This is an adaptation of an old tune by Jewish composer Julius Chajes that I've set new lyrics to (read more below). The phrase "We lead in love" is inspired by Melanie DeMore's song "One Foot/Lead With Love" and the last line of "We Shall Be Known" by MaMuse.

It's meant to be sung in community, with call and response. I hope you'll find some friends and sing it together.

Lyrics:
When times are hard
And despair is at your door
We ground ourselves
Deep within
We stand with each other
We remember we are one
And we hold fast
And call for light to break forth like the dawn.

We lead in love
We breathe in love
For there is nothing else. (x2)

When justice fails
And there’s evil in the land
We ground ourselves
Deep within
We lift up each other
And we face up to our fears
And we hold fast
And call for light to break forth like the dawn

We lead in love
We breathe in love
For there is nothing else. (x2)


Update to the story of the song: I learned this tune originally via friends at my Christian college camp; they said their best memories were of floating in canoes at night under the stars, letting this song echo across the lake. It's always been a melody that gave me goosebumps, but the original lyrics eventually came to represent a narrow rendering of the Divine that I could no longer sing with my whole heart. But I was loath to lose the power of this melody, so I wrote a new set of words anchored in Love that I feel I can stand on and lead firmly and fearlessly.

However, after more research, I've learned that the original author of this song is Julius Chajes (1910-1985), a Jewish composer, concert pianist, and conductor. He was born in the Austrian empire (now Poland) and fled to America to avoid the Nazi annexation of Austria in 1938. He spent time from 1934-36 chairing the piano department in a music academy in Tel Aviv, where studying Arabic, Palestinian, and Hebrew folk music of the region really shaped his future work. I'm so glad to know this tune has Jewish roots because I've always heard the shape of Jewish folksong tradition in the melody and harmonies (aka I've always thought the Christians couldn't possibly have written this one.) And I can see now the places where the phrasing of the original lyrics about G-D establishing the heavens and the earth strongly reference the prophet Isaiah's words. 

And then I was super annoyed to learn that after Mr. Chajes passed away, Christians adopted/co-opted the song when Integrity Hosanna music (a major old-school record label in church worship music) recorded it with a big name worship leader in 1986, which is undoubtedly how it eventually traveled to the Christian camp where my college friends learned it and taught it to me. I hope his family got royalties because singing it within the Jewish tradition and the Christian traditions are two very different vibes. 

Learn more about the original composer Julius Chajes here: https://www.milkenarchive.org/artists/view/julius-chajes
(Internet links put the original date of the song at 1952, though I can't find a real source for this.)

When Times Are Hard

This is a remix of the traditional tune "Poor Wayfaring Stranger". The original talks about a heaven someday; I wanted write new lyrics to speak to the world we want to build right now. 

Ideally you'll get a group of friends together and take turns building up the "whoa" layers and singing the words.

(I learned this arrangement [the "whoa, whoa" harmonies] from Leanne Sedin of Sing Tower Hamlets community choir in London, and she picked it up from a choir leading workshop sometime around 2013. If you know who the original arranger is, please let me know so I can give them credit!)

Lyrics: 
We’re all just poor wayfaring strangers
A-travelin’ through this world of woe
And in the face of fear and danger
We fight for freedom as we go. 

We’re gonna push this world towards justice
We’re gonna push our world towards peace
And when we call for liberation
There will be dancing in these streets.

We’re all just poor wayfaring strangers
A-travelin’ through this world of woe
And in the face of fear and danger
We know there’s love here as we go.

We’re gonna push this world towards justice
We’re gonna push our world towards peace
And when we call for liberation
There will be freedom in these streets.

PS- There is body percussion with this arrangement (hopefully you can hear it kick in and it's echoed in the beatboxing— it's basically "Stomp / Stomp clap stomp /  Stomp clap" and the claps come in on 2 & 4. Easiest to do all the stomping with the same foot!)

Push (Wayfaring Stranger Remix)

I wrote this song for the streets, to remind us of the world we're trying to build. I live in South Minneapolis, a short bike ride away from where George Floyd was murdered by the police in 2020. The "reforms" the city has been trying to make since Jamar Clark was murdered here by police in 2015 have had no impact. 

