Passionate crate digger, a producer with a penchant for analogue sound, an owner of tattoo shop. Tomas Eriksson a.k.a. Redray is the Amsterdam-based artist who for a long time stayed away from commercial spotlight yet always managed to captivate those who know with his raw and authentic approach. Redray's sound creates a distinct sonic tapestry that transports listeners to a different era. Listening to his new DT Podcast and interview we prepared might be what you need in this dawn of summer.

Read the full interview at home: https://digital-tsunami.org/music/dt/205-redray

Digital Tsunami 205

Interview

Digital Tsunami 205 - Redray

B side for my 'Splinters' tape 
Straight forward improv recording - no premade rhythms or sequences. All created in the moment after I hit record. 

Splinters B side: impro session

Piper Loi is the solo moniker of Francesco Leoci, founder of Alley Version and part of FLML.
Junkbox consists of four primitive house and techno tracks recorded on a multitrack cassette recorder with reduced instrumentation, an half damaged Casio RZ-1 and little else.

Tracklist:
01 BUZZER TRACK
02 DRUM MUSIC
03 DESTROY
04 JUNKBOX

all tracks and recording by Francesco Leoci
mastered by Marco Leoci
artwork by Francesco Leoci

Piper Loi  - DRUM MUSIC [JUNKBOX ALVDGT002]

Andrew Weatherall's first official posthumous mix. The only b2b DJ Harvey ever agreed to. Six hours at Trouw. This one's special.

When mulling which direction to go in for RA's 1000th mix celebrations, many options came to mind. Some shadowy character 2-stepping around the fringe of our collective consciousness? An impossible-level IDM icon?

All tempting. But, ultimately, we are a DJ-forward publication and this is a DJ mix series. It felt truer to the history of the RA Podcast to release deep vault material from a time when the world of niche records felt different, tighter, more discrete.

The fourth-longest mix in the series' history is an unrepeatable marathon set recorded in 2012 at a superclub that no longer exists. 2012, incidentally, is farther away from 2025 than 2012 was from 2000... if we have to clock it, so do you.

It's the coming together of one British icon who passed away in 2020, and another whose time on the road has scaled back considerably as of late. DJ Harvey agreed to exactly one b2b set in his life: this one, with Andrew Weatherall.

The night took place at Trouw, an Amsterdam club already considered legendary before it shuttered its doors in the opening hours of 2015, as part of an RA series anchored around start-to-close combinations. Harvey was at the peak of an irresistible career second act, which dovetailed with a disco revival that dominated clubs for years. Weatherall, with infinite brownie points stockpiled from the '90s, remained everyone's favourite debonair psychonaut. 

What follows is 385 scintillating minutes of arpeggiated chug and slow-cresting climaxes: a moment when the resting heart rate of dance floors plunged lower than any comparable point in the 21st century. A masterclass, entirely self-contained in audio form.

If you've got time to spare, a fun side game is sussing out who plays what. A disco-dub cover of Echo & the Bunnymen? Smart money's on Weatherall. Exuberant EQ'ing of The Isley Brothers? Gotta be Harvey. As for the low 'n slow, lightly spangled house that was all the rage in the early 2010s (think Maxxi Soundsystem, Disco Bloodbath, Rub & Tug, C.O.M.B.I. and Full Pupp), it's anyone's guess. 127 BPM feels practically like an F1 car.

When we kicked off our RA.1000 campaign, we outlined a few goals: tick off a handful of long-awaited dream guests, honour architects who shaped the world around us and deliver recordings you truly can't hear anywhere else. Full send.

DJing and the mythmaking around it has undergone a quantum leap since 2012, let alone 2006, 1996 or 1989. For those of us who were kicking around in the former, there's a creeping melancholy that our prime is fast becoming a matter of historical record. The killing moon really did come too soon. 

