Great cinematic sound! Great progression!

Synth and piano blend so well! another good one; well done!

[WAITING FOR APPROVAL BY THE CENTRAL COMMITTEE]

Superdance tracks series no. 307

created: 2021/11/13

These tracks were uploaded to SC between 0_/2021 and 11/2021,
except for the following, older ones:

The Central Committee sends its love.

[TO BE COMPLETED]

HK_Superdance_tracks_307

A solo piano, with a light arrangement of orchestra. A mood like after another storm, clearing sky, confident feelings about things getting better, collecting strength and hope, looking forward.

Purchasing this track permits you to use it unchanged in your own non-commercial productions with an attribution to Covert Acoustics.

For commercial and derivative licenses, please visit us on Sounzone, where you can buy this track for a number of additional uses.
https://www.sounzone.com/artist/covert-acoustics?id=36829&format=producer

Clear Sky

YOUNIVERSE Virtual Experience
www.possimiste.com/youniverse

Paradise

An incredible journey into eastern plains, on a deep house beat...Imagine the horses running free in this vast territory. Imagine the spirit of nature...imagine you are there in the middle of nowhere...I hope you will enjoy it...All comments are welcome...

Highlands Sacred Spirits

Life often is a rollercoaster of emotions. The choices we make determine the path we'll walk on.

Image comes from the movie Jane Eyre (2011).

Divided

- NightcoreMaestro Chives  Play Me

..:: THE INVOLVEMENT ::..
..:: Into The Outmosphere ::..

Can You Tell Me What A Victim Is?
----------------------------------------------
i hit the town on succubus street
down on my luck
stuck on repeat
i don’t know where
or how i want to be
i gave it all to you
with nothing left for me
how dumb could i possibly be
i saw what i wanted to see

i could be wrong
but i know i am right
so hear my song
its the way that i fight
you play your game
you don’t care if it’s right
and i’ll never be the same
its a sham, fuck it all
i woke up and see through it all
yea, i don’t give a fuck at all

you always take take take
until you burn it away
you know your fake fake fake
you always have it your way
how many times will i try
to see the truth is a lie
have fun in hell
i broke the spell
you were never a friend
----------------------------------
JOHN <> drums . guitar . vocals . lyrics . composition
RUBY <> lyrics . composition

mixing and mastering : johncruess@gmail.com

Into The Outmosphere

Can You Tell Me What A Victim Is?

Listen on Spotify!

FOLLOW US ON IG!

Tiger Shuffle

Chocolate Dreams.mc

CITY OF THIEVES

Download Extended Versions: https://music.polyptychmusic.com/PLT204

Feel this bright symbiosis of dynamics and emotional harmonies in the new EP "Divination" by Wailey.

Release supported by
DJs / Producers:
James Zabiela, Ziger, Paul Anthonee, Soul Button, Integral Bread, Moonbeam, Eric Rose, Graumann, Plus Thirty, Priya Sen, Julian Rodriguez, Matt Black, and others.

Radio Hosts / Radio Stations:
Kurt Kjergaard (Data Transmission Radio), Andrew Best (Proton Radio), DJ Jon Hodgson (The Abyss Radio Show, UK), DJ Ant D (House Beats Radio Station), Groove Beat FM, and others.

Download Full Versions

Wailey - Dither (Short Edit)

I never thought... we’d see each other
Just where we met, so long ago
Shy soft glances we shared back then
Repeated over with sad regrets

I can’t believe... It’s you beside me
You look just like..., so long ago
When you smiled and you talked too much
When you were nervous... it made me laugh

We both have moved on, I've got a family
There’s nothing left for us to share today
It's the way we used to be
Shadows in the past

That little spark....That made me love you
I see it's back again tonight
There not room left for me and you
and closing doors won't make it right 

So how are you? I guess you’re married
Are you still working for the company?
Never knew you at all that well 
I had a chance, but... that boat has sailed 

We used to be... so good together
It seems so many years ago
Many summers have passed us by
They Fade to brown then into grey 

We both have moved on
We both have changed our lives
We've both got loves and we've got families
It's the way we used to be
Shadows in the past

Still in the past... My heart is racing
I want it back... But I just can't.....
Everything that we used to share
It's broken now.... can't be repaired...

We both must move on
We both have changed our lives
We've both got loves and we've got families
It's the way we used to be
Shadows in the past

I have to go
I need to go
It was so nice ..But oh
It's the way that we used to be
Shadows in the past


Album - Hopes and Dreams (C) 2019
Song - Shadows in the Past
Music - Russell Lucas and  Tania Knight
Lyrics - Tania Knight
Vocals - Sumi (Sreyashi Mukherjee)
Arrangement and Production - Russell Lucas 
Mixing - Romano Erafficci

Shadows In The Past (EP - Hopes and Dreams)

ALFONSO LLORENTE: ACOUSTIC GUITAR

Fadding out from SC while I share my music in my dreams

G.O.T.A.  (Alfonso Llorente Sardi)

YT: https://www.youtube.com/watch?v=4tuBJzrob28

fenêtre

Springtime For An Autumn King

Written: 2019-20
Duration: ca. 21'
Instrumentation: string quartet
Commissioned by The Indianapolis String Quartet
Premiere: The Indianapolis String Quartet, Carnegie Hall, Weill Recital Hall, New York, NY, March 5, 2020.
Publisher: Bill Holab Music: http://www.billholabmusic.com/composers/robert-paterson/
For More Information: https://robertpaterson.com/string-quartet-no-3

PROGRAM NOTES
String Quartet No. 3 consists of five movements that explore “other voices,” either literally or figuratively. In a literal sense, this could mean speaking or singing in a way that is not considered normal or even out of one’s control. It could also mean speaking differently for a desired effect. Figuratively, “other voices” could mean a voice that is not one’s own. All five movements touch on these definitions in one way or another.

