Spirio concert grand recorded at Curt Schwartz Studio, Sussex, England.

(For information on the Spirio: youtu.be/2kj2Oy3qkuY?si=lDc8T-yXsYT9nD0o)

Photo: Lisbon, Portugal.

Toccata

Seven days to make music in response to the assigned haiku: to participate visit www.naviarrecords.com

Bird Polyphony (naviarhaiku 495)

a track by Marco Lucchi reworked by Mean Flow

from 2013
https://marcolucchi.bandcamp.com/album/the-eyes-of-the-beautiful-loser

settembre 2023

Mean Flow & Marco Lucchi - Loser

SCENE 2 (2013)

the body is [a] great wanting (2019) 

Written for the 2019 Dal Niente Residency at Northwestern University. Performed by Constance Volk (bass flute), Katie Schoepflin(bass clarinet) and Ben Melsky (harp).

the body is [a] great wanting

Lisa Atkinson (b.1992) is a Chicago-based composer whose work endeavors to explore interiority through the tactile, visceral nature of live-performance and the emotional context of gesture while examining issues of fragility, memory, timbre, time, and perception.

the body is [a] great wanting

Lisa Atkinson | Composer

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