WTF ?!!

UNICAT

3rd and final single off The Age Of Reason before the album drops!

LYRICS:
I think I'm high, no I definitely am,
I can tell by the way that I'm jumpin out my skin,
ill be fine but damn you're fine,
and that ass is a 10,
I hope you're not offended just sharin my opinion,
with you sweetheart, lets go for a swim,
the heat is killin my high and I'd love to see you in,
the room completely nude you're soaking wet damn look at you,
rockin that shit on this lovely afternoon boi.

After we dried off I thought we could assume,
more sexual positions by the side of the pool,
who cares who is watching all the freaky things we do,
rocking that shit what a lovely afternoon.

HOOK
Girl it was obvious that I wanted more than a kiss,
But no relationship,
Just some freaky shit! 
Girl it was obvious that I wanted more than a kiss,
Those eyes those lips those hips,
Now shake your ass to this!
Oh,oh,oh,oh,oh

Coffee Shop Selection

Gramatik - Obviously (Feat. Cherub & Exmag)

First tune on my new release on bandcamp featuring Thriftworks, kLL sMTH, Robotic Pirate Monkey, & Samples. Grab the entire release for free or donation here: https://freddytodd.bandcamp.com/album/the-collabo-series-vol-1

"Welcome to the first volume of "The Collabo Series", a collaborative effort between me and some of my closest homies, colleagues, and comrades. Each of these tracks were made in only a couple of days during random time off from shows on tour, in completely different locations, at completely different times, with completely different genres and artists (besides myself, although one could argue I was a completely different self at each of these sessions, but, I digress). Thriftworks and I sat down at his chill studio in Berkeley, CA and ended up sampling his cabinet hinges and a music box for our tune in the not so distant past, kLL sMTH and I in his heady paulo santo rinsed studio in Boulder, CO, Robotic Pirate Monkey also in their studio in Boulder, CO with a beautifully hazy view of the Rockies, and Samples at Mikey Fisher's studio in the tenderloin of San Francisco, with Samples collaboration being the oldest, written in early 2010 when we were both booked together at our first show in California, with the other three written in the past year or so."

Free or Donation

Thriftworks x Freddy Todd - Cabinets Don't Make Noise [FREE DOWNLOAD]

Working on new album ! More tunes soon ! 

Tim Ismag - Hardcore Strings [Preview] Out Now!

1 / François Mitterrand "Investiture"
2 / Bernard Gerard "Fait chaud"
3 / De Giafferi "Sado Maso"
4 / Kate & Anna McGarrigle "Complainte Pour Ste Catherine"
5 / Droids "Shanti Dance" (Pt1 & Pt2)
6 / Le Maitre des roulettes
7 / Style "Playboy en détresse"
8 / Micky Milan "Quand tu danses"
9 / Bibi Flash "Histoire d'un soir" (Bye bye les galères) [Version Maxi]
10 / François Feldman "Wally Boule Noire"
11 / Sébastien "J'adore Godard" 
12 / Martine Leduc "Votez MLF"
13 / RadioMentale & Pierre La Police "Cette chose"
14 / Hervé Cristiani "Hey Money"
15 / Fric "Erreur Erotique"
16 / Chagrin d'Amour "Bonjour, v'là les nouvelles"
17 / Patrick Topaloff "Il vaut bien mieux être jeune, riche et beau
18 / Suzanne Gabriello "Votez hein bon !" 
19 / François Mitterrand "Pionniers du changement"

Pecha Kucha Night Vol7

Celebrating the anniversary death of our beloved composer, father of modern harmony, hit music producer; and tributing two of our favorite interpreters.

Samples extracted from : 
- Contredanse En Rondeau, in "Platée" ; Marc Minkowski et les Musiciens du Louvre
- Deuxième Gigue En Rondeau, in "Pièces de Clavecin" ; Scott Ross, harpsichord

"Chantons Bacchus, chantons Momus
Chantons l'amour et ses flammes.
Que tour à tour dans ce séjour, 
ces dieux remplissent nos âmes.

Veut-on rire, c'est à Bacchus qu'on a recours,
Momus lui doit toujours son plus charmant délire."

Pic : Bacchus by Patricia Watwood (2008)

Scarlatti Goes Electro, baroque synthesis duet
Michel Bananes Jr, Antoine Souchav'
scarlattigoeselectro.com



MINIMEGAMIX The 250th Anniversary of Rameau's Death

Download - https://loudr.fm/release/link-to-the-future/cTn3V
iTunes - https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewCollaboration?cc=us&ids=559949042-677816776
@JamesLandino provides a Link to the Future, a epic electro house remix of The Legend of Zelda: A Link To The Past's Hyrule Castle theme. 

Link to the Future is three remixes of Legend of Zelda: A Link to the Past. Each track is inspired by a piece of the Triforce: Power, Wisdom and Courage. These three remixes will be released throughout the Spring of 2015. Like the Hero of Time himself, you can quest to collect all three tracks and complete the Link to the Future!

Produced by James Landino
Cello performed by Emily Davidson - @EmilyPlaysCello
Artwork by Tron Bonne
Design by Cindy LaBreacht and Chris Davidson
Mastered by Dj CUTMAN - @DjCUTMAN

Download on Loudr - https://loudr.fm/release/link-to-the-future/cTn3V

[ iTunes and other marketplaces coming soon ]

Download!

