B3. I Am The Creator (Interplanetary Criminal Rebirth Remix)

21-08

@guavanoise returns to Control Freak for his second full length EP ‘The Dolphins are Back in Venice’ - a collection of 4 playful dancefloor bangers, precision engineered for the club.

Since his Control Freak debut with the ‘Lift’ EP in 2019, Guava has been hard at work in the studio. Following a move to Berlin (and a series of releases on the likes of Banoffee Pies and Holding Hands) he’s back on the label with a new and refined style, retaining the melodic flourishes of his earlier releases whilst turning his focus squarely towards the dancefloor - a perfect fit for our white label series.

As an accomplished session musician, Guava continues to explore the synthesis between digital and analog production and songwriting techniques, innovatively self-sampling his own guitar playing across the record to add a human touch to his airtight productions. On new 4-tracker ‘The Dolphins are Back in Venice’, which includes collaborations with rising UK artists @breakaleeds & @soundsofluxe, Guava draws influence from a broad range of dance music styles in true CF fashion - combining rising, trance-influenced melodies with the syncopated rhythms and bassweight of the UK scene.

Pre-Order

Guava - The Dolphins Are Back In Venice - WLFRK002 (Previews)

Chris Hanna has been at the forefront of Irish electronic music for over eight years, first through his work under Unknown with fellow Irish artist Gemma Dunleavy and now as the formidable Carlton Doom. The Belfast based producer has built a reputation as one of the most forward thinking, genre-merging artists on the island, combining his love for techno, breaks and garage into a growing palette of sonic decompression. Now the Belfast hit-man steps up with another exploration of deconstructed techno, screw-face bass and otherwise unknown substances not fit for human consumption.

Opener ‘Binmen Of The Apocalypse’ features a heavy drum-work perfect for peak-time and the type of bassline that lights a fire under any dance-floor; while ‘E-Machine’ adds swing with it’s killer low-end, bouncing between tenacious beats and choppy vocoder samples. Wrapping up the A-side is ‘I Am the Creator’ a signature Carlton Doom track with it’s weighty kick-drums and uncompromising structure, bulldozing it’s way through your speakers.

On the flip ‘Insects and Jelly’ and ‘Scatterbrain’ share the same DNA; both seeping with personality and a total disregard for the rules; as the EP then comes to a close with a high-velocity ‘I Am The Creator’ remix by one of Manchester’s finest - Interplanetary Criminal.

>> @carltondoom

Binmen, Machines, Insects & More

BUY RELEASE

LTWHT025 // Carlton Doom - Binmen, Machines, Insects & More

I know I say that all these releases are very exciting quite often, but this one is legitimately VERY exciting. Arguably one of the biggest and best tracks of 1992, the track that put the legendary Jonny L on the map, the one and only Hurt You So, is getting the remaster/remix treatment courtesy of us, your friends at Kniteforce Records. 

While I have opted to make this a single playlist, this will actually be two releases, one with the original '92 mixes, and one with remixes from Phuture Assassins, Dope Ammo and (absolute legend) Ed Solo, and the long sought after Bootleg Mix. 

And before you ask, no, I can't tell you who did it. I legitimately don't actually know. SOMEONE does, they just didn't bother telling me lol. 

KF153 - Jonny L - Hurt You So, and KF154 - Jonny L - Hurt You So (Remixes) will be available October 1st, 2021 through http://kniteforcerevolution.com. Whether or not they'll be bundled is still TBD, but we wanted to give this release a looooooong promotional window so that everyone knew it was coming, where to get it, and when.

Hurt You So written and produced by J. Lisners
Art by Paul Bradley
Mastered by Jon Doe/CLSM Mastering

Out Oct. 1st!

KF153A1 - Jonny L - Hurt You So (Original Mix)

Like the Track? Click the [Repost] ↻ button so more people can hear it!

