can someone please tell me what this is?!

it would be wonderful to know who's song this is

We're celebrating Mother's Day with some beautiful music for them.

I miss mine everyday, so just wanted to make something nice for her, wherever her soul is, I selected some triggering music to me that I instantly relate to her somehow.

Get the limited edition handmade cassette:
https://earsonearth.bandcamp.com/merch/atlantic-a-mixtape-to-all-mothers

Cheers to all our amazing mothers on earth,
Jaisiel.

Atlantic: A Mixtape To All Mothers

The final instalment of Inner Totality's Country Specials. An hour long farewell tour that visits outsider country, folk, americana, southern rock and bluegrass. 

The jig's up!

Inner Totality's Another Country (NTS Radio)

Amsterdam-based Jamie Tiller is back for another Store Mix. Aside from being one of our favourite selectors, Jamie is also one-third of the label "Music for Memory", dedicated to "giving overlooked and unreleased music that we love a second chance” and  responsible for the recently released Leon Lowman LP "Liquid Diamonds".

Store Mix 032 - Jamie Tiller

Live recording at Radio Tempo Não Pára (28.04.2023)

Artist: @mostrow

Mostrow @ Radio TNP 28.04.2023

LA mix for Secret Circuit - Cosmic Neighborhood - dublab 10.06.23

RADIO D59B  PONOCNI PROGRAM #41 w DJ Brka Tribute to Jamie Tiller (MFM Special)
1. Gigi Masin – Moor (Talk to the Sea, MFM 1)  
2. Jony Nash – Shell (Make A Wilderness, MFM 37)
3. Fools – Deefyfe (Fools' Harp Vol.1, MFM 47)
4. MLO - Teachings Of The Masters (Oumuamua, MFM 56)
5. Sun Electric - Love 2 Love (Virtual Dreams: Ambient Explorations In The House & Techno Age, 1993​-​1997, MFM 50)
6. Suso Saiz - Nothing Ends (Rainworks, MFM 20)
7. Gerard Stokkink - Yellow Turtles (Music For Dance & Theatre Volume One, MFM 45)
8. Música Esporádica - Música Esporádica (Música Esporádica, MFM 44)
9. Leon Lowman - Bumpin' On Sunset (Liquid Diamonds, MFM 1)
10. Joan Bibiloni - Sa Fosca (El Sur, MFM 3)
11. The Zenmenn - Bella Fantasia (Bella Fantasia, MFM 57)
12. Priscilla Ermel - Meditaçâo (Origens Da Luz, MFM 46)
13. Becker, Stegmann, & Zeumer – Abends (Ich Träume So Leise Von Dir, MFM 15)
14. Kuniyuki Takahashi – Your Home (Early Tape Works (1986 - 1993) Vol. 2, MFM 32)
15. Orquesta De Las Nubes - Vendrán Lluvias Suaves (The Order Of Change, MFM 33)
16. Ivory Playground - Ivory Playground (Music For Dance & Theatre Volume One, MFM 45)
17. Philipp Otterbach - The Dahlem Diaries (Pt. 1) (The Dahlem Diaries, MFM 63)
18. Suso Saiz & Suzanne Kraft – Nunca (Between No Things, MFM 48)
19. G.B. Beckers – Walkman (Walkman, MFM 35)
20. Alex Ho - Miss Suzuki (Move Through It, MFM 58)
21. Terekke - 220+g (Improvisational Loops, MFM 28)
22. Roberto Musci - Nexus On The Beach (Tower Of Silence, MFM 14)
23. Edson Natale - Nina Maika (Outro Tempo II (Electronic And Contemporary Music From Brazil, 1984-1996), MFM 41)

RADIO.D59B / PONOCNI PROGRAM #41 w/ DJ Brka Tribute To Jamie Tiller (MFM Special)

PGS MIX 001
Bill Spencer & Ryan Spencer

The first in PGS' MIX series, 001, is a 4 hour long, genre spanning patio melter from Freakish Pleasures / MITNM resident selectors Bill Spencer & Ryan Spencer. Recorded live from the Freakish Pleasures pre-Movement party Physical Therapy III. May 26th, 2017.

PGS MIX 001 - Bill Spencer & Ryan Spencer

Finn Johannsen is back for his yearly spring session here on Trushmix. As always expect top notch reggae, dub, and other bass heavy Jamaican sound system vibes.
Expect more than five hours of massive tunes from the heavyweight selector we always welcome so much here at Trush!

Enjoy this mix, and put it on heavy rotation to get you in the right mood for the summer!

Trushmix.com

Trushmix 121: Finn Johannsen

Trushmix celebrates 150 mixes! And we do it with nothing else than style! For this very special occasion it is a six hour live recording from DJ Fett Burger's own residency Moist Liquid Sunrise! The monthly Thursday club he resides at Paloma in Berlin. 

A true trip odeo into the future of sound of the underground. 
Starting with a long and easy buildup for the brain and going into rhythm.
Then we are in HOUSE! Disco and surprises, smashers and hits, to create the best grooves for the dancers that fill these Thursday nights with vibes and passion every Month!

