DJ Set de @jascl transmitido en el cuarto episodio de la residencia de @ime-chile en @internetpublicradio 🔦
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🧨🪅🪅 Jas DJ practica el disc-jockey desde el año 2018 gracias a la curiosidad y a sus amigas. Se encuentra en constante búsqueda y renovación de su identidad musical, desarrollando el autodenominado “tecnoperrakeo”, en ausencia de otra etiqueta conocida que pueda definir su mezcla de ritmos y voces latinas en complemento a sonidos y bases electrónicas.

JAS x piedra+cruz para Internet Public Radio

The album's concept unfolds on the narrative identity and the postulates of Paul Ricoeur, where he says life is narrated, examined and retaken because we are narrated stories of the past and present. This involves the actual concept of historicity, understood as the capacity that history, like a ‘singular collective’ , has to give a satisfactory response to the aporia of past, present and future fragmentation. 

"Narrative" is divided into two parts: past and future, where a journey through childhood to adulthood is glimpsed. Identity could be said to be the story of an individual, evolving inner life, integrating a reconstructed past and an imagined future in order to provide life with some degree of unity and purpose. On the relationship between life stories and the adaptation, that shows that the term "narrators" is multiplied in several meanings; of redeemers from suffering or even adversity, and who construct life stories that present themes of agency and personal exploration. They also tend to enjoy the highest levels of mental health, well-being and maturity. 

It could be said that this work it's a development of narrative identity from the origins from young children to the articulation of sophisticated strategies in personal stories told in adolescence to the emerging years of adulthood, where feelings are mixed and wrapped in a poetic conflict between emotions-machines and organic echoes.

https://soundcloud.com/celinearnauld
https://soundcloud.com/zabrarecords

Premiere: Celine Arnauld - Remembrance III - Experience Is Negative [ZABRA]

Fever Dream

garden

Unsafe+Sounds is pushing back against the viral feeling of insecurity and focuses on artistic positions that confront our reality. We want to establish relationships with the fundamental changes in our environment, and search for agency, for appropriate sounds for our tainted future and our bewildering existence.

https://unsafeandsounds.com

Stine Janvin - GLITCH
Speaker Music - Amerikka's Bay (feat. Maia Sanaa)
Cam Deas & Jung An Tagen - That (yGrid/C#)
Kutin - Clusterfuck
Rojin Sharafi - In The Corner Of Time
Privat - Unterhaltung
Safa - Gazelles
NKISI - stars are fading
Prison Religion - Blacksite After Party
Snake Boots - Side A
NKISI - Dark Times
Rrose - Horizon
SØS Gunver Ryberg - Doing our best is no longer good enough
No Bra - Sex Slaves in the White House
Ewa Justka - Acid on Acid
Blaq Hammer - White Privilege
Sentimental Rave - Fuck you all
Omformer - Treshold
Changer - Change (Holy Mix)
Kineta - Cosmic Flux
Mikkel Rev - Rebirth
Ezy - Trollcontrol
DJ Warzone - Vicious Tool
Astrid Gnosis - Drop Dead
Ewa Justka - Mindless Cycles
Prison Religion - Cadylack
Kenji Araki x Anthea - Seven Eyes
Astrid Gnosis - Gore Lust
UFO95 - Me happy

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https://soundcloud.com/unsafeandsoundsfestival
https://www.instagram.com/unsafeandsounds/

SI081 - UNSAFE+SOUNDS 2022 / Tainted Futures - Agency of Immediacy

prerecorded set for GOGBOT festival 22

uvcore – safe from harm
trillosta – crystal sky
Honey – je rave dune vie meilleur
su27-mirage2000
Walfroy-hyperloop
Dj big guns – bad karma
Pink pantheress- pain (LSDXOXO remix)
Dj break da law – kill your masters
Olmatri – netto
Dj tool – synthetic free fall
UNRELEASED
NoiseJit – Shuriken jitsu 1
NoiseJit – Shuriken jitsu 3
Swan Meat – swans lament
HASHTAGA – char piranha
TRILLOSTA – closing end
Snowpixels – saishu mokute
Angerfist – Solid Stigma
w.baer – i was wrong
gagsmile – i was on the plane when you called
snowpixels – ache4u

GOGBOT PREREC

Santa Klaux - go down in flames

Une histoire se déclinant en trois parties. Chacune exprimant les différentes phases de la transmission trans-générationelle du souvenirs des rites et pratiques de nos ancêtres. 

Le rituel ici, raconte celui d'une famille remerciant Allah pour leur avoir offert le don d'écarter le mauvais sort. Le rituel consiste au sacrifice d'une bête et à la distribution de sa viande aux personnes de la communauté.

Tandis que la première partie raconte le rituel en lui même, la seconde explore et propose une version de l'image auditive que nous pourrions faire des rituels qui nous paraissent lointain. Enfin, dans la dernière partie, cette réinterprétation du rituel vient s'insuffler dans les rythmes d'une transe moderne, où la communion avec les autres passe d'abord par l'oubli de soi.

sadberry

Liu Yang

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