This November, Minneapolis will be voting on whether we should replace the current police department with a new department of public safety (which may include licensed peace officers as necessary). "Voting YES means we will have more options for community safety than the current 'police-only' model."—https://yes4minneapolis.org

There are other ways to keep us safe besides just policing. The cops don't do work that prevents shootings—they can only show up after the fact. Defunding the police doesn't mean we're getting rid of helping people; it means investing that money back into the community for housing, jobs, food, and education. When people's needs are provided for, violence is prevented. We can dream better dreams and have a city where all people, including the most vulnerable, are safe. 

>> Thanks to SEE MORE PERSPECTIVE for additional beatboxing and engineering (https://soundcloud.com/see-more-perspective)

Further notes and links below the lyrics.

Lyrics:
We keep us safe
I am my sister’s keeper
We keep us safe
In our community

We keep us safe
I am my brother’s keeper
We keep us safe
In our community

We don’t want your cops
Defund the police
Invest it in the kids (Invest it in the youth!)
No Justice No Streets!

We keep us safe
I am my sibling’s keeper
We keep us safe
In our community

We don’t want your cops
Defund the police
Invest it in more jobs
No Justice No Streets!

We keep us safe
We are the children’s keepers.
We keep us safe
In our community

We don’t want your cops
Defund the police
Invest it in more homes
No Justice No Streets!

We keep us safe
We are the elder’s keepers.
We keep us safe
In our community

We don’t want your cops
Abolish the police
Invest it in the schools
No Justice No Streets!

We keep us safe
We are the people’s keepers.
We keep us safe
In our community
In our community
In our community


Notes: "No Justice No Streets!" is the rallying cry of George Floyd Square. Activists have asked that the streets at 38th & Chicago not be opened until these 24 Demands are met. You can read the 24 Demands of Justice Resolution 001 here: https://linktr.ee/38thandchicagogfs 

If you need an introduction to abolition, there are many excellent resources. This one from the Mennonite Church USA is very solid. https://www.mennoniteusa.org/abolition-curriculum-intro/

Junauda Petrus's poem, "Give the Police Departments to the Grandmothers" continues to be an inspiration.
https://realblackgrandmothers.com/in-the-arts-could-we-please-give-the-police-departments-to-the-grandmothers/in-the-arts/

As the good folks at the Minneapolis Police Report Card say, "There was a time before policing, and there will be a time after."— www.mpd150.com

We Keep Us Safe

This is a layer song for singing in community. [EDITED LYRICS DIFFER FROM TRACK FOR TEACHING; Please read below]

When I teach this song, I teach everyone all four layers separately first. Then as we start to build the layers up people can sing whatever they feel called to work on in the world today, but I especially invite cis men to sing the first layer ("UPROOT/COMPOST patriarchy") and I especially invite white people to sing the second layer ("End white supremacy") so that folks who are often marginalized can lead us in singing about Love and Another world being possible.

As you build the song up layer by layer, you can play with bringing layers in and out to emphasize different things, and eventually if folks have been singing the first two layers (Smash & End) for a while you can bring that to a close and have them join the Love & Another World layers. 

Note: When I caught this song in 2021, it was the first song I'd ever caught. So the original lyrics are recorded here as "Smash the Patriarchy." And even though I tried to insist that we are smashing systems, not people, I had a couple wise elders ask me if I really wanted the lyrics folx were singing over and over to be anchored around violence. So I now teach "Uproot patriarchy, Compost Patriarchy...." It's less cathartic than smashing, but also more likely to get all those insidious roots and less likely to poke people's eyes with flying shards from the fallout....

Layer 1: Uproot patriarchy, Compost patriarchy, Uproot patriarchy, Compost Patriarchy...
Layer 2: End white supremacy, end white supremacy...
Layer 3: Love, not fear, will lead us...
Layer 4: Another world is possible; on a quiet day, I can hear her breathing...

Layer 4 words from Arundhati Roy, in War Talk: “Another world is not only possible, she is on her way. Maybe many of us won't be here to greet her, but on a quiet day, if I listen very carefully, I can hear her breathing.”

This song was directly inspired by the Soil Strategy workshop, led by Ricardo Levins Morales and Eleonore Wesserle. These songs are some of my contribution to better, healthier cultural soil:
https://www.rlmartstudio.com/wp-content/uploads/05-Soil-More-Important-Than-Seeds.pdf

Another World Is Possible (UPROOT Patriarchy)

This is a call and response song for the better world we want to build. You're not just supposed to listen to it, you're supposed to echo back! (Better yet, get some friends to holler back and forth and sing with you). 