Where will electronic music, DJ sets or any of this be in 2044? Hard to say. Best not to overthink that one. Instead, we want to say thanks to all contributors on the series so far. Now enjoy luxuriating in the company of two of the greatest to ever do it, together, for the first and last time.⁠ – Gabriel Szatan (Editor, RA)

@andrew-weatherall

Read the interview with DJ Harvey and Andrew Weatherall's family at https://ra.co/podcast/1016. Listen to all RA.1000 mixes, as well as the complete history of the RA Podcast, at https://1000.ra.co

RA.1000 DJ Harvey & Andrew Weatherall

For RA.1000, we take it back to the source with two never-before-heard tapes from Frankie Knuckles's private collection

There is no house music without Frankie Knuckles, literally or figuratively. The queer icon's luxurious DJ sets at Chicago's Warehouse gave a rising movement its name. From there, countless offshoots splintered and travelled the globe. But what did the genesis and growth of the sound really feel like?

The Godfather of House left behind not only timeless records, but personalised cassettes with hand-drawn liner notes handed out to friends and family. Two of those, dated to 1989 and 1996, have been digitised especially for RA.1000. (Thank you to the Frankie Knuckles Foundation.)

To put that in context: the first tape predates not only many of today's active clubbers, but the entire existence of jungle, drum & bass, UK garage, French touch, Jersey club, Afrobeats, IDM, baile funk, hardcore, footwork, dubstep, dub techno, tech house, breaks, minimal, maximal, gqom, gabber, grime and hyperpop.

In short… that's a very, very long time ago. The world of dance music was much smaller. DJ culture was functionally unrecognisable from the one we see in 2025. 

And yet, to some degree, what you'll hear on RA.1000 hasn't changed at all. It's a capture of not only what made Frankie Knuckles one of the beloved pioneers of first-generation dance music, but what draws people to club culture in the first place.

The mood on these Frankie Knuckles sets outlasts even its creator: a spirit of optimism that floods the world's best dance floors and keeps dance music pulsing on into the future, nearly 40 years later, in spite of it all. We end our 1000th mix celebrations here because it all starts there.

Find the tracklist at ra.co/podcast/1018. Listen to all RA.1000 mixes, as well as the complete history of the RA Podcast, at https://1000.ra.co

RA.1000 Frankie Knuckles

Closing out the Summertime Broadcasts with a guest mix from the homie Rob Bergman.. direct from Amsterdam. Long time digger/deejay/producer and Brew Records bossman. Expect deep cuts and unreleasers from the man himself.  
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/moony-habits/episodes/moony-habits-28th-august-2025

Alex Ho w/ Robert Bergman 280825

10 years after his first 12" on Börft:
DUNGEON ACID - I´m downtown can you pick me up
Distributed by Clone Rotterdam Nederlands (Release date Autumn/winter 2025)
Cat No: Börft177
Tracklist:
A1 101, 303, OP-XY
A2 Unlock, Rewind, Dissolve

B1 Lonely Acid Boy
B2 Shnukki
B3 Chillflex BB C´Mon

DUNGEON ACID - Im Downtown Can You Pick Me Up (Börft177 - 2025)

house102

Casio Rz1 Sound Collection SideA [DIGITAL SAMPLING RHYTHM COMPOSER] Twatcut

We mark the late house music pioneer's birthday with an unreleased mix.

RA.415 Ron Hardy

Nummer's music is characterised by a passion for obscurity and authenticity. This characterises the records the French pair endlessly dig for, as well as the studio full of custom built and second hand pieces of hardware they collect.  When used to make their own music, the results range from ambient soundscapes to jacking dance floor bangers via electro futurism. It comes on their Nummer Music as well as Going Good with slick stylistic variations that also define this mix for us. 

The live and DJ duo create a loose and gangly groove early on here and keep it up over the course of an infectious 80 minutes. There's flabby slow motion techno, wiggling electro funk and cosmic acid call upon along the way. What ties everything together so neatly are the atmospheres around the tracks, which are never less than mysterious and inquisitive, so buckle up and enjoy the trip.

Splinters B side: impro session

LO Bart

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