Techno

Heel Thyself

F*ck-boi

2025

Strum

Best known for his cinematic jungle excursions, Seb Uncles returns to Livity Sound for a second extended release of introspective electronics with a strong influence from mystical sources. 

As Eusebeia, Uncles has developed a strong, independent presence in modern electronic music defined by a prolific run of deep-diving, breakbeat-driven albums and EPs. In 2022 he released Cosmos on Livity Sound, a mini-album that zoomed out to a more reflective strain of electronica shaped by atmospheric synth lines in the hauntological vein of Ghost Box, Pye Corner Audio et al. 

The Wyrding Way finds Uncles delving even deeper into this area of his output, keeping drums to a bare minimum and focusing instead on powerful melodic lines. There are still considered soundsystem moments that connect with Livity's long-standing sonic focus, not least the subtle dub inflection of EP centrepiece 'By The Light Of The Moon'. Elsewhere Uncles leaves the melodic parts unaccompanied, letting the phrasing and emotional pull of the title track tell its own story. 

Balancing light and dark elements and drawing inspiration from personal experiences and perspectives, combined with spiritual and existential observations, Uncles capitalises on the evocative streak in his studio practice to deliver a timeless, immersive experience unlike anything else in his considerable back catalogue.

Eusebeia - By The Light of The Moon

Bandcamp: https://fastatwork.bandcamp.com/album/up-too-late-2

Digital + physical preorder: October 8 2025
Release date: October 30 2025

Fast At Work returns with another statement EP, this time from the label’s own Carré (@carreo) and her closest collaborator Danny Goliger (@dannygoliger). Navigating through textured atmospheres, rhythmic explorations, and immersive landscapes, they allowed their music to unfold naturally—an organic process shaped by curiosity and intuition. Each track was born from sampling its predecessor, creating a recursive dialogue that guided the creative flow. A commitment to a tension-building groove in ‘Up Too Late’, the warped dub throughlines of ‘Tricky One’, the intricate, delicate uptempo delight that is ‘Exit Plan,’ and the bridge between all four tracks ‘Don’t Keep Me In Suspense’ — each reflect different moments in this journey. An expert in textural exploration, the Dutch DJ and producer Konduku (@kondukukonduku) brought out the true hypnotic potential of the title track. Their influences ripple outward, yet the sound remains inherently theirs—fluid, unbound by singular genre or label.

A1 Carré & Danny Goliger – Up Too Late
A2 Carré & Danny Goliger – Tricky One
A3 Carré & Danny Goliger – Don’t Keep Me In Suspense
B1 Carré & Danny Goliger – Exit Plan
B2 Carré & Danny Goliger – Up Too Late (Konduku remix)

Written and Produced by Carré & Danny Goliger
Mastered by Nikolaj Jakobsen 
Vinyl production R.A.N.D. Muzik
Artwork & CD by Studio Balcony
Distributed by One Eye Witness

FAW004: Carré & Danny Goliger - Up Too Late EP w/ Konduku Remix

Pre order now - https://www.juno.co.uk/products/jeigo-etum-vinyl/1099951-01/

Three years after his debut album, London-based Jeigo levels up with a new long player that displays his knack for meaningful melodies and deft rhythms while blurring the lines between ambient, garage and breaks. Inspired by three months on an olive oil farm in rural Italy, there is a beautiful sense of isolation and inward reflection to these sounds, even when the energy ramps up. Sultry, airy vocals and delicate strings weave between organic grooves on the opener, while pitched-up and pained tones bring a futurist twist to the paddy garage beats of 'Echoes.' There is a more warped low end and hints of Burial's ghostly vocal and drum designs on 'Emptiness' while 'Groundwater' is shuffling house suffused with luminous synth work that brings a nostalgic pang. Etum is a masterfully melancholic study that leaves a lasting emotional impact.

More from the label - https://www.juno.co.uk/labels/Fleurella/

Preorder

PREMIERE: Jeigo - Diye [Fleurella Records}

In the lakeview’s reflection, echoes folded inward, time itself revealing its finite edges.

Available on Bandcamp: https://headlesshorsemanberlin.bandcamp.com/album/echo

℗ 2025 Headless Horseman | © 2025 Headless Horseman

HDL012/Echo/Preview

ITX040 DARIO ZENKER - CONFIGURATION SUPPORT

@rroxymore's wonked-out psychedelic attitude for 'sub-alchemy’ 

a collection of low-end sorcery from subglow favourites, informed by the delectable tension between pressure and weightlessness —supernatural attitude and mystery—sonic witchcraft for the depths of the dancefloor and beyond. 