I wrote it thinking about what world I want my kids to grow up singing about. And, in all honesty, the things we want our kids to learn are the things us grown-ups need reminded of every day. We're here trying to tear toxic stories out by the roots and ingrain better ways to live deep down into our bones.

And, even if they're little and don't know what the patriarchy is yet, singing about it together is also a promise from the grown-ups to the kids that we're gonna teach them to see all the lies of these domination systems so they can learn how to smash them. 

When you lead it, encourage people to really lean into the growly slide of "FREEEEEE" together! And if you're singing it with kids, you gotta get them to help you make up some motions for the chorus at least and lead them with you so everybody dancing feels the freedom in their bodies. 

Note: When I caught this song in 2021, it was one of the first songs I'd ever caught. So the original lyrics are recorded here as "Smashing the systems...." And even though I tried to insist that we are smashing systems, not people, I had a couple wise elders ask me if I really wanted the lyrics folx were singing over and over to be anchored around violence. So I now teach "Uproot the systems" or "Compost the systems..." depending on which verse. It's less cathartic than smashing, but also more likely to get all those insidious roots and less likely to poke people's eyes with flying shards from the fallout....


Lyrics (call and response): 
We’re all here to get more FREEEEEEEE
Marching together towards liberty
Uproot the systems that keep people down
And shaking up the world until justice is found!
>Choose Love! Not Fear!

Injustice anywhere threatens us all
Please can we build more bridges, not walls
There’s plenty to share, just come as you’re able
You’re welcome here, it’s an open table 

We’re all here to get more FREEEEEEEE
Raising up our communities
Compost the systems that keep people down
And shaking up the world until justice is found!
>Choose Love! Not Fear!

Capitalism is selling you lies
They claim you’re not enough, so just buy buy buy 
But just as you are, you’re worthy now
SING I AM ENOUGH, this is our vow

We’re all here to get more FREEEEEEEE
From toxic ideas that hurt you and me
Uproot the systems that keep people down
And shaking up the world until justice is found!
>Choose Love! Not Fear!

White supremacy culture runs on fear (**I sing this now as 'White supremacy runs on fear'**)
It’s killing people year after year
We don’t need police to keep us safe
Black Lives Matter in this place
 
We’re all here to get more FREEEEEEEE
Tell a better story, rewrite history
Compost the systems that keep people down
And shaking up the world until justice is found!
>Choose Love! Not Fear!

Compost patriarchy, let men (boys) feel
Women (Girls) own your power and keep it real
And Love is love, no matter who you are
The gender binary can go die in a fire

We’re all here to get more FREEEEEEEE
Living our Truth Out Joyfully!
Uproot the systems that keep people down
And shaking up the world until justice is found!
>Choose Love! Not Fear!

We’re connected, creatures one and all
We need each other on this blue and green ball
Protect the planet, we only have one
So our great great great great grandchildren can have fun!

We’re all here to get more FREEEEEEEE
Animals, earth, sky and sea
Compost the systems that keep us all down
And shaking up the world until justice is found!

We’re all here to get more FREEEEEEEE
Raising up our communities (Marching together towards liberty)
Uproot the systems that keep people down
And shaking up the world until Love is found!

(Cover photo: Hanbury Street, East London, 2015)

We're All Here To Get More Free (#WhatDoWeTeachTheKids)

This is a song for you and your community to sing when you want be reminded of your intentions: Who are the people we're aiming to become? May we be open-hearted, generous souls who know there's enough for everyone to share.

Lyrics: 
Whatever I am given I do not expect to keep.
The universe gives me what I need.
I work to be able to give more than I receive. 
Abundance in generosity.

Mantra: 
Giving and receiving; it's the circle of the dying, living...

Whatever we are given we do not expect to keep.
The universe gives us what we need.
We work to be able to give more than we receive. 
Abundance in generosity.


The lyrics are grown directly from a passage in Kim Stanley Robinson's classic science fiction novel RED MARS, where they're struggling with how to shape a whole new society. Should Mars be communist (aka if we don't share out here in space we're all gonna die) or should they let transnational corporations own things privately and devolve into a capitalist hellscape? The protagonist has just finished his first whirling dervish dance session with the Sufi community on Mars (!) and the conversation turns to gift economies...and when I read it, I caught this song.