♫ ► Spotify Weekly Selections: http://bit.ly/release_promo

► Website: http://bit.ly/releasepromoweb
► Youtube: http://bit.ly/releasepromoyt
► Soundcloud: http://bit.ly/releasepromosc
► Facebook: http://bit.ly/releasepromofb
► Twitter:  http://bit.ly/releasepromotwitter

https://www.beatport.com/release/elephants/3470201

Follow Artist + Label

https://soundcloud.com/juanibanezdj
https://soundcloud.com/mattiasherrera
https://soundcloud.com/futureavenuelabel

Founded in 2020 Future Avenue is an electronic music imprint which operates under the Sound Avenue umbrella. Sitting alongside fellow subdivisions 3rd Avenue and Crossfade Sounds, Future Avenue looks to provide a home for new and rising talent. With an ethos centred around progressive music and its surrounding derivatives, the label is a platform which gives up and coming artists a chance to showcase their music alongside established veterans as they carve out their own musical identity.

The 103rd release welcomes Mattias Herrera from Argentina to the label with his "Elephants EP". Juan Ibanez, Lucas Caddeo and Francisco Basso got invited to do a remix.

Elephants

Buy on Beatport

PREMIERE: Mattias Herrera - Elephants (Juan Ibanez Remix) [Future Avenue]

1. Kratzschutz (Original)
2. Kratzschutz (Lee Coombs Remix)
3. Burn That Puppy (Original)
4. District battle (Original)

BANDCAMP: www.resonatetogether.bandcamp.com/album/kratzschutz
BEATPORT: www.beatport.com/label/resonate-together/90935

Resonate Together – We are super excited to be releasing our first full electro EP. Whilst we have touched on this sound with our prior releases and featured many in our radio shows, it’s a joy to have a full-on robotic EP.  

CREASOL – is the creation moniker of a very well-respected European production outfit that’s graced the electronic domain in style for many years. 
This new Monika carries a mystic of no artist profile, no artist pictures and that almost hidden identity. Very much like predecessors of the sound, where the only identity required is the sonic machine creation and robotics in image. 

There are three original tracks on the ep with titles - Kratzschutz – Burn That Puppy and District Battle. Three tracks that epitomise the modern electro sound in style. There’s a diverse energetic theme to these tracks, high tempo, finely tuned electronic synthesis, robotic vocal touches and genuine hypnotic depth.

Included on remix duty is another fave of Resonate Together in - Lee Coombs. 

Lee Coombs – is very well known for his electrifying breaks tracks that have entertained us over the years with lots of energy and diversity. Notably remixes of New order – Crystal, Moby - Extreme Ways, Planet Funk - Inside All The People, The Freakazoids project, tracks on Finger Lickin Records, his Thrust Recordings label and The Future sound of retro mix compilation.

Lee is also a massive fan of the electro sound and it was perfectly fitting to ask him to remix the Ep title track. Lee mix takes the original theme of Kratzschutz, embeds his signature breaks, funky grooved elements and further hypnotic overtones.

Creasol - Kratzschutz (Lee Coombs Remix) (Resonate Together)

Coming hot on the heels of his debut on Distant Horizons, London breaks-master Yosh joins the core label family with a killer 4-tracker on Lobster Theremin.

As one of the most recognisable names from the emerging UKG re-rise (it never went away, y’know), Yosh has developed a reputation for dutty 2-steppers and screw-face breakbeats designed to delight and devastate the rave. 

‘My Fire’ is a jungle-influenced cut of broken breaks  - malfunctioning, soulful and electric - the perfect accompaniment as day turns to night, the atmosphere loosening as it does. A sun-setting stepper brimming with v i  b e s.

‘Hold On’ sees Yosh venture towards his traditional garage territory - low-swung percussion, wubby stabs and ambient dreamscape aesthetics spraying contemplative thought patterns into the air as we sway from side-to-side, before ‘I Feel’ reignites the junglist inspiration with its rumbling bassline, bouncing breaks and underground energy. 

