Ive been listening to this so much i heard it in a dream 

Vinyl & Digital: https://fanlink.to/woulgbubblegum

Release dates:
YUKRU: 07 — 04 — 21 (apply: forms.gle/YYJk2fYb6kr4tbSm9)
Worldwide:  07 — 10 — 21

"In this album I was trying to explore the idea of pop music on PCP. PCP has fantastic lore around it and I think the most fascinating thing about it is that it seems as if many people have had these experiences where they took PCP, it presented them with an alternative reality, and they accepted it without question. It's as if that umbilical cord of knowing that you're high is cut, and the person taking it is fully immersed in the trip. Not only that but from some of the accounts, the alternate reality seems quite twisted and perverse. There are reports of people disemboweling and eating each other, or deciding that the best course of action is self-mutilation or castration, and then emerging from the trip still convinced it was the right choice. Or even the accounts of people gaining superhuman strength and fighting off 5 or 6 cops at once. It seems like there's something quite dark on the other side of that door. So for this album I tried to write what I imagine the pop music of that alternate reality might sound like. What would happen to the sugary sweet, wet dream, corporate sponsored top 40 hits, if we dipped 'em in angel dust and got "wet". What would happen if we slopped all of those fun summer hits into the meat grinder of the PCP reality tunnel, and just pushed them through. I like to imagine an intersection under an overpass in a cyberpunk dystopian future. It's midnight and you can see the neon's from the storefronts on the other side through the thick smog. A modded AE86 Corolla  pulls a left turn and you can hear the music pounding from the sound system as the rubber peels underneath it. As it's drifting through the intersection, smoke pouring out of the tiny gap at the top of the tinted windows, the music pours out of the car like a thick syrup, engulfing us as we stand frozen for a moment as they pass. This is what they were playing."
— Woulg

Artwork by Soyoon Hia Cha (Soyomyoyo)
Follow Woulg: https://soundcloud.com/woulgmusic

Bubblegum

Vinyl—Digital

Woulg — Bubblegum

SERA012: Satellite Era presents “Movement EP” - a collection of UK garage-inspired tracks by David Olivares, better known as Agent O. 

Out now on all major platforms: https://smarturl.it/nb3w2l

Ascending from a monumental past year in his musical journey full of packed shows and warm memories, Chicago’s very own Agent O returns home to deliver a worthy sequel to his label debut “Somewhere In Between EP.” For his second project with us, “Movement EP” follows the same established trajectory - finding a middle ground between UKG influences and modern bass music elements. 

The EP aggressively kicks things off with “That’s Enough Of That,” originally premiered as an unreleased track in our label showcase mix last year. Sonically demanding in its core, it bursts at the seams with unavoidable low-end presence and carefully placed vocal cuts. The song spins out of control in the second half as glitchy bits take over the soundscape.

“Black Book” immediately shows off its UKG direction with a percussive groove familiar to any garage head. Continuing the EP’s high tech production trend, this song encapsulates some of Agent O’s best qualities as an artist: proper drum work, animated basslines, unpredictable progression, and keen sampling abilities. 

“Motion Signal” is surely where the project peaks in energy, delivering a heavy load of tear-out bass. Circulating around the bass music sphere as an ID in live sets over the past few months, this track is no stranger to sound systems and sweaty rooms. It finally sees the light of day, ready to serve as a face-melting secret weapon for dancefloors everywhere.

The title track “Movement” acts as a sensible outro to the EP. Slightly picking up the tempo, it contains characteristics of melodic dubstep that easily blend with the rest of the project. The noisy synth extends wide as the credits roll, nicely layered over the heavier bassline and familiar percussion. Riding off in the sunset, the song serves as a precedent of how emotive Agent O’s music can be.

Though similar in nature, “Movement EP” is a thematic inverse to Agent O’s previous work with us. His personalized sound effortlessly creates a distinct yet welcoming listening experience for both UKG and bass music enthusiasts. He continues to upgrade his arsenal and make sonic waves in the underground as one of Chicago’s best kept secrets.

CREDITS
David Olivares - production
Amir Mashayekhi - mix & master
Nic Juister - cover art

BUY / STREAM

Agent O - That's Enough Of That

This shit so profound like damn yall really should stop talking more and think about the greater consequences of your words. In today's essay I will be covering the finer topics of why no one wants to hear you speak.

