House Violence & Yoshi Horino - Illusory 
FuFu Records
Release date:　16-Dec-2021

Japanese spirited producer “House Violence” (House Cookin’, White Deer, etc) and “Yoshi Horino” who’s the label head of UNKNOWN season collaborate! And they release the new track on FuFu Records in Hong Kong. It’s a special dreamy, deep and a bit Detroitish cut with old-school vibe!

HSM PREMIERE | House Violence & Yoshi Horino - Illusory [FuFu Records]

Available for Digital Download :
https://kylehall.bandcamp.com/album/technically-deep

Kyle Hall - Technically Deep Ep

1. Sit In Dat 
2. Alignment 
3. Pounce 

All tracks written and produced by Kyle Julian Hall
Published by KMFH Music Works BMI
Copyright Forget The Clock 2022

Sit in Dat & Pounce Mixed by Pheek
Alignment Mixed by Kyle Hall
All tracks Mastered by Beau Thomas at Ten Eight Seven

Technically Deep EP

Kyle Hall - Technically Deep Ep - Clips

After beginning his career with roots in Drum & Bass, Russian producer Nuage shifted his sound to embrace a wider range of styles while maintaining an emotionally charged sound and finding a home on labels such as Anjunadeep and 20:20 Vision. For our 32nd Phonica Records Label release, we are proud to present four stunningly euphoric works from Nuage.

Kicking off the ‘Pink Television EP’ is the title track, a floaty and playful melodic House excursion that reminds us of Floating Points’ synth work on his ‘Crush’ album. Next is ‘Ninety High’ which swaps the four to the floor for an intricate breakbeat, highlighting Nuage’s history in break heavy music. A cleverly reconceptualised Disco vocal sample and subtly withheld synth lines are combined with a sub rattling and pulsating bassline.

Maintaining the breakbeat on the B-side, ‘Don’t Forgive Me’ recalls classic Trance and Progressive House with haunting vocal reverberations and a warehouse wall shaking bassline as the track meanders through tension and release of euphoric energy. Lastly, ‘Glances’ opens with a skittish Rhodes riff and unites it with rich and perky melodies that weave in and out of focus.

A2. Ninety High

LA based, London found label all my thoughts join forces with FLAU of Tokyo for a collaborative release, featuring FLAU label founder aus, who producers original cut ‘Until Then’, with Seb Wildblood stepping up to remix the track. The release represents an exchange of sounds and perspectives and is the first collaboration of its kind for both labels.

With the cinematic and sparkling new track ‘Until Then’, Japan’s electronic music treasure aus awakens from its long slumber to showcase its unique realm.

The original works from aus arrives as a rich blend of instrumentation coming from a plethora of global influences. Unique vocals partner with deep synth swells and a chugging percussive groove. The vocals — recorded, destructed and re-synthesised — point to his interest in language as the track, tropical and floating as it is dark and distorted, engines forward.

Seb Wildblood follows upping the energy with rolling hi hats and added synth work before sprinkling a dusting of acid as the remix evolves further onto the dance floor.

bandcamp

aus - Until Then / それまで

out now

waterworld - touch me (edit)

Up here in the mountains, above the clouds, sunrise was the most beautiful time of day. Everything was still and silent, from the green hills to the sleepy towns in the valley, except the intermittent buzz of insects and soft whistling of birds in the distance. The sky was hued with hazy pinks and burnt oranges as the sun began its journey into the sky and light started to spread across the landscape. The world began to wake from its slumber and the cycle of the day began once more.

Seb Wildblood's first release of the year - a three-track EP titled vitara 3000 - comes via Istanbul-based imprint Oath. Marking his first material since last May's sophomore long player do you feel it too?, the music represents a new creative chapter in his life physically and sonically. Having moved to LA from London a few years back, the tracks that form the EP, a nostalgic, blissed out broken beat affair, were spawned from him finding his first proper studio space in the city, and showcases the 'sound and energy' that this new location stimulated in his creativity and production.

PREMIERE: Seb Wildblood - vitara 3000 [Oath]

don't see this ft. lawrence

First released in late 2016, Flamingo Tripper is a rough-hewn, glowing piece of after hours house music which continues to charm years later.

Coming as part of Flamingo Tripper Revisited, on vinyl & digital on July 14th.

https://lissomsxyz.bandcamp.com/album/flamingo-tripper-revisited

Edmondson - Flamingo Tripper (Remaster)

DJ Hasse - Hasse's Fabrication EP (Vinyl, 12") (Forthcoming November 17, 2023)
Label: Västkransen [VKR 007]

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Pre-Order

DJ Hasse - Hasse's Fabrication (Instrumental)

Sun Going Down On The Beach Vibes - Cazshual (Preview WiP)

Good news! Pacific Rhythm is once again connecting game with one of Toronto's most promising young duos, Active Surplus. Active Surplus is the collaborative project from Evan Vincent (AKA Emissive) and Ian Syrett, who also appear on this past winter's fourth volume of Rhythms Of The Pacific.

Their new self-titled EP is their love letter to the house music sound that first sprouted from the West Coast. It's laid-back, groovy and touched with lovely instrumentation, like the plucked strings on "Meera," a heartfelt tribute to a loved one. "Meera" and the billowing groove of "Ambrosia" might remind you of early Pacific Rhythm releases, with dainty arrangements and chords that waft across the rhythm section.

But Active Surplus put their own spin on things. The EP was heavily inspired by the stuttering drum patterns of Baltimore club, which undergird each track in subtle but noticeable ways, making the grooves that much skippier and slippier. "Yeye" calls to mind the feeling of early Walt J material and delivers a devastating earworm that will stick with you long after the lights have come on at the end of a late night Dance Opportunity, while the looped woodwinds and cool-blue keyboards offer a sweet melodic hook on the irresistible "One Beyond." There's a confident, naturalistic quality to these rippling grooves and silky sounds, which the duo credit to an obsession with water. After all, in their words, "we might not live by the ocean, but we're all H20 on the inside."

Thanks for listening!

Edmondson - Flamingo Tripper (Remaster)

Lissoms

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