We reach our climax with the most ‘heads down’ cut on the record; ‘Outa Sight’ maintains that light and dark sensibility that has become such a staple of Yosh’s productions, simultaneously taking us from moments of sweaty intenseness to moments of blissed-out ecstasy.

>> @yosh_productions

My Fire EP

LT093 // Yosh - My Fire EP

* Subscribe for more premieres: bit.ly/2igyosu
* Read more: https://boltingbits.com/elliott-loose-tooth-ritual-poison/
* Watch on YouTube: https://youtu.be/vOgrqpEH4v4
* Pre-order: https://ritualpoison.bandcamp.com/track/tender

One of the promoters and DJs behind South London party Big Dyke Energy, Elliott is part of a new wave bringing contemporary queer energy and attitude to clubland. Following an EP on Kouncil Cuts as one half of Faff, working alongside Ornography, ‘Transcendence’ marks their debut solo EP.

If you’ve ever wanted to hear more acid in garage, the epic bubbling 303 breakdown of two-step opener ‘Tender’ answers your prayers, its ghostly lead out-emoting even Four Tet. ‘Loose Tooth’ then lands in clubbier territory, dubby rave synths again deployed with a canny melodic ear.

On the flip, ‘Metamorphic’ is noir electro, UV bleeps and infrared bass cutting through its heavy, murky atmosphere. Working her trademark magic on the remix, Naive boss Violet bumps up the tempo, turning in a cut of booming, bottom-heavy machine-funk, a dub siren and half-time section nodding to the influence of UK rave culture.

RP009

PREMIERE: Elliott - Loose Tooth

Tony Q & Barry Scran, also known as production and DJ duo 't e s t p r e s s', substitute their well-beloved moniker on Bout To Get It EP and explore a more world-building approach to their productions; featuring four patient and intricate pieces in search of new ground. 

‘You Should Be Listening’ opens up the A-side with its larger-than-life and levitating textures, held in suspense by its solidified groove. ‘Bout 2 Get It’ comes in steady, and hits pace at the one minute park; the track's bassline opening and closing for maximum effect, and a tantalising vocal-loop that helps build as much suspense as it keeps the track in forward-motion.

‘Vivarium’ show’s off the pairing's knack for hybridized methods, with its UKG drum patterns and trance-tinged leads; paired with a sense of optimism and world-building, it feels like a special and versatile record; fit for multiple purposes. Finally ‘Horsepower’ Shuts things down with enough energy and grace to close any set. The duo unleash a barrage of layered brakes against a silhouette of hypnotic leads and gnarly bass; embodying many of the ideas and knowledge from previous tracks, into a breathless masterstroke. 

>> @testpressabz

Bout To Get It EP

ROOS009 // Tony Q & Barry Scran - Bout To Get It EP

Mantissa’s second venture into the label space comes from Bristol-born DJ / producer & radio host Bex. Percussive, heavy, bolty and jolty, the record is full of moments destined for those wanting to lose themselves on the dancefloor through Bex’s signature emotive soundscapes.

Her late 2021 debut EP release, “Feels EP” felt reflective and warm, influenced by the increased introspection during lockdowns over the past two years. Her second release, Mantissa 002, sees these emotions once again taking centre stage with added dance-ready grooves born out of the return and resurgence of the freedom to dance. The record combines those emotional notes with high energy sounds, futuristic harmonies and classic but experimental dance influences.

Bex is a Bristol native, the experimental and less orderly side to dance music a key influence to her creative efforts. Holding a dance show residency “Stocks & Shares” on Noods Radio since 2018, her sound has evolved through broadening her listening during the curation of monthly shows.

The whole style of the record is influenced by Bristol’s trademark sound, alongside this inspirations such as Om Unit or James Blake are subtly clear to hear. However, many of the moods projected throughout feel equally inspired by artistic influences beyond those of specific artists or locations. “Infinite Games” could just as easily soundtrack a sci-fi epic as it could move a dancefloor.