The first movement, Twist and Shout, uses musical patterns that sound like stuttering or someone who has a severe form of Tourette’s Syndrome. I use these sounds as a technical point of departure, incorporating jagged rhythms, erratic melodic patterns, and sudden volume shifts throughout the movement.

The second movement is entitled Poet Voice, and uses this style of reciting poems as a point of departure. In particular, this movement is based on a video of Louise Glück reading her poem “The Wild Iris,” which is included in a book of poems of the same name for which Glück won the Pulitzer Prize. Glück’s poem compares human suffering and finding a voice to the growth of a wild iris that makes a “passage from the other world” underground, despite the difficulty of breaking through. In the image of the wild iris, the explosion of color symbolizes new life. In this movement, I mimic Glück’s speech patterns and structure the movement around the sound of her voice and the content of her poem, essentially giving new life to her poetic reading. 

The third movement, Auction Chant, is inspired by North American auctioneering, which is a rapid-fire, rhythmic repetition of numbers and “filler words” spoken by auctioneers in the process of conducting an auction. This movement is also inspired by country fiddle music, which is a type of music often played in areas where auctioneering takes place.

In the fourth movement, Effects Pedal, I mimic sounds made by electronic effects pedals—and in particular, a vocal effects pedal, but without the use of actual electronic effects on the stringed instruments. I also use musical effects that sound somewhat like swallowing helium, which raises your voice when you inhale it, or sulfur hexafluoride, which lowers it.

The final movement is entitled Anthem. In this patriotic-sounding, yet slightly humorous movement, I weave together various sports themes and state songs from around the United States that are used to rile up fans at sports games.

String Quartet No. 3 was commissioned by The Indianapolis Quartet.

The Indianapolis Quartet: Robert Paterson - String Quartets 1-3

String Quartet No. 3 - IV. Effects Pedal

They Who Did Not Speak

From early nineties rave to modern day electronic , my love for music is still strong , 
The beat , the bass , the melody , when it all comes together , nothing compares .


Music,
centered on dance but I made the circle very,
very wide,
from everywhere, for everyone.

Enjoy.
...
2024/03/20:
My linux won't boot so I'm presently forced to use Windows, and because of the bug in Soundcloud's system my account is all messed up when I don't use a VPN to connect which I am unable to do now... trying to get help from my VPN provider.  Because of this, and because I started working very long days I will be less present here.  Sorry, I'm trying.

2024/02/22:
Hi,
"Tracks: 0" is wrong, it should read 40.
Ever since the closing of this account by error by SC two or three months ago, this problem has remained unfixed.  Soundcloud and their AI are apparently still working on solving this and other problems with this account, and with my other account ; )

2024/01/29:
What I wrote below was heart felt but presumptuous and pretentious.  I would have to not be stupid myself to be allowed to claim such a thing.  More importantly though, I don't believe it is correct or accurate.  These people are probably not stupid but just don't care.  Justice is a collective thing and many if not most people seem to live in bubbles.  It is perhaps economic oppression which is responsible, they just don't have the resources, the time, the energy to be concerned about what lies behond that bubble.  It used to be fine but there's this thing they call globalization which makes this increasingly impractical or impossible.

mid January 2024:
Justice and vengeance are not the same.  Apparently most people are too stupid to see the difference.  Unfortunately it is not something unique to the Israeli-Palestinian conflict, and not unique to group conflicts.

What happened to intelligence?  Aren't we supposed to be the "intelligent" specie.
...

Here's the other account, for celebrities, ... this one here is for regular folks:

https://soundcloud.com/ha-kekong

I love you.

...

You can't see it because of the angle with which I took the shot, aiming down, but beyond those blocks is the sea.  To the left is the Mediterranean, to the right is the Atlantic Ocean.  No it's not Gibraltar, but a little bit further West.
...

My face and the bike are a courtesy of Joël Vaudreuil
[https://vimeo.com/user8897093]  ... Merci Joe!
I then went ahead and butchered his work with a borrowed helmet.
... Sorry Joe. =(
...

I'm trying to promote what I think is good music, so if you want to help out a bit I'd rather you [like] or [repost] my *playlists* rather than my field recordings, if you don't mind, unless you are a die hard fan of those things. Thank you ; )

I speak French, so if you send me a private message, and that you are a francophone, please write in French, thank you.  ... I mean, you don't absolutely have to, but I would prefer it. 

All my field recordings (except for when I record a person) are public, freely downloadable by anyone who is able to click on the button.  I encourage anyone interested to use them in any way whatsoever, on purpose or accidentally. No need for permissions or credits or any other kind  of administrative maneuvers.
...

Anarchists give me hope.

I'm a big fan of EFF.  Love ya EFF.  (no connection with the above line)
... and of course Richard Stallman and Linux and all the others.  Bless yous.

Now don't be lazy, go find out what it is this "EFF" that I'm talking about.  I'll give you a hint: it has to do with computers.

You have a nice day now.  Hugs & Kisses.

CITY OF THIEVES

Lee Livingston

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Lee Livingston

Twice Born

Lee Livingston

Lee Livingston

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