Maurice Ravel: Pavane pour une infante défunte (Daniel Pastene & Liselotte Sels)

Performed by Liselotte Sels (part 1) and Liselotte Sels & Ellen Lampo (part 2)

Het achtste uur (allegro)

Het zevende uur (andantino)

Het zesde uur (andante tranquillo)

Het vijfde uur (allegretto molto leggiero)

Het vierde uur (leggiero, con espressione)

Het derde uur (misterioso assai)

Het tweede uur

Het eerste uur (tempo giusto)

Shiraz Duo: Ann Vancoillie, violin & Liselotte Sels, piano
Live recording in Hafez Hall (Shiraz, Iran)

Berceuse voor een prinses (Wilfried Westerlinck)

Performance on the historical harpsichord by Dulcken (Antwerp 1747).

François Couperin: L'Art de toucher le clavecin (Préludes 4 &5 )

'Ninniler' (Lullabies) was a confrontation of the western-tuned piano with authentic Turkish folk songs. Liselotte Sels performed this semi-improvisation during the Jazz & Sounds Festival in Ghent (Music Center De Bijloke, March 2010). This is part of her PhD about Turkish folk music in Ghent, conducted at Ghent University College (School of Arts Ghent).

Ninniler

Liselotte Sels, piano & bağlama - Tuğrul Yücesan, bağlama & singing

Gradus ad Parnassum concert, 22-11-2009
Miry hall, School of Arts Ghent (conservatory)

Semi-improvisational concert on which traditional Turkish folk songs and dances of different regions are performed in a new version with bağlama and piano.

Ah bir ateş ver - Havada durna sesi gelir

Ortaklar zeybeği - Pamukçu bengi zeybeği

İzmir’in kavakları

Bülbülüm altın kafeste

Seğmenler - Ayaş yolları

Liselotte Sels, piano & bağlama - Tuğrul Yücesan, bağlama & singing

Gradus ad Parnassum concert, 22-11-2009
Miry hall, School of Arts Ghent (conservatory)


Semi-improvisational concert on which traditional Turkish folk songs and dances of different regions are performed in a new version with bağlama and piano.

Çiçek dağı - Gel yanıma gel

Ben giderim Batum'a

Pianist, harpsichordist, fortepianist
(Ethno)musicologist/researcher

Liselotte Sels

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