Festival sounds 🎸🍄🦋😎🪴🕊👏🥁🌈

great mix, man! I love this intro and outro now! great guitar work throughout now, too!

So much fun, and a psychedelic sound and vibe that feels really timeless!

wonderfully lost in this awesome trippy creation!! I just love this vibe ♥ amazing work by all - bravo!!!

Excellent bassline, and cool psychedelic ambience!

You have that 70's rock feel nailed! Added to this playlist https://soundcloud.com/overlooked-underrated/sets/nothing-to-hear-here-various

Music & Lyrics: Jan Schonander
Guitar: Davy Vance https://soundcloud.com/skub1955

Not much I can do about the tragic events in Ukraine. I've decided that the aggressors can't appropriate the Z, so I'm taking it back in this metaphorical musical battle.

This is a tweaked master (for some of you this may be basics). I moved both the organ and vocal noisegate from last to first in the effects chain. This allows the effects such as delay to work and sound as intended. Also tried a saturator on the lead "high" vocal to make it stand out more in the mix. You will all let me know if this worked (it is most noticeable at the end where you can hear the organ fade out with the planned delay). On a side-note if anybody is interested in how the "sucking" effect is achieved on the drums it is using a combination of regular and reverse reverb. 

TAKING BACK THE Z

I’m taking back the Z
You can’t have it
You can’t have it
You can’t have it
You can’t have it
You can’t have it
It’s not white 
Z belongs to U
Yellow and blue
U
Yellow and blue
U

I can’t let go, it’s all I got
I can’t let go, it’s all I got
I can’t let go, no 

I’ll move from place to place
I’ll zig and I’ll zag
I’ll duck and I’ll hide
I’ll stay alive
I can’t let go, no

I’ll weave and I’ll bob
Be a thorn in your side
I’ll run and I’ll jump
No river’s too wide
I can’t let go, no

I’m taking back the Z
It’s all mine
It’s all mine
It’s all mine
It’s all mine
It’s all mine
It’s not white
Z belongs to U
Yellow and blue
U
Yellow and blue
Yellow and blue

I can’t let go, it’s all I got
I can’t let go, it’s all I got
I can’t let go, no 

I’ll beg and I’ll pray, 
Turn every stone
I’ll rant and I’ll rave
I’ll never rest
I can’t let go, no

I’ll be your worst nightmare
No matter your might
Be your worst nightmare 
Both day & night
I can’t let go, no

It’s all mine…

Taking Back The Z

Taking Back The Z | Davy Vance 🎸

The Tabula Smaragdina (stressed tábula smarágdina, Latin for "emerald tablet") is a text traditionally attributed to Hermes Trismegistos, which forms the philosophical basis of Hermeticism and is considered the foundational text of alchemy.

The Tabula is one of the most famous texts of alchemical and hermetic literature. The twelve or so dark, allegorical sentences reflect the idea of a interrelation between the microcosm and the macrocosm. That which is below is like that which is above, and that which is above is like that which is below, an eternal miracle of the One.

The oldest extant version of the text is found in the appendix to a 6th century Arabic manuscript. Translated into Latin in the 12th century, the Tabula was commented on and received by many alchemists in the Middle Ages and increasingly in the Renaissance period. Even after the emergence of modern natural sciences, its fascination, at least for occultists and esotericists, remained unbroken until the present day.

Die Tabula Smaragdina (betont tábula smarágdina, lateinisch für „smaragdene Tafel“) ist ein traditionell dem Hermes Trismegistos zugeschriebener Text, der die philosophische Basis der Hermetik bildet und als Grundlagentext der Alchemie gilt.

Die Tabula ist einer der berühmtesten Texte alchemistischer und hermetischer Literatur. In den rund zwölf dunklen, allegorischen Sätzen spiegelt sich die Vorstellung eines Zusammenhangs von Mikrokosmos und Makrokosmos. Das was unten ist, ist wie das, was oben ist, und das was oben ist, ist wie das was unten ist, ein ewig dauerndes Wunder des Einen.