NB: If you're singing it in a large enough group, try this with the mantra: split the group in half and have them sing alternating measures, so the dying and the living are calling to each other and you can feel the push/pull...
(GIVING AND/receiving it's the/CIRCLE OF THE/dying/LIVING)

Thanks to Cindy Wallace for helping me realize this was a mantra at its heart <3

Abundance (whatever i am given)

My friend Kat Parent told me one day over lunch at a Vietnamese restaurant, “Did you know that the words ‘Abolish the police’ fit perfectly into the chorus of ‘Hey There Delilah’?!” And I was like, “No I did NOT” and then I couldn’t get the new and improved chorus out of my head for the next 48 hours. So I asked Kat if I could write some verses to go with it based on our experiences living through George Floyd’s murder and the Uprising here in Minneapolis, and welp, this happened. We’re not sorry. 

Junauda Petrus’ beautiful poem “Can We Please Give The Police Department to the Grandmothers?” has been a rallying cry for the Twin Cities for the past decade, and made its way into the bridge of this song. You can hear her read it here: https://vimeo.com/426276718 or get the beautiful picture book here: https://www.junauda.com/can-we-please-give-the-police-department-to-the-grandmothers


Lyrics: 
Hey there Third Precinct, what’s it like in the Twin Cities?
It’s been three whole days of protests for George Floyd—everything’s shitty, and you’re in flames….
(The cops won’t stop playing war games, so they’re to blame)

Hey Minneapolis, reform just isn’t working, 
Been six years since Jamar Clark was killed, our city still is hurting every day.
It doesn’t have to be this way—What do you say?

Abolish the police, Abolish the police
Abolish the police, Abolish the police
Abolish the police

Hey there white people, you know cops don’t prevent violence
We can see you living in your fear, we hear your fucking silence all the time;
You know Black lives are on the line, We’re out of time

Hey Derek Chauvin, you epitomize the system,
Been one hundred fifty years of racist violence, you don’t listen, what to do?
The system’s rotten through and through, we need something new...

Abolish the police, Abolish the police
Abolish the police, Abolish the police
Abolish the police

Junauda says that we should leave police responsibilities
Up to the hands of grandmas far and wide:
They’d feed you and they’d care for you, and keep you out of trouble too 
And make sure there was someone by your side.
Because god knows the things we need are homes for our communities
And food and jobs and conflict mediation

Hey there my friends, you know, the ambulance is new
Until the 1960s cops were playing paramedics too. We said, hold on—
They have no training, this is wrong—Okay, so long!

So we invented, staffed and funded an entirely new system
And the cops don’t do that anymore—you know, we wouldn’t miss them, hey it’s true. 
So now the change is up to you: What should we do?

Abolish the police, Abolish the police
Abolish the police, Abolish the police
Abolish the police

-----------
Vocals and ukulele: Liz Digitale Anderson
Guitar and harmonies: Kat Parent

Check out more of Kat’s music here:
https://katherineparent.bandcamp.com/

(Hey There) ABOLISH

I’ve always thought if you can make a slogan into a catchy enough song, it’ll take on a life of its own. I’ve had this refrain in my head for a couple years now, but it never had a place to live until this past spring when a trans woman was brutally attacked at the light rail station a block away from my house. I was part of a group of community members who organized a rally a week later to reclaim the space, saying we’re here to Defend Trans Lives and Celebrate Trans Joy. Even though there was snow blowing down on us the entire time, that didn’t stop 200 people showing up to be community together and we closed singing this song.

Lyrics:
Trans Rights Are Human Rights
(Trans Rights! Trans Rights!)

If they’re Black, Brown or Native: Defend Trans Lives!
If they’re incarcerated: Defend Trans Lives!
If they’re unhoused and poor: Defend Trans Lives!
We won’t take it anymore! Defend Trans Lives!

No Assimilation: Trans Liberation!
No Assimilation: Trans Liberation!


The verses are directly inspired by a post from the Instagram account “trans.liberation.mpls” days before the event.  https://www.instagram.com/p/CpkzirzsWM4/?img_index=2


You can read more about the attack and rally here:
https://m.startribune.com/hundreds-rally-for-transgender-woman-beaten-at-minneapolis-light-rail-station/600257632/

Recorded by community singing friends at Liz’s Birthday Sing, April 2023

(with thanks to Bill Nye the Science Guy for an iconic and endlessly catchy theme tune.)

