aquAngel_[ʷᵃᵗᵉʳ⁻ᴰᵃᵐᵃᵍᵉ...]

"Misinput Tycoon’s 8 tracks sound like personal bursts of expression by the artist sculpted through artificial at times alien sounds that still sound very human." (Sonic Sundays) 

"This is an album full of intricately engineered, futuristic sound explorations." (Zenevloed) 

On Misinput Tycoon (GEN052), https://soundcloud.com/fausto_mercier returns to Genot Centre with an album full of intricately engineered, futuristic sound explorations. Quirky, syncopated, even grimy melodies emerge between sounds reminiscent of cinematic automatic sliding doors, plasma-filled light cannons and full-spectrum boot-up sounds. The approach is bio-mimetic, elastic, fizzy, accelerating and decelerating, like listening to a process of wringing out an artificial fabric, or rupturing ultra-light fibrous materials in incredible resolution. More than ever, this album is littered with colorful, even contemplative segments: having an orchestrated, playful feeling. But make no mistake: more than mere intermezzos, this only a further dimension of the album's depth, the bright timbres ready to interface with a stroboscopic, liquid, granular counterpoint at any time.

// Roland Nagy (https://soundcloud.com/fausto_mercier) about GEN052
“I’m constantly watching pixels since I was 5. This album reflects wasted time and digital traumas. MISINPUT TYCOON is a sequel of my FULLSCREEN album from 2019 (also on Genot) - a sonic playground that feels much safer to me compared to my previous works. Also, it's the first album I made without hearing „What would XY think about this track?” in my head. These are my hymns for healing from the digital core - hope it will help.”

// BIO
Roland Nagy (he/him) is a Hungarian sound engineer, ex-media arts student and producer. Ever since 2016 he has released music under https://soundcloud.com/fausto_mercier moniker on labels like on EXILES, Kaer‘Uiks, Pointless Geometry, Infinite Machine or Genot Centre. His work in the field of electronic music production, while resonating with hardcore digital culture and bouncy rhythmic heaviness, is closely connected to his fascination for natural soundscapes and their fractal nature. In particular, Nagy skillfully manages to depict a violent, tense world populated of minuscule yet grand sound variations, intertwined in a web of apparently chaotic textures. He was part of Shape Platform roster in 2020.

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Fausto Mercier - cinege

"Pressure" is the first EP by the artist from Milan Antoine Caline. Pressure is a project built in the years from 2021 to 2024. The project aims to represent the emotions and changes faced by the artist over these years through the use of sustained notes and layers of repetitive sounds. It presents drone/ambient sounds capable of transporting the listener in an inner journey, creating an emotional, deep and evocative experience. 

Antoine Caline is an electronic producer based in Milan. In 2017, he began working on production and made connections with Italian artists on soundcloud.  This has led to various trap genre publications under another name. In 2021 he decided to change his career and move towards a more experimental sound, which led to the development of "Pressure" and numerous other tracks coming out. 

Produced by Antoine Caline 
Mixed & Mastered by edef. 
Artwork by Amalia Jaulin

Antoine Caline - How Everything Ends

Jersey club/jungle track produced by Celeste Noxx.

Tokyo Drift

bell water

@aki6

Artwork by Lena Kalleitner
Mix & Master by Wilko-Schmidt Dannert

PERPETUUM MOBILE

SSUNDOG

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Aki Traar - SSSUNDOG

holding on for dear life but the grip burns red hot

archive 2

Drowned sounds of despair

Unwavering the sheep sleeps

Forsaken in time

Will you seek fruition? 

holding on for dear life but the grip burns red hot

liver-y

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