Where to find Zero Tep:
https://soundcloud.com/zero-tep
https://twitter.com/KaelinBougneit
https://instagram.com/zerotep

Us: 
https://twitter.com/BrandRisk_
https://instagram.com/brandrisk_

Rico Nasty - STFU (Zero Tep Remix)

hope you enjoy <3

follow my twitter! :) https://twitter.com/noneshallpath

~ PATH

Trigger

Blackout - Single

Blackout

Untitled Emotional Acid

NEEDAHIT

Art by: Phillip Peters

“The Circle” contains a sample of “Love And Happiness” performed by First Choice. Courtesy of Philly Groove Records / Reservoir Media

Syntheism

The Circle

@littlesnake

Artwork by Alexa Dunham & @littlesnake

Mastered by @littlesnake

http://nesthq.com/if-u-dont-knoh-little-snake

MENTAL WEALTH

LITTLE SNAKE - If u dont knoh

Regis Chillbin

Regis Chillbin (Machinedrum Remix)

Brainfeeder X

Little Snake - Delusions

@brainfeeder
@renrakuglobalmedia

𒀀 𒀁 𒀂 𒀃 𒀄 𒀅 𒀆 𒀇 𒀈 𒀉 𒀊 𒀋 𒀌 𒀍 𒀎 𒀏 𒀐 𒀑 𒀒 𒀓 𒀔 𒀕 𒀖 𒀗 𒀘 𒀙 𒀚 𒀛 𒀜 𒀝 𒀞 𒀟 𒀠 𒀡 𒀢 𒀣 𒀤 𒀥 𒀦 𒀧 𒀨 𒀩 𒀪 𒀫 𒀬 𒀭 𒀮 𒀯 𒀰 𒀱 𒀲 𒀳 𒀴 𒀵 𒀶 𒀷 𒀸 𒀹 𒀺 𒀻 𒀼 𒀽 𒀾 𒀿 𒁀 𒁁 𒁂 𒁃 𒁄 𒁅 𒁆 𒁇 𒁈 𒁉 𒁊 𒁋 𒁌 𒁍 𒁎 𒁏 𒁐 𒁑 𒁒 𒁓 𒁔 𒁕 𒁖 𒁗 𒁘 𒁙 𒁚 𒁛 𒁜 𒁝 𒁞 𒁟 𒁠 𒁡 𒁢 𒁣 𒁤 𒁥 𒁦 𒁧 𒁨 𒁩 𒁪 𒁫 𒁬 𒁭 𒁮 𒁯 𒁰 𒁱 𒁲 𒁳 𒁴 𒁵 𒁶 𒁷 𒁸 𒁹 𒁺 𒁻 𒁼 𒁽 𒁾 𒁿 𒂀 𒂁 𒂂 𒂃 𒂄 𒂅 𒂆 𒂇 𒂈 𒂉 𒂊 𒂋 𒂌 𒂍 𒂎 𒂏 𒂐 𒂑 𒂒 𒂓 𒂔 𒂕 𒂖 𒂗 𒂘 𒂙 