Trans Rights Are Human Rights

This is a snippet of the full song “Are You…?” which is newly released on Bandcamp here: https://singingforliberation.bandcamp.com/track/are-you

You can be in reciprocity with this cultural liberation work by purchasing the song on bandcamp or supporting me on Patreon <3

This song is meant to be sung in community, all the layers stacking up and sparking conversation amongst each other: how are we gonna build the better world we know we need?

Lyrics+Roots:

“Personal, cultural, structural change” – I think of these three as a braid: the three types of change continually wrap around each other and build off each other. We need all three of them for wholistic change but we may major in different strands in different seasons of our lives. My partner Peter pointed out that these match up with Johan Galtung’s triangles: Galtung is known as the father of Peace Studies, and he talks of a triangle with three dimensions of Conflict (or Violence): Direct/Personal, Cultural, and Structural, and how these are therefore the three spheres where we need to build peace proactively. 

“Growth, healing, and liberation/Liberate your imagination”-- These are all the things we’ll need to move towards if change is gonna happen. There are echoes of Walter Bruggeman’s work on Prophetic Imagination here too. 

“Organize, organize, organize” – This layer is from the Poor People’s Campaign, adapted by Theomusicologist Charon Hribar. I’ve learned a ton from how and why the Poor People’s Campaign has woven music into every facet of its organizing work (and how if you can dance to it, people will stick around when you organize with joy.) I encourage you to download their excellent songbook, full of music that meets the needs of our movements in this moment: https://www.poorpeoplescampaign.org/arts-culture/we-rise-a-movement-songbook/
I’ve written new verses for the full version of the song.  

“Are you a police abolitionist?” –This line belongs to Twin Cities artist Sterling Miller; he asked this question to a character being built in a theatre exercise, and the exact rhythm and cadence of his words lodged into my brain and wouldn’t leave me alone. It was such a genuine question! This was the seed of the whole song, and pretty soon it started to sprout more layers….

Recorded with community singing comrades at Liz’s Birthday sing, April 2023

https://singingforliberation.bandcamp.com/track/are-you

Personal.Cultural.Structural.Change

“The interlocking systems of oppression depend on our feeling alone and ashamed. The gift of spiritual practices is that they cultivate courage, so that we will risk more for one another.” – Casper ter Kuile, “The Power of Ritual”

I read this quote and immediately thought, “Burn this truth into my brain and my bones.” And when I want to remember something, singing makes it sticky, and turns it into a mantra that you can carry with you. I tried a couple different settings until this one stuck and wound up working as a round. 

When I teach it, people quite often wind up yelling out their rage at the insidiousness of “alone and ashamed,” and I sometimes will have people walk around the room and look each other in the eye as we sing so we can remember who we want to risk more for – each other.

Lyrics: 
The interlocking systems of oppression
Depend on us feeling alone and ashamed.
But spiritual practices cultivate courage
So that we will risk more for each other
So that we will risk more for love.


Recorded with community singing comrades at Liz's Birthday sing, April 2023

Risk More For Love

This song comes directly from co-leading a praxis group working through Resmaa Menakem’s essential book, “My Grandmother’s Hands.” 

Resmaa writes about the epigenetic effects of 400 years of racial divisions in our history, and how that racism shows up in our bodies – our first reaction to a body of a different color is that they’re unsafe, and our bodies react before our brains do. Which is why, despite countless hours of training, white bodied police officers often pull their weapons and shoot unarmed Black folx - their body has registered a threat and responded before their brain has caught up. You might feel it, and recognize it as I did, if you flinch when a body of a different color than yours walks by when your car is at a stoplight.

I realized I needed something to directly counteract those subconscious “Danger! Other!” narratives in my brain: ideally something to sing, a pocket song, a mantra, to literally re-wire my brain into new patterns of seeing these other human siblings as safe. So I experimented and  “Beautiful, beautiful, your whole body beautiful” is the one that stuck - I practiced singing it to all the different bodies as I took my kids swimming at our local pool, and realized I have work to do on recognizing the beauty in bodies of different sizes, ages, abilities, as well as colors. (As I tell my kids these days, “EVERY body is full of beauty. “Pretty” is just what capitalism thinks will sell you toothpaste.”) And several months into this experiment, now when I see folx of another color walking down the street or coming into a room, my brain sings “Beautiful….” automatically– the re-wiring experiment is working. 

