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Recording of Interstellar Funk, Mozghan & Solar's set at Dekmantel Selectors 2023.

TASCAM DR-40

Interstellar Funk, Mozhgan & Solar at Dekmantel Selectors 2023

Recording of Buttechno's set at Dekmantel Festival 2023.

Dekmantel Festival 2023

Buttechno (live) at Dekmantel Festival 2023

Recording of RAFF's set at Dekmantel Festival 2023.

RAFF at Dekmantel Festival 2023

Recording of Charlie Bones' set at Dekmantel Festival 2023.

Charlie Bones at Dekmantel Festival 2023

Recording of Nosedrip's set at Dekmantel Festival 2023.

Nosedrip at Dekmantel Festival 2023

Recording of DJ Koolt's set at Dekmantel Festival 2023.

DJ Koolt at Dekmantel Festival 2023

Recording of Ikonika's set at Dekmantel Festival 2023.

Ikonika (live) at Dekmantel Festival 2023

The second episode of new show 'Italorator'.

A bi-monthly journey into the brighter side of the 80’s on Operator radio. I will play mainly classics I deeply love, but there will be also room for contemporary productions in the same spirit. 

For updates follow me here: www.instagram.com/marsmandj/
Watch on Youtube: https://youtu.be/3e0PV1ASToI

YouTube

Italorator w/ Marsman [Episode 2]

Kalisha - I Got Something Here 
Madonna - Up Down Suite	
Doo Wop - That Thing
The Fog - Been A Long Time (Riccione Vibe Mix)
Janet Rushmore - Joy (Kaoz Gone Insane)
JT Melody - Prove It (Dub)
Depeche Mode - Strangelove (Pain mix)
Brandy - What About Us (E-Smoove House Mix) 
Dyone - Only Love Can Set U-Free (Bicep remix)
Jill Scott - Hate On Me (Shelter Vocal)
Mike "Hitman" Wilson - Another Sleepless Night (Redzone Mix)
Lime- I Don't Want To Lose You (Boris Dlugosch Edit)	
Kittin - Boom Boy
Se62 - True Force
Sunshine Anderson - Heard It All Before (E-Smoove Mix)
Cristina La Veneno - Rap De La Veneno (House Mix)
Janet Jackson - Throb (David Morales Legendary Dub) 
Ralphi Rosario - An Instrumental Need (Club Need)
Station Q - That Special Melody (Club Mix)
Danube Dance Feat. Kim Cooper - Unique (Underground Club Mix)	
Daniel Wang - Like Some Dream
Acid Arab - Habaytak (Feat. Ghizlane Melih)
Romy - Enjoy Your Life

Josh Cheon - Hot For You 01.15.24

2 hours of jamming records at the Brew HQ.
With the special guest Steele Bonus joining in. Nothing has changed, just more records…
A mix of stuff we dig, tune in and zone out.

BREW RECORDS w. Robert Bergman [07.02.2024]

Recorded at Magick City, Brooklyn, New York City - 01.01.23

Weird Science With Intergalactic Gary - New York City - 01.01.23

I-F [26.01.2024]

02/2024.

Mix for OBEY records. A bunch of records I'm currently into...

:)
R.

OBEY mix #71 Robert Bergman

Embark on a musical voyage with San Soda as he unveils the mellower side of his sonic universe.

Music Take Me Up w/ San Soda @ Kiosk Radio 21.03.2024

MIKE TANSELLA JR. - SONS OF TRADERS INVITE [20.03.2024]

ON AIR FROM 20H TILL 22H
A Patrick Cowley special. Acapulco Nights are Filip Maes & Konny Klank

INFO
Patrick Joseph Cowley (October 19, 1950 – November 12, 1982) was a San Francisco-based musician and record producer credited as an early pioneer of electronic dance music, most notably in HI-NRG and experimental genres.

Cowley grew up in upstate New York where he worked in local rock bands and eventually studied English at the University of Buffalo. After moving to the Bay Area he began an intense study of the synthesizer at San Francisco City College.Cowley’s recording career began when he was asked to join San Francisco-based artist, Sylvester, in the studio after Sylvester heard what Cowley was doing with the synthesizer and was excited by his innovative techniques. The result was the album “Step II” which skyrocketed Sylvester to international notoriety. The album landed Cowley a job as a back-up musician on Sylvester‘s subsequent world-wide tour.

Cowley remained close to the San Francisco club scene and eventually joined forces with producer Marty Blecman to form Megatone Records in the summer of 1981. Under auspices of their partnership Cowley created a successful dance-oriented 12″ single that opened the doors for his award-winning “Megatron Man” LP.