𒂚 𒂛 𒂜 𒂝 𒂞 𒂟 𒂠 𒂡 𒂢 𒂣 𒂤 𒂥 𒂦 𒂧 𒂨 𒂩 𒂪 𒂫 𒂬 𒂭 𒂮 𒂯 𒂰 𒂱 𒂲 𒂳 𒂴 𒂵 𒂶 𒂷 𒂸 𒂹 𒂺 𒂻 𒂼 𒂽 𒂾 𒂿 𒃀 𒃁 𒃂 𒃃 𒃄 𒃅 𒃆 𒃇 𒃈 𒃉 𒃊 𒃋 𒃌 𒃍 𒃎 𒃏 𒃐 𒃑 𒃒 𒃓 𒃔 𒃕 𒃖 𒃗 𒃘 𒃙 𒃚 𒃛 𒃜 𒃝 𒃞 𒃟 𒃠 𒃡 𒃢 𒃣 𒃤 𒃥 𒃦 𒃧 𒃨 𒃩 𒃪 𒃫 𒃬 𒃭 𒃮 𒃯 𒃰 𒃱 𒃲 𒃳 𒃴 𒃵 𒃶 𒃷 𒃸 𒃹 𒃺 𒃻 𒃼 𒃽 𒃾 𒃿 𒄀 𒄁 𒄂 𒄃 𒄄 𒄅 𒄆 𒄇 𒄈 𒄉 𒄊 𒄋 𒄌 𒄍 𒄎 𒄏 𒄐 𒄑 𒄒 𒄓 𒄔 𒄕 𒄖 𒄗 𒄘 𒄙 𒄚 𒄛 𒄜 𒄝 𒄞 𒄟 𒄠 𒄡 𒄢 𒄣 𒄤 𒄥 𒄦 𒄧 𒄨 𒄩 𒄪 𒄫 𒄬 𒄭 𒄮 𒄯 𒄰 𒄱 𒄲 𒄳 𒄴 𒄵 𒄶 𒄷 𒄸 𒄹 𒄺 𒄻 𒄼 𒄽 𒄾 𒄿 𒅀 𒅁 𒅂 𒅃 𒅄 𒅅 𒅆 𒅇 𒅈 𒅉 𒅊 𒅋 𒅌 𒅍 𒅎 𒅏 𒅐 𒅑 𒅒 𒅓 𒅔 𒅕 𒅖 𒅗 𒅘 𒅙 𒅚 𒅛 𒅜 𒅝 𒅞 𒅟 𒅠 𒅡 𒅢 𒅣 𒅤 𒅥 𒅦 𒅧 𒅨 𒅩 𒅪 𒅫 𒅬 𒅭 𒅮 𒅯 𒅰 𒅱 𒅲 𒅳 𒅴 𒅵 𒅶 𒅷 𒅸 𒅹 𒅺 𒅻 𒅼 𒅽 𒅾 𒅿 𒆀 𒆁 𒆂 𒆃 𒆄 𒆅 𒆆 𒆇 𒆈 𒆉 𒆊 𒆋 𒆌 𒆍 𒆎 𒆏 𒆐 𒆑 𒆒 𒆓 𒆔 𒆕 𒆖 𒆗 𒆘 𒆙 𒆚 𒆛 𒆜 𒆝 𒆞 𒆟 𒆠 𒆡 𒆢 𒆣 𒆤 𒆥 𒆦 𒆧 𒆨 𒆩 𒆪 𒆫 𒆬 𒆭 𒆮 𒆯 𒆰 𒆱 𒆲 𒆳 𒆴 𒆵 𒆶 𒆷 𒆸 𒆹 𒆺 𒆻 𒆼 𒆽 𒆾 𒆿 𒇀 𒇁 𒇂 𒇃 𒇄 𒇅 𒇆 𒇇 𒇈 𒇉 𒇊 𒇋 𒇌 𒇍 𒇎 𒇏 𒇐 𒇑 𒇒 𒇓 𒇔 𒇕 𒇖 𒇗 𒇘 𒇙 𒇚 𒇛 𒇜 𒇝 𒇞 𒇟 𒇠 𒇡 𒇢 𒇣 𒇤 𒇥 𒇦 𒇧 𒇨 𒇩 𒇪 𒇫 𒇬 𒇭 𒇮 𒇯 𒇰 𒇱 𒇲 𒇳 𒇴 𒇵 𒇶 𒇷 𒇸 𒇹 𒇺 𒇻 𒇼 𒇽 𒇾 𒇿 𒈀 𒈁 𒈂 𒈃 𒈄 𒈅 𒈆 𒈇 𒈈 𒈉 𒈊 𒈋 𒈌 𒈍 𒈎 𒈏 𒈐 𒈑 𒈒 𒈓 𒈔 𒈕 𒈖 𒈗 𒈘 𒈙 𒈚 𒈛 𒈜 𒈝 𒈞 𒈟 𒈠 𒈡 𒈢 𒈣 𒈤 𒈥 𒈦 𒈧 𒈨 𒈩 𒈪 𒈫 𒈬 𒈭 𒈮 𒈯 𒈰 𒈱 𒈲 𒈳 𒈴 𒈵 𒈶 𒈷 𒈸 𒈹 𒈺 𒈻 𒈼 𒈽 𒈾 𒈿 𒉀 𒉁 𒉂 𒉃 𒉄 𒉅 𒉆 𒉇 𒉈 𒉉 𒉊 𒉋 𒉌 𒉍 𒉎 𒉏 𒉐 𒉑 𒉒 𒉓 𒉔 𒉕 𒉖 𒉗 𒉘 𒉙 𒉚 𒉛 𒉜 𒉝 𒉞 𒉟 𒉠 𒉡 𒉢 𒉣 𒉤 𒉥 𒉦 𒉧 𒉨 𒉩 𒉪 𒉫 𒉬 𒉭 𒉮 𒉯 𒉰 𒉱 𒉲 𒉳 𒉴 𒉵 𒉶 𒉷 𒉸 𒉹 𒉺 𒉻 𒉼 𒉽 𒉾 𒉿 𒊀 𒊁 𒊂 𒊃 𒊄 𒊅 𒊆 𒊇 𒊈 𒊉 𒊊 𒊋 𒊌 𒊍 𒊎 𒊏 𒊐 𒊑 𒊒 𒊓 𒊔 𒊕 𒊖 𒊗 𒊘 𒊙 𒊚 𒊛 𒊜 𒊝 𒊞 𒊟 𒊠 𒊡 𒊢 𒊣 𒊤 𒊥 𒊦 𒊧 𒊨 𒊩 𒊪 𒊫 𒊬 𒊭 𒊮 𒊯 𒊰 𒊱 𒊲 𒊳 𒊴 𒊵 𒊶

Little Snake - Delusions

LITTLE SNAKE

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