wicked and scary sounds.. very awesome. check out my profile, I think you will like it! cheers

Cthulhu

Lamia Vox & Solstorm - Return

http://cryochamber.bandcamp.com/album/the-untold

From beyond the illusion, Simon Heath brings us another chapter in his dark ambient epic. With this ominous release, he takes us to the origins: the primordial metropolis and into the void where the creator abandoned us. Ripe with otherworldly soundscapes, dusty field recordings and a meticulous attention to technical quality, this album stretches the boundaries of dark ambiance and imparts our id with a raw slab of flesh to digest. 

- 72 minutes of dark ambient produced for 24 bit playback 
- 6 page HD booklet 
- 17 page digital book The Untold Associated Collections 

16 bit CD version available here: 
store.tesco-germany.com/cgi-bin/shopper.cgi?preadd=action&key=CDXACRYO005

Atrium Carceri - The Traitor

Spit it Out is Post-Industrial, Dark Ambient style project. It was founded in 2003 in Belarus. Really big spectrum of sounds are used in production of the compositions such as buzz of high-voltage wires, sounds of engines, noise of city, people talkings, church choir and synthetic sounds. 
Every Spit it Out release is almost palpable embodiment of permanent yearning, alienation, misanthropy, sociopathy, catatonic apathy and other negative low-lying human essence and perception reality in general.

Dying Breed

Inevitable

Sing the breath

You came here

Cover the fall

Deep drone/dark-ambient collaboration album between Limited Liability Sounds (Poland) and Stone Wired (Hungary). 

Date of release: May 2014
CD limited to 30 pcs. and downloading version FLAC/MP3
Label: Exabyss Records
https://soundcloud.com/exabyss-records
http://www.exabyssrecords.bandcamp.com


Stone Wired - End Is Not The End

Tensegrity

This is an extremely unusual foray for me: music with a melody.  

The melody was recorded using a Korg MS-10 analogue synthesizer put through the reverb on a Yamaha MG12XU mixer, while the didgeridoo-like bass tracks were the Korg MS-10 put through the MG12XU phaser effect.

Afghan Cameleers in the Australian Desert

In the months leading up to the recording of this piece, I listened several times to Karlheinz Stockhausen's "Helikopter-Streichquartett", in which the four members of a string quartet play their respective parts from within separate helicopters during takeoff, flight and landing.  Interestingly, while recording the helicopter-like sounds in the present piece, I was in a power-electronics frame of mind and was consciously thinking of neither helicopters nor Stockhausen.  

The resulting piece sounds like a helicopter, nonetheless.

To record this track I used a Korg MS-10 synthesizer (which contributes the occasional crackle due to its ancient electronics), my thumbs rubbing two Korg CM-200 contact microphones, and both whistling and clapping hands recorded via a Behringer C-1 condenser microphone.  Effects were added via a Boss HM-2 Heavy Metal effects pedal, Boss SD-1 Super Overdrive pedal, a defective Zoom 505 effects pedal (whose frequent dropouts, while initially annoying, ended up being incorporated into the final track) and the effects built-in to my Yamaha MG12XU mixer.  All recording and subsequent manipulation was done via the free open-source Audacity software (http://www.audacityteam.org/) on a recycled laptop computer running Linux Mint.

Hear The Big Helicopter Go Whack Whack Whack: from earsheltering.free.fr/earsheltering088.html

A quick and dirty remix of a track by Kingston Air Force... Very up tempo and danceable.

Grace Surrender

from: Apotropaismo

14-track CD 
released: June 1997 
produced by Simon Balestrazzi 
-------------------------------

t.a.c. were: 
Simon Balestrazzi: vocice, ARP Odyssey, Korg MS-10, tapes, seeds falling on a wood surface, programming, piano, electric guitar, tape processing, treatments
Patrizia Mattioli: clarinet

Stone Wired - End Is Not The End

Limited Liability Sounds

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cph321

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Ethereal Darkness (Official)

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