Link To The Future - James Landino - Hyrule Castle (Courage)

'Hive / In Blue' will be released from U/M/A/A on 5/27 via iTunes Music Store.
More info: yjymusic.com

In Blue (Yoshitaka Hikawa Remix)

钟鼓馔玉不足贵，但愿长醉不愿醒。
鼓作为一种宫廷庙堂祭祀的古老乐器，很早便流传于我国历朝，早在诗经中便有“窈窕淑女，钟鼓乐之”的记载。
几千年后鼓这件经历了不断演变兴衰的乐器再次被赋予了不一样的色彩。中国传统打击乐与Bass舞曲相互融合，在西方音乐极具线性结构的曲式中，蕴藏的是以方圆为形、以柔克刚为神的强烈精神内核。
同样是传统元素，如果上一张专辑《擒豹记》源于我们童年武侠梦的回忆，《狮鼓鸣》则是对民间历史的一次探索。整张专辑中大量采样了中国民间传统音乐，像是剥开了华夏土地上众多民族迷雾，试图用更加未来的视角去还原每一次鼓被击响的场景。
专辑封面by@Wingz
采样来源：
《丑末寅初》－骆玉笙
《天下第一鼓》－阎学敏
《风、雷、电、雨四大天王》－陈云山
《世界音乐图书馆－泰国东北器乐》－风潮唱片
《Music Of Cantral Asia Vol.1》-Tengir-Too
《Kazakhstan:The Kobyz,the Ancient Viol of the Shamans》-Smagul Umbetbaev


7.降头

'Bang' (Original Mix) available to download here: https://weapons.lnk.to/BANGSo

ZDS - Bang

Xhin's debut album on Stroboscopic Artefacts, 'Sword', showcases the breath of his vision. As the second full-length release on Stroboscopic Artefacts, 'Sword' stretches the remit of the label's identity ever further.
Produced and recorded in Singapore, Xhin plucks sounds from the outer edges of electronic music and fuses them together. Xhin's approach revels not only in a hybrid sound palette but it's also an album designed for multiple contexts. It’s a record typified by duality. Xhin's process seamlessly traversed analogue and digital production, and 'Sword' harbours electronic music that ranges from brutal club sounds to deep and delicate murmurs.
It's clear from the way the album is crafted and layered that Xhin is a skilled sound designer. The tracks seem to have been worked on from a 360o perspective. His muse? The void. But rather than soundtracking the abyss, 'Sword' is a strategy, an attempt to negotiate a way out. Part of the answer that he proposes abandons the shadowy recesses of melancholy in search of the ecstatic. 'The Secret Closet' depicts a dream state in frosted tones and icy ambience that is returned to again with the discordant jangles of 'Inside'. 'Wood' picks up the motive once more. At the kernel of 'Wood' is melody that Xhin composed on the piano and then digitally processed into a state of bliss.
However, 'Sword' refuses to languish in a romantic hinterland and the ambience is off set by aggressive, weighty cuts. 'Fox and Wolves' is Xhin ripping into any nostalgia that opening track 'The Secret Closet' promised. Equally 'Teeth' gnashes and writhes over a bed of deep beats. 'Vent' is fortified with metallic rasps and built from the droning aggression that characterized Xhin's early Stroboscopic Artefacts releases. Even at its darkest, its most violent, 'Swords' envisions the club as a place of refuge. Proposing a collective acknowledgement of the void, where dancing fends off its grip, and realization is paradoxically escapist.
'Sword' could not be more aptly titled. Xhin creates allusions with track titles that snatch images from a post-modern fairytale: woods, wolves, foxes, wardrobes. Xhin appropriates the fairytale hero's sword and the weapon becomes symbolic of a struggle, a tool against the void. A way out of dystopia. Journeying to the crispy cusp of experimentation and musical questioning, 'Sword' is one of those rare creations that emerge when a producer has absolute artistic freedom. The 10 tracks navigate parallels and paradoxes allowing Xhin to cut a deft mark across the album format.

Mastered @ Artefacts Mastering, Berlin.

Words: Clare Molloy

Xhin 'Sword' [SACD002]

Brighton based label Concrete Plastic released my EP.
now available from....

beatport
http://www.beatport.com/release/jyuryoku-ep/868570

boomkat
http://boomkat.com/downloads/494345-himuro-yoshiteru-jyuryoku-ep

bleep
http://bleep.com/index.php?page=release_details&releaseid=34800

juno download
http://www.junodownload.com/products/jyuryoku-ep/1907895-02/

iTunes Sore
http://itunes.apple.com/us/album/jyuryoku-ep/id500047395

Amazon
http://www.amazon.com/Jyuryoku-EP/dp/B0075CPIKI/ref=sr_1_5?ie=UTF8&qid=1330322920&sr=8-5

Concrete Plastic web site
http://www.concreteplastic.co.uk/

Jyuryoku EP Teaser

SPEEDRUN marks the completion of the first decade of my foray into music production. This piece of music is a result of the ten summers I spent locked up in my room polishing my craft and going hard against the grain. The maximalist warp-drive borrows elements from a plethora of genres like future bass, hyperpop, glitch, jazz and jersey club and is laced with my signature elements and techniques. Every sound you are hearing was either synthesized or recorded by me over the years. 

First world dreams can come true in the third world.

Production, Engineering & Artwork by @ezzyland

Release Date: 22nd August 2019

Video by Tanner Hawkins: https://youtu.be/II_zpW3NxP8

Spotify: https://open.spotify.com/track/07Efhh1rrjtjKmCIUOvXL0

My interview with The Playground UK: bit.ly/31Z4F9W

WTF ?!!

Listenweight