While writing the music for his latest album, he also wrote and produced the successful dance single “Right on Target” for San Francisco artist Paul Parker which reached #1 on Billboard’s Disco Charts. He reunited with Sylvester during the same period and produced the chart-busting “Do You Wanna Funk“, also on the Megatone label.

Patrick Cowley died of complications due to AIDS in 1982.

Acapulco Nights pres. Patrick Cowley special at WAV | 17-05-18

This is the recording of my set at Star & Shadow in Newcastle, 30.03.24

Easter Saturday 300324

Star & Shadow, Newcastle

Went into this closing set a bit more open sonically. Wanted to hit the "anything goes" button being it's a Sunday afternoon on Easter weekend and people have people been partying 40+ hours. It's not often you get a crowd that's up to dance to everything ... from Dexter to No Doubt to Calle 13 to 2008 stage diving electro lol. Thank you New York, that was awesome! Enjoy =)

Recorded @ Nowadays on March 31st, 20204

Live @ Nowadays (Nonstop) [Closing Set]

A live recording of Lawrence Le Doux during our sweaty club night at Floor 10 in February.

[16.02.2024. Rue de Berlaimont 56, Brussels]

Lawrence Le Doux at Floor 10

Russell Haswell: TechnoRingModnO!se Podcast

Back story and rough contextualisation: Motor City UK. Coventry, West Midlands. Summer 1987 (the year Coventry won the FA Cup) I worked in a 140 acre car plant during shut down as an industrial cleaner; floor painting, cleaning out automated spray tunnels,  dumping paint clogged grates in acid baths. It was brutal. Mainly ex-cons and young offenders! Fortunately, I had saved up the previous year and purchased a Sony Professional Walkman, and so my soundtrack to this harsh labor was Carcass' 'Reek Of Putrefaction', Napalm Deaths 'Scum', Swans 'Greed', (all of these bands I had already, seen live, including Carcass' infamous gory pathalogogy collage slide shows ) ... Derrick May's 'Nude Photo', Phuture Pfantasy Club's 'Slam' and 'Spank Spank', and various Omar Santana "Super Edits", were also on my cassette compilations. A year later, in 88 I picked up a white label of 808 States 'Newbuild', 'Flow Coma' was mind boggling. By 1990 Coventry had Britain's first all night dance venue, the Eclipse [1], where in the following years I would see Shades of Rhythm, Altern 8 and A Guy Called Gerald, all perform live alongside the heavy rotation of hardcore DJs. At the same time I was trawling the histories of Experimental Film and Video, Conceptual Art and starting to explore Digital Audio and Hypermedia on Apple computers at Coventry Universities Art Faculty. I also kept a keen eye on the writings of Nick Land and the 'other' philosophical activities at Warwick University. Not long before its closure, I was at the Eclipse the night, TVs, The Hitman & Her was broadcast from inside [2] prowdly wearing my 'FUCK', the Hafler Trio t-shirt, but it didnt make the final cut!  Jump to the mid 90s, London, and my favourite club, Lost [2], had exposed me to Robert Hood and Basic Channel, performing their breed of electronic music live, as well as the earlier, intenser, endurance, fast-cut DJ sets of Jeff Mills [4]. Around the same time at club Disobey, we had Panasonic, Merzbow, Gescom, Earth, John Oswald, Oval, MC Hellshit & DJ Carhouse, Claude Young, and Aphex Twins sandpaper DJ sets, not forgetting, Boyd Rice at the Hacienda. By the end of the 90s I had been to Japan and seen Hanatarashi, Masonna, Pain Jerk, Incapacitants, Fushitsusha. Combining and mixing up all these artists, something between and with a knowledge of Computer Music, Techno and Improvised Noise, is what I wanted. In 2009 the Inacpacitants released their 10x CD 'Box is Stupid' (Pica Disc), within the accompanying booklet, Incapacitants member Fumio Kosakai describes his hatered of DJs, branding them "dubious parasites", but adds that going to see Jeff Mills DJ in Tokyo in 1992, was liberating. "Watching Mills's DJ set I realised where the key to unlock my problems could be found. Not in the devices themselves, but rather in the arrangements of the sound, by controlling the frequenceies using filters and creating new balances between the various sound sources." For this experimantal podcast, I've used a ring modulator instead of a DJ mixer. Live 90s Detroit Techno DJ sets are the control input signal and Japanese Noise Live sets as the carrier signal. Intermodulation. No human input. The names have been withheld to protect the innocent. - Russell Haswell, September 2012.

[1]  http://www.ravehistory.net/Coventry-Eclipse-aka-Edge.html
[2]  jump to 6:20 for Armageddon!       http://youtu.be/pPP8mPi4o5A
[3]  http://www.residentadvisor.net/feature.aspx?1298
[4] http://youtu.be/HxJ2dojdPRs         http://youtu.be/1cUOIloYWAE

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