Like always, the mixing is on the rougher side of life, in true Burger style. Vinyl skips, misses and bops, overly passionate transitions. But always giving more than 100% for all of you that love music and underground DJ'ing, We do it for the MUSIC, we do it for love, openness, unity and we celebrate underground, dancing, positive vibes, creativity  and good style!

That's what Trushmix is about, and that's what Moist Liquid Sunrise is about!

Music is the key, love is the message!

Sincerely yours!

DJ Fett Burger

Trushmix 150: DJ Fett Burger

Broadcast on WNYU 89.1FM in New York City on May 26th, 2020.
https://soundcloud.com/acolourfulstorm
https://beatsinspace.net/playlists/1044/ 
Support BIS: https://www.patreon.com/beatsinspace 
https://beatsinspace.bandcamp.com
Leave a message on the BIS Hotline: 646-481-8189

1. Burger / Ink - Memphisto - Kompakt
2. The Detroit Escalator Company - Float - Peacefrog
3. Connective Zone - Dude - Emoticon
4. CiM - Lactate - deFocus
5. Redcell - Practopia - Applied Rhythmic Technology
6. Dolby A - Klang - Ladomat 2000
7. Beaumont Hannant - RS 364C - General Production Recordings
8. Psyche - Andromeda  - Transmat
9. Solar X - Pozdno Utrom - Defective
10. Esem - Dreamborder - deFocus
11. Paul W. Teebrooke - A Face at The Window  - Otherworld Recordings

beatsinspace.net

BIS Playlist

BIS Radio Show #1044 with Bayu and Moopie (A Colourful Storm, Melbourne)

The last mix of 2020 comes from Jonah Sharp (@reflecto), electronic mainstay and part of 'Virtual Dreams' as Space Time Continuum. Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Welcome to the series Jonah. Originally from Edinburgh, San Francisco resident since 1992, do you still live in San Francisco?

JS: Actually I recently just moved back to SF after spending most of 2020 in the UK. I had planned to be in Europe for an extended break from the US but Covid saw an end to that and my plans had to change. I miss British and European culture. I have family and friends there so I intend to be back over as soon as I can!

MFM: According to your discography the majority of your output started to shape up right after you moved abroad, in '91. How would you explain this creative outburst? 

JS: Before I arrived in San Francisco i was still figuring out how to produce the music that I wanted to make so when I got here I started to collect gear in earnest - it was a little moment in time when most people thought analog synths and drums sounded shit so I managed to find a TR-909 for $150, a Roland SH101 at the flea market and so on. So yes, suddenly having some decent gear and fun gigs to play was very inspiring! I did feel a kind of creative freedom being so far from South London and the pressures of living there as an artist. SF in the 90’s was very affordable for artists and it gave us the freedom to really focus on the music.
 
MFM: You started your own label Reflective in '93 and had quite a busy release schedule, especially during '95/'96, before it suddenly seemed to stop right after. What happened? 

JS: I started Reflective in '93, the year my first son was born. Flurescence EP was my first solo release and it got noticed around the world so that enabled me to keep putting releases out. With the momentum of the Terence McKenna collab album, things were going pretty well. But what we found was that even though there are lots of amazing labels in the US, it was actually pretty hard to sell them domestically so most of our stock was exported to Europe and Japan. We ended up pressing in the UK and running the label from SF and that presented problems so I had to put the release schedule on hold. At that time I had also signed a deal with Astralwerks so had contractual obligations to deliver albums and tour. It was a very busy time and by 1997 when our second son was born we decided to take a hiatus from the label. Not to say the label is gone forever though!
 
MFM: Flurescence, now found its way to the Virtual Dreams compilation, almost 30 years later. How does it feel that your older music is being re-released and rediscovered by newer generations?

JS: I am very happy and honored to be part of the Virtual Dreams compilation. Yes, there seems to be a bit of attention for this time period of electronic music at the moment, and the chill out thing in general. With so many online resources, everything is discoverable by anyone so all those tiny labels like Reflective that were putting out small runs of 1000 records (that was a small run then) are maybe enjoying some retroactive attention now. 
 
MFM: Does this new interest change your motivation and/or inspiration in the studio maybe?

JS: I follow my own interests and direction when it comes to making music but reaching new audiences has to gratify the artist whose work was made for sharing. My development as an electronic musician has come through thirty years of studio experimentation, initially with hardware and then incorporating digital software. When I made Fluorescence in 1993 there was no computer in my studio, but by the early 2000s San Francisco was the epicenter of computer innovation, people like my friend Josh Clayton were writing amazing software and so I went off on a long exploratory trip to integrate digital technology both in my studio and in my live rig. My aim right now in the studio is the same as always: make sounds and keep the good ones.

MFM Mix 023: Jonah Sharp

A progressive retail concept comprising clothing, music & books combining an evolving online presence and a unique London store space. 
Explore our latest mixes.

Store Mix 032 - Jamie Tiller

LN-CC

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