A 6-minute instrumental piece for orchestra and piano, combined with  funky and minimalistic phrase elements, inspired by some scientific ideas

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作詞&歌メロ&ボーカロイド／あえっP
https://twitter.com/ae_pupu

コード進行／半端未定
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@mitei-p

ことのはすてっぷ feat.あえっP × 半端未定

A polka written in the 1870s by Franz Louis Leopold Becker (c.1840-1897)for his patron William K. Lockhead of Myrtle Villa (later Corlette's Cottage)

The Myrtle Villa Polka

From Before Sleep and Dreams (1990)by Aaron Jay Kernis

Kernis Lecture Recital 09

Aaron Kernis: Lullaby

Bring mir einen Engel zurück, Joshua Hyde (2017)

Bring mir einen Engel zurück, Joshua Hyde

http://www.stefanogervasoni.net/index.asp?page=catalogue&id=116&cat=solo

for: piano and electronics
duration: 20'
first performance (complete version): 19.1.18, Turin, Teatro Vittoria, Unione Musicale, Aldo Orvieto (piano), Alvise Vidolin (live electronics)
publisher: Edizioni Suvini Zerboni
catalogue number: S. 15505 Z.
I Luce ignota della sera
da Zwölf Vierhändige Clavierstücke für kleine und große Kinder op. 85 n. 12
II Sirenenstimme
da Fantasiestücke op. 88 n. 3
III Fiori soli rossi
da Waldszenen op. 82 n. 3 e 4
IV Vogelgänger
da Waldszenen op. 82 n. 7
V Alba mentore
da Gesänge der Frühe op. 133 n. 1

http://www.stefanogervasoni.net/index.asp?page=catalogue&id=116&cat=solo

Altra voce - Aldo Orvieto (piano), Alvise Vidolin (live electronics)

TSO Songbook Orchestral accompaniment by Lisa Cheney for the Russian folk song Along the Peterskaya performed by the Tasmanian Symphony Orchestra. Conducted by Elena Schwarz.

Audio recorded by Toby Frost and Veronika Vincze of ABC Classic FM.

Along The Peterskaya arranged by Lisa Cheney

Original orchestral work by Lisa Cheney that includes an orchestration of the Russian folk song Along the Peterskaya performed by the Tasmanian Symphony Orchestra. Conducted by Elena Schwarz.

Audio recorded by Toby Frost and Veronika Vincze of ABC Classic FM.

Lisa Cheney Echoes And Threads

An orchestration by Lisa Cheney of the piano work Nuages Gris by Liszt performed the Tasmanian Symphony Orchestra. Conducted by Elena Schwarz.

Audio recorded by Toby Frost and Veronika Vincze of ABC Classic FM.

Liszt Nuages Gris orchestrated by Lisa Cheney

Live recording of Third Coast Percussion performance at Constellation in Chicago, June 2018
//
I wrote Death Wish after watching a short film featuring New Zealand survivors of sexual assault. One of the survivors, Hinewirangi Kohu-Morgan, spoke about the out-of-control spiralling of her life for many years and how she developed what she called a death wish. In the piece I thought about the spooling and unspooling of energy and how we are all bound and driven by forces both within and beyond ourselves.
 
With the greatest of respect for Hinewirangi Kohu-Morgan who has used her life to create art and music and to help survivors of abuse and those who have perpetrated abuse.
 
I ōrea te tuātara ka patu ki waho. Aroha nui.
//

Death Wish

This is a live recording with the Melbourne Symphony Orchestra, conducted by Tiyani Lu. Recorded by the ABC on February 5, 2019 at the Iwaki Auditorium in Melbourne and shared with permission.

Penumbral Shadow was commissioned by the MSO for the 2018 Cybec 21st Century Composers' Program.

Program Note:
There are many types of shadows. The most famous shadows are witnessed during a solar and lunar eclipse when the moon’s shadow is cast on the earth, or the earth’s shadow falls on the moon. The ‘penumbra’ is the term for the special shaded outer region of the shadow cast by an opaque object. I have recently begun to find shadows a musical inspiration, an occasion for awe and gratitude. Where does a shadow begin and end? I am fascinated by the beauty that emerges from a shadows ‘perishability’, its fleeting moment in the spotlight, forever moving away from and towards light and darkness. The Japanese have a saying, ‘Mono no aware’, literally ‘the pathos of things’. It is used to describe an awareness of the sad or tragic beauty of impermanence and perishability, and it was present in my mind throughout the composition process. The Penumbral Shadow draws its inspiration from this notion of shadows, of light, darkness and fleeting beauty and seeks to explore this in music.

For more information or to contact the composer visit: www.lisacheney.com.au

Penumbral Shadow [chamber orchestra]

Lisa Cheney is an emerging Australian composer currently based in Melbourne. Her music has been performed by the Southern Cross Soloists, The Australian Voices, The Melbourne Symphony Orchestra, Ady Ensemble, Belladiva, Ensemble Fabrique, Syzygy and The Australian Ballet, amongst others. She studied her undergraduate and Master degrees at the Queensland Conservatorium of Music (QCGU) with Gerard Brophy and Gerardo Dirie, and has also received lessons from renowned composers William Duckworth, Philip Bracanin, Iain Grandage, Robert Aldridge and David Dzubay.

Lisa has written for a variety of mediums including orchestra, chamber ensemble, choir, ballet, theatre, film, animation and electronic tracks for live performance collaborations. Her composition accolades include being the recipient of the Glen-Carter Varney Award for Composition (2009), first places at the MTAQ Gold Coast Composer’s Competition and the ASME Young Composer’s Competition (2004-2010), the Bill Murray Encouragement Award for Composition (2009), first prize at the Keys Festival for Australian Music (2006), the Griffith University Owen Fletcher Postgraduate Award (2008), an Australia-Korea Foundation Scholarship (2011) and the Silver Harris and Jeff Peck Composition Prize (2014). She has participated in the 2010 Atlantic Music Festival (Maine, USA), the 2012 Australian Youth Orchestra National Music Camp, the 2013 Brevard Music Centre Institute (North Carolina, USA) and the 2013 Melbourne Symphony Orchestra Cybec 21ST Century Composers’ Program. Her work The Pool and the Star, written at part of the Cybec Program, was most recently selected by the MSO for performance at the Metropolis New Music Festival under the baton of Finnish maestro Olli Mustonen.

As part of her Master of Music research Lisa has written papers exploring various experiences of other early career female composers in Australia.  In late 2014 Lisa will commence a PhD in composition at the University of Melbourne with prominent Australian composers Elliott Gyger and Stuart Greenbaum.
	
 In addition to a busy writing schedule, Cheney enjoys supporting the careers of other emerging composers and artists as the founder of the Brisbane Composers’ Forum, enjoys singing as a member of The Australian Voices and through private music tuition at her home on the Gold Coast.  She is currently working on commissions for The Ady Ensemble, The Melbourne Metropolitan Sinfonietta and The Queensland Conservatorium Symphony Orchestra.

Lisa Cheney is available to consider commissions and collaborations. Orders for scores and personal contact can be made through e-mail - lisajcheney@gmail.com

Follow on Facebook @ : http://www.facebook.com/composerlisacheney
Website: www.lisacheney.com.au
Or Twitter @ComposerCheney

Penumbral Shadow [chamber orchestra]

Lisa Cheney

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