@bex_dj
@mantissa1

Buy:
https://mantissa.bandcamp.com/album/mantissa-002

PREMIERE: Bex - Infinite Games [Mantissa]

Mother Of Pearls (@mother-of-pearls), the duo of Tom Jarmey (@tom-jarmey) and Ed Hodge (@edward-hodge), are back in action after gracing listeners with their earth-shattering debut and sophomore releases nearly two years ago. Now they land firmly on the prolific Brooklyn label HOMAGE with their 'Gelexian Protocol' EP, serving up four delicious slices of rumbling bass and breaks along with a remix by Viers (@viers).

Based in Manchester, both Tom and Ed have quickly become consistent fixtures of clubland. Tom's releases on Holding Hands, Lobster Theremin, Dansu Discs, and more, and Ed's releases on Tresydos, Gestalt, Shall Not Fade, and Dansu Discs have proven that both artists are dependable purveyors of underground dancefloor material. Their debut collaborative EP on R.A.N.D. Muzik Recordings and their sophomore release on Gunfinger Food introduced their distinct sound in 2020 and 2021 and their third full length here will deliver the next chapter of their story.

Leading off the release is 'Hive' with a weighty bassline and brain-tickling textures underneath a haunting vocal, clearly setting the tone for an A-side aimed at the most transcendent moments caught in the dance. 'Machine Language' follows appropriately with a deep chest-rattling low end and breakbeat rhythms wrapped in a warm blanket of atmosphere, earworm synths, and seductive vocal stabs. On the flip side, Mother Of Pearls amps up the energy and taps into the duo's rave influence with 'Peace On Halcyon', pairing hyper rhythms with a piercing synth and booming bass. Rounding out the originals is the Ambient Mix of 'Machine Language', with meditative textures delicately guiding the listener on a blissful sonic journey. Finally completing the release is the Viers remix of 'Peace On Halcyon', completely flipping the original into an otherworldly bass anthem that fits right at home on this stacked release.

Gelexian Protocol

Mother Of Pearls - Peace On Halcyon (Original Mix)

Sugoi

a fun UKG blend / mashup for you, showcasing a few songs I've been loving to spin recently. Hope you enjoy <3

gotta keep - msft
https://soundcloud.com/itsmsft/gottakeep
x
Fallin 4 You - pola & Bryson, MPH (KMK remix)
https://soundcloud.com/kmk-778758336/pola-bryson-mph-falling-4-u-kmk-remix
x
My humps - msft edit
https://soundcloud.com/itsmsft/my-humps-msft-edit

Gotta Keep Fallin' 4 My Humps

yeah

FREE DOWNLOAD: http://hypeddit.com/index.php?fan_gate=JsBnnIm6fkhEuSgnimeY

Follow Suprematic Sounds:

✖ Facebook ▸ https://goo.gl/vwLvQV
✖ SoundCloud ▸ https://goo.gl/C15UAE
✖ YouTube ▸ https://goo.gl/5H9ERG
✖ VK ▸ https://goo.gl/a2fjZL

https://soundcloud.com/suprematic

⬇︎ FREE DOWNLOAD

THROWBACK: Sasha & John Digweed — Live @ Twilo (New York) — 29.05.1999

buy there : https://intercept.bandcamp.com/album/time-tracker

On this new EP on https://soundcloud.com/interceptrecords , https://soundcloud.com/french_ii explores a more emotive territory with opening track Time. The deep synth pad gives a warm contrast to the minimalistic beat and is floating organically throughout the 4-minute arrangement. Tracker completes the package and sounds more abstract. It’s a stripped-back track with expert beats, tribal percussion layers, coatings of sound fx, and a killer bassline. A strong, lush follow-up EP.

LTWHT025 // Carlton Doom - Binmen, Machines, Insects & More

Lobster Theremin

Recent comments

Opius

NazdraviFr

Oigen Kitaev

Oigen Kitaev

Related tracks