Out to all witches, worldwide, Nov 07th.

tracklist:
god69 - amulet
upsammy - Ripple
Luxe - Skin
Softi - command
Roza Terenzi - Glow Up Throw Up
rRoxymore - Dub Me Somewhere
Sobolik — Skip Dub
Sister Zo - The Fastness
x3butterfly - Abysmal Yearning
ophélie - Sea Gooseberry
Perila - Apocalypta's Dream
Beatrice M. - Meopham
Mia Koden & Cousin - B Alo
Yushh - Feeling Everything All At Once
Xades - Qluless

https://subglow.lnk.to/sub-alchemy

Pre-order 

[subgl002 sub-alchemy] rRoxymore - Dub Me Somewhere

Self Acceptance

Channeling inventive sound design into incisive, characterful techno variations, Jurango returns to Livity Sound with an eight-track double EP — his longest release to date. Taíno Gold captures a moment in time for Bristol-based Nate Reece's continually evolving sound as it draws on the full spectrum of UK club music. 

Following a debut for Livity's reverse label in 2021 and last year's An Amorphous Mass EP, Reece is more assured than ever tackling a variety of club-focused cuts. The tracks on the release all came together before, during and after a two-month visit to Reece's grandparents' home — an idyllic tropical environment in a small community at the top of a hill in the northern part of Jamaica. 

Taíno Gold refers to the island's indigenous Taíno community and the legend of a witch luring Spanish settlers into a trap on the Martha Brae river. There are no messages explicitly embedded in the music, but the release is both a personal reflection of Reece's own experiences and family heritage, plus a reminder about the enduring sceptre of colonialism and the continued need to fight against it. From absorbing Jamaica's fraught history through museum and plantation visits to the abundant nature in the garden surrounding his grandparent's house, the double EP marks a place in time for Reece, with eight advanced, ear-catching tracks as the end result.

From the cascading arps of 'Black Torches' to the tunnelling chords of 'Waiting For Trelawny', the melodic dimension of the Jurango sound is more confident than ever. 'Hibiscus' is a shimmering celebration of dub techno and crooked drum pressure and 'Chalk On Trees' basks in aqueous, fathoms-deep pads to close out the EP. Elsewhere, Reece brings new textural and tonal detail to his percussive workouts, splashing acidic noise around the angular experimentation of 'Maybe It's Broken' and firing off double-time rhythms to inject 'Double Sevens' with infectious urgency. 

With the space afforded by a longer release, Reece widens out the scope of his artistic identity while absorbing the particular scene and setting that surrounded him while making the tracks. Taíno Gold is a vibrant next step for Jurango and a natural continuation of his work with Livity Sound.

Bandcamp

Waiting For Trelawny

Pump

Pump (Version A)

𝑷𝒓𝒆𝒎𝒊𝒆𝒓𝒆: Carré & Danny Goliger - Up Too Late (Konduku Remix) [FAW004]

After completing another whirlwind mission of fast-not-hard righteousness, the Fast At Work crew returned home to reunite around their first chosen matriarch, who arrived with a cherished friend of the family in tow. Ideating a standout and full circle return to the ethos contained in the original FAW alien disc, Carré embarked alongside Danny Goliger not with the intent to craft a particular “sound,” but driven by the pursuit of discovery. Navigating through textured atmospheres, rhythmic explorations, and immersive landscapes, they allowed their gospel to unfold naturally—an organic process shaped by curiosity and intuition.
Each track was born from sampling its predecessor, creating a recursive dialogue that guided the creative flow and speaks to the spirit of DIY collaboration always present in FAW mantra. A commitment to a tension-building groove in ‘Up Too Late’, the warped dub throughlines of ‘Tricky One’, the intricate, delicate uptempo delight that is ‘Exit Plan,’ and the bridge between all four tracks ‘Don’t Keep Me In Suspense’ — each reflect different moments in this heli-journey. An expert in textural exploration, Konduku brought out the true hypnotic potential of the title track. Their influences ripple outward, yet the sound remains inherently theirs—fluid, unbound by singular genre or label.

Written and Produced by Carré Orenstein & Danny Goliger
Mastered by Nikolaj Jakobsen
Vinyl production R.A.N.D. Muzik
Artwork & CD by Studio Balcony
Distributed by One Eye Witness

 𝑪𝒂𝒓𝒓é
Soundcloud : https://soundcloud.com/carreo
Bandcamp : https://carre-carre.bandcamp.com/
Instagram : https://www.instagram.com/carre__carre/

𝑫𝒂𝒏𝒏𝒚 𝑮𝒐𝒍𝒊𝒈𝒆𝒓
Soundcloud : https://soundcloud.com/dannygoliger
Bandcamp : https://dannygoliger.bandcamp.com/
Instagram : https://www.instagram.com/danny_goliger/

𝑲𝒐𝒏𝒅𝒖𝒌𝒖
Soundcloud : https://soundcloud.com/kondukukonduku
Bandcamp : https://konduku.bandcamp.com/
Instagram : https://www.instagram.com/konduku/

𝑭𝒂𝒔𝒕 𝑨𝒕 𝑾𝒐𝒓𝒌
Soundcloud : https://soundcloud.com/fastatwork
Bandcamp : https://fastatwork.bandcamp.com
Instagram : https://www.instagram.com/fastatwork/