I usually teach the “stop policing” layer first, and talk about how this is both a literal, “White people please stop calling the cops on Black people for just existing and having barbeques” but also how we want our brains and hearts to stop policing and judging differences as wrong. 

Songleaders: All three layers can stack at once; it’s fun to flip around and try them in new combinations….choose your own adventure :)

Lyrics:

Stop policing people’s bodies
**White supremacy**is lying to you
Stop policing people’s bodies
Or **white supremacy** wins (#%$* that!)

**Cisheteropatriarchy, ableism, capitalism, diet culture, ageism….** zip in what other systems you need to be reminded are lying to you!

Beautiful, beautiful
Your whole body's beauty-full
Beautiful, beautiful
In my bones

You are beautiful
I am beautiful
They/We are beautiful
Re-wiring my brain
(I swap the pronouns around in any order here)


Recorded at Liz’s Singing for Liberation community class, Fall 2023

Photo of East London street art, taken by liz in 2015

Beautiful (Stop Policing People's Bodies)

This song comes directly from a conversation I was having with my good friend Aurora, in a season when her mental health was in an extremely challenging place. We were both so frustrated with the lack of support from systems and institutions and communities that were “supposed” to be helping that we started building out our own explicit ecosystem of care.

I was saying, we often act surprised when grief shows up in our lives– even though we know that suffering is one of the fundamental realities of being alive. So since we know we’re going to take turns collapsing, we might as well be ready to do something about it, and if I help you towards healing, I hope you’ll be ready to catch me when it’s my turn to collapse. You’re not too messy to be loved and neither am I. We see you and love you right in the midst of whatever the shit is you’re dealing with. How we care for one another and how we do conflict are two deeply abolitionist practices, and if we start getting those right, that would be a fundamental cultural shift in the world. 

“Putting in the reps” comes directly from Resmaa Menakem’s book “My Grandmother’s Hands.” He talks about getting comfortable with our discomfort, and really addressing the somatic aspects of working through our racism, and in order to do that we need to be kept accountable to practice until discomfort doesn’t cause us to fly off the handle and cause harm anymore.

This song also owes its existence to the wisdom and leadership of J. Miakoda Taylor (https://www.fierceallies.com), who has shepherded me through building out this community ecosystem of care for mental health crisis, and I am deeply grateful for their gifts of time and energy and love.

This song also has been deeply shaped by singing the work of Ahlay Blakely (https://www.healingattheroots.com) and their modeling and leadership of how singing can tend our grief, especially the WAILS album (dropping fall 2024)

Songleaders: This song loves a Shruti box in D minor, and really wants some percussion to help drive it. You can sing this song through all as one group, and zip in other words besides grief (I almost always teach it as Grief, Pain, Shame, Conflict, and Love.) 

This song also works as a three part round. (Some of my songs are choose-your-own-adventure-parts but this one I teach straight through as a loop because I want everyone to sing through all these truths one after the other.) This recording has the room split into three sections, but you might try two sections first to hear how things stack up (three turned out to be a giant wall of sound, props to everyone for holding it down! And if you stick around to the end, we get to the Love.)
 
Lyrics:

Grief
Is coming for us all
I said, grief
Is coming for us all
And how we gather round in care
When it’s your turn to collapse
Well, that is the revolution 
From this capitalist trap

((Your turn, my turn, our turn to collapse….keep flipping the pronouns…))

Seen and known and loved in the midst
Seen and known and loved in your hot mess
Seen and known and loved in the midst
Seen and known and loved in my hot mess
((or Our hot mess…))

Putting in the work, putting in the reps
Comfort in discomfort is such a flex (4x)

I said, Pain
Is coming for us all….

Shame….is coming for us all…
Conflict…is coming for us all…

(and we always end with)

Love
Is coming for us all
I said, Love….



Community singing recorded at Annie & Linnea’s “Sing As You Are” Wednesday night Community Song Circle, February 2024

Shruti played by Aurora Adams

Grief is Coming (Aurora's Song)

I write songs for community singing. They're songs for the streets, to keep us going in the struggle for justice, songs to remind us another world is possible and carry us through to liberation. I hope you'll find some friends and sing these together.

Liz Digitale Anderson

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