Slow track to close off the year in peace. 

Instruments: Rd-8, Td-3 and a couple eurorack modules, recorded live.

Also avail on bandcamp as a NYP https://mmwave.bandcamp.com/track/faraday-sundown

Download on Bandcamp

Faraday Sundown

Original Track :
https://soundcloud.com/onokio/sets/evaporating-in-the-datacenter

ᴏɴᴏᴋɪᴏ -  evap_in_data [redux] (Senglar Version)

Composed & Recorded by Lisa Bella Donna
December 1993 at Rolling Hills Studio, West Virginia

Lisa Bella Donna: ARP 2600 / Musique Concreté

Recorded & Mixed on Tascam 388/3340
Otari MX5050 Tape recorders.

Snowy Dreamscapes

Correlative Moons

Composed & Recorded by Lisa Bella Donna

Lisa Bella Donna: Moog Modular System, ARP 2600
Moog Solo Synthesizer.

Recorded live at Capital University
On Tascam DA3000 & Tascam 112 Cassette
Mastered by: Strawberry
Photography: Jaclyn Sosnowski

Objects

Obsidian Oblique

Yzak125

Original track can be found here:
https://konstantinosgkoumas.bandcamp.com/album/baby-blues
SC:
https://soundcloud.com/konstantinos-gkoumas

Konstantinos Gkoumas - Yes It Will (Senglar Rmx)

Taken from the new album " l'ultima volta di ogni cosa "
by Paolino Canzoneri

Soon on Shimmering Moods Records

Shimmering Moods Records 2024 
SHM 297

Paolino Canzoneri - L'ordine Illusorio Delle Fasi

the being/the world (2024)
for Juliet Fraser and Ensemble Musikfabrik

extract recording: scene 5: duo (love)

Juliet Fraser, voice
Sara Cubarsi, viola d'amore
Benjamin Kobler, synth organ
+ MusikFabrik

premiere recording extract from WDR, Köln on 3 March 2024

total piece duration: 1 hour

in loving memory of Amelia Cuni

commissioned by Ensemble Musikfabrik and Kunststiftung NRW
photograph: Janet Sinica

the being/the world (2024) scene 5 (extract)

system 55

This is one of 3 tracks that were made solely by using the analogue synthesizer EMS Synthi 100. For each track, there was a single patch and the material was recorded live in one go. Rhythmical synchronization of the material was done by using the Synthi's sequencer. Simple live manipulations included putting a pin or two in and out and switching on and off the mixer channels. Additional panning of each individual channel was done on a computer. These tracks demonstrate the effect of extremely simplified musical material produced by using the not-so-simple sound tool (for the reference, try figuring out and programming a Synthi 100 sequencer:)). Tracks are named by the number of sequencer steps used in that piece. Recorded live at Electronic Studio - Radio Belgrade.

2019

From the album STEPS: https://svetlanamaras.bandcamp.com/album/steps

Svetlana Maraš©All rights reserved
©SOKOJ

Part of the piece - 2 Kinetic studies, made during the residency at the Spatial Sound Institute in Budapest in 2016: https://soundcloud.com/svetlanamaras/sets/2-kinetic-studies

Study no.1 is guided by the principle of symmetry. The central spot of the composition is in the middle of the room - half the way on both horizontal X- and Z-axis. Each object always moves through both halves of at least one of the X- or Z-planes. The element which is being doubled, is followed by the same-pace movement of the element on the opposite side of the axis, but the movement is being reversed: element no.6 positioned on Z-4 goes from X-5 to X+5 while at the same time in the same speed element no.7 at Z+4 goes from X+5 to X-5. 
There are three elements which are the musical nucleus of the composition (1, 2, 3). These sounds are airy (noisy) but they have a recognisable pitch and form a minor triad. All other elements are tuned to these three elements which define the tonal center of the piece. This kind of interpretation of the harmonic aspect of the composition, parallels the interpretation of ‘symmetrical’ in spatial domain. 

This is a stereo mixdown of the piece.

VIDEO: https://vimeo.com/210260544

Study No.1

Lisa Bella Donna is an internationally acclaimed composer, recording artist, modular synthesist & clinician.

Correlative Moons

Lisa Bella Donna

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