Die älteste erhaltene Textversion findet sich im Anhang zu einem arabischen Manuskript des 6. Jahrhunderts. Im 12. Jahrhundert ins Lateinische übersetzt, wurde die Tabula im Mittelalter und verstärkt im Zeitalter der Renaissance von vielen Alchemisten kommentiert und rezipiert. Auch nach Entstehung der modernen Naturwissenschaften blieb ihre Faszination zumindest auf Okkultisten und Esoteriker bis in die Gegenwart ungebrochen.

Tabula Smaragdina

Sing Or Die

Brahma Muhurta | Music by REKHA - IYERN [Fe] | V-Synths | Electronic Space ROCK

Music Composed & Produced, Recorded & Performed, Mixed & 
Mastered by REKHA - IYERN [Fe] RECORDS in CANADA

Cover Art Design: Photo & Graphics by REKHA - IYERN [Fe]


Brahma Muhurta By REKHA IYERN [Fe] M1

Trailokya

Brahma Muhurta

Brahma Muhurta | Music by REKHA - IYERN [Fe] | V-Synths | Electronic Space ROCK

My submission for the August 2022 Sim Selection monthly challenge of Benn Jordan's discord community.

Theme is 'Trust' with keywords: brown, wise.

Optional Challenge: Find someone on the Discord server willing to give you a recorded sample of anything they choose. I received the guitar harmonics sample from Jay Nornec in the Discord community. Jay's music is available here: https://nornec.bandcamp.com/

Photo by José Martín Ramírez Carrasco on Unsplash

Wisdom of Crowds

Josh's track Take Me On with Llanpsych remix
Josh - compostion, bass, percussion, synth
Tez - guitars and mixing

Josh's SC page
https://soundcloud.com/josh-clary-1?utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Take Me On with Entheogenic Psychonaut (Josh Clary)

All music written performed and produced by Jeffrey Lasky 2022.  Concept art and Drawing by Josh Lasky

Along the Merry-Go-Round

Fearless

Check out, Ducks on Quack in Space, also on Soundcloud. https://soundcloud.com/user-713093027

https://www.youtube.com/watch?v=IPs9FO3I3wk

Welcome To Fog Watch

Knocking Back The Narcs

I Know The Way

I've Seen The Way...

Here's the first Anomon & Elliot recording in a New Series of musical conversations in 'The Livingroom', in February 2023. And today (Feb. 21st it's #2 on the SC New & Hot Ambient Chart in North America. 

The tones and textures Tim created on his guitar as we began improvising reminded me of the Erhu.. the two stringed Chinese instrument played with a bow. It felt like we were actually looking out over the amazing horizon in the photo above, filled with wonder. Shortly after, we found our way into the musical equivalent of Para-Gliding over the clouds in very cool n joyous groove that continues to pulse through until the finish.

We hope you'll enJOY, too. 😊

© Gary Courtland-Miles & Tim Elliot 2023
℗ Gary Courtland-Miles 2023 & Tim Elliot 2023
 
Tim Elliot on Telecaster 
Gary Courtland-Miles on Heinztman piano.

The Photo is from the Annual World Garden Photography Contest
© Tony North, who won First place for it.
Titled: Breathing Spaces Blue Tajinaste,
it taken high in La Palma, Canary Islands, Spain.

Tonal Pulse *

Psych sounds, dub vibes and a whole bunch of FX in operation
SoundCloud collabs most welcome. Remixes, guitar bashing, conceptualising (a big word for a guitar player, I know) or whatever you have 😎

Member of the transatlantic music machine that is The Eclectic Collective

Member of Mid-Wales’ premier cheezepunk band The Recursives - watch us get down and booogie!!
https://youtu.be/NilRLxx6D8E 

Logo and cover art by Marianne

You may wish to check out my older dub based stuff here 
https://soundcloud.app.goo.gl/TwJYv9QgWsDdKNvu9

Take Me On with Entheogenic Psychonaut (Josh Clary)

Llanpsych

Recent comments

FlexHead

MOVE ALONG, PLEASE, NOTHING TO HEAR, HERE!

cosmic keanu

Special Cecilia

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