Up Too Late [FAW004]

Up Too Late (Konduku Remix)

Support & Buy

𝑷𝒓𝒆𝒎𝒊𝒆𝒓𝒆: Carré & Danny Goliger - Up Too Late (Konduku Remix) [FAW004]

Release: Ulysses Ep
Artist: Gisura
Label: Synthlab Records
Catalog: SLRX0031
Release date: November 21, 2025
Format: Digital
Mastering: Nicolas Vogler

Tracklist:
1. Satyr
2. Yachting
3.You Almost Convinced Me
4. Ulysses


https://soundcloud.com/user-840774798
https://www.instagram.com/gisura.ve

______

SYNTHLAB RECORDS

Instagram: instagram.com/synthlab.records
Bandcamp: synthlabrecords.bandcamp.com
Soundcloud: @synthlabrecords
Facebook: www.facebook.com/synthlabrecordsgermany/

Mastering by Nicolas Vogler
www.instagram.com/nicolasvoglertechno

Design by Cold Visuals
www.instagram.com/cold___visuals

Gisura - You Almost Convinced Me [SLRX0031]

Berlin-based Mexican artist Viiaan unveils her new EP “Taiko”, a bold four-track exploration of rhythm, ritual, and futuristic bass. The title, “Taiko,” is drawn from the Japanese word for “drum,” symbolizing both the instrument itself and the communal force of ancient drumming ceremonies.
Across the EP, Viiaan fuses primal percussion with razor-sharp digital textures, shaping rhythm into pure motion.
The opening track, “Taiko,” sets the tone with glitchy micro-sounds that feel alive, mechanical yet organic. Massive drum strikes collide with synthetic fragments, evoking a futuristic tribal ritual.
“Amaterasu” continues with breakbeat ferocity, drenched in juicy percussion while a vocal slides in with raw confidence, charging the track with direct, physical energy. “Elohalo” shifts gears into rolling trap-inspired rolls, sub-heavy grooves and driving percussion. Its vocal accents keeping the intensity taut and immediate. Finally, “Azkhar” digs deeper — heavy, spacious, and alive with rhythmical chopped reese drones and flowing tribal grooves.
Between mechanical precision and primal power, the EP captures rhythm as a timeless human language — ancient in spirit, modern in execution.

--

Preorder: qeone.bandcamp.com/album/taiko

Release date ~ December 4, 2025

--

About Viiaan

Viiaan, the sonic alchemist from Mexico City, has transplanted her musical vision to the streets of Berlin, where she continues to shape a world of sound that defies categorization. Active as a producer, DJ, and curator since 2017, she stands at the crossroads of experimental electronics and club culture.
As the visionary force behind Voragine, a label that serves as a meeting point for artists working across experimental sound, and visual art, Viiaan’s work blurs the lines between the introspection and the physical. 
Her sound is a living organism: breaks, intricate percussions, ambient atmospheres,  left field bass,  and techno intertwine to form a sonic language that refuses containment. It's a symphony of diversity that refuses to be confined, and this refusal is the lifeblood of her artistic vision.
Her discography reads as a journey with releases on Woozy Dub (Dublin), Sumac (Berlin/Sydney), Causal Chain (Montreal), WVWV (CDMX), and her own imprint, Voragine. Each release reveals another facet of her evolving artistry. 
Beyond the studio, Viiaan curates two distinct sonic experiences: Raeve and Ambient 4 Babies, gatherings that dissolve the boundary between performer and listener, inviting audiences into immersive worlds of rhythm, reflection, and club culture.

--

www.soundcloud.com/viiaan
www.ra.co/dj/viiaan
www.instagram.com/__viiaan/
viiaan.bandcamp.com  
credits

Written & produced by Viiaan
Mastering by Niklas Bühler (Klangstellwerk) & Lindsey Wang (Polygonia)
Artwork & Design by Lindsey Wang (Polygonia)

Viiaan - Taiko [QNE017]

DM "Desire" ON INSTAGRAM TO DOWNLOAD https://www.instagram.com/bobbydazzlerdj/

Chris Stussy - Desire (Bobby Dazzler Dark Edit)

Had a lot of fun with this one. Self mix and master, bass is quite heavy - be careful playing on big systems. If it's too much let me know and I'll nail it down.

Enjoy and please support the original!
https://www.beatport.com/track/desire/19604717?srsltid=AfmBOopB5VNOFhI2quKsjEeq6hGWy9UueVUKa6NUfeSzM8Yv_z3ukZR9

Chris Stussy - Desire (Bobby Dazzler Dark Edit) *FREE DOWNLOAD*

free DL

50 feet below [free DL]

Record Label. UK Techno. Sound System Frequencies. Body Music.

Est. 2011, Bristol, UK

Waiting For Trelawny

Livity Sound

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