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Brutal X.0

Buy & Stream:
http://hyperurl.co/kosen36

Artwork by https://soundcloud.com/jondeerhill

The name ‘Odyssey’ is apt from an LP which explores the full musical world which The Clamps has built around his art. And alongside Kosen Production, he’s about to unleash a collection of records that is a full spectrum look of what he’s achieved over his career, one which has spanned the neurofunk genre and helped provide some of its most unforgiving, yet refined sounds. Stretching across fifteen tracks, mainly falling within the techstep and neurofunk categories, there’s a host of featuring artists which help to platform the network he’s built through his music, from Nuklear MC, Impak, Merikan, Mizo to Nickbee. Due to drop in September, Kosen Productions - one of the leading independent imprints pushing up through its competition - is set to release its first teaser. It comes in the form of ‘Mankind / Soul of the Abyss’. ‘Mankind’ is a sonic rendition of humanity’s dark side, setting the scene of the world going mad, whilst ‘Soul of the Abyss’ focuses more on the depression, juxtaposing the track’s more melancholy parts with its more aggressive elements.

‘Mankind’ creates a landscape which is snapping and unforgiving, one which slowly drags you in like quicksand. The Clamps isn’t afraid to search for new and exciting avenues for his music, which is shown throughout ‘Mankind’. Its foreboding intro sets the scene and bit by bit you’re gradually pulled into the chaos. ‘Soul of the Abyss’ is more deeply menacing; a brooding concoction of throbbing drum peddles, crackling LFOs and peaked stabs of bass. Whilst still pushing the same underground feel as its forerunner, The Clamps doesn’t mince his intentions, cutting forward with the precision and snapping jaws which are still part of the track’s more understated composition. Yet it still causes as much of an impact and that’s why this package provides an intriguing opener of what The Clamps is about to unleash. He has a talent at his disposal which has been proven time and time again, meaning that the anticipation around the album will only begin to rise. Its world is chaotic as The Clamps has ever been.


Follow The Clamps: 
https://www.facebook.com/theclampsmusic/
https://www.instagram.com/theclamps_music/
https://twitter.com/wayofcrab


Follow Kosenprod: 
https://www.kosenprod.com 
https://soundcloud.com/kosenprod
https://www.facebook.com/KOSEN.PRODUCTION
https://www.instagram.com/kosenprod/
https://twitter.com/kosenprod

Odyssey

Buy & Stream

The Clamps - Mankind [Kosenprod]

The Strangerz - Beyond Words

Buy & Stream:
http://smarturl.it/kosen38

Artwork by https://soundcloud.com/jondeerhill

The forthcoming LP from The Clamps and Kosen Productions isn’t just a collection of records which the French artist has spent months perfecting. It’s also a colossal look into the soundscape which such a high-calibre artist has at their disposal. Stretching across fifteen tracks, between drum & bass and garage, The Clamps focuses around the insanity that is stretching itself across the contemporary world and how he’s helped to define this sonically through each one of his records. There’s also a host of sci-fi inspired cuts which add to the LP’s explosive themes. From the already revealed record ‘LHS 1140b’, with a name that’ll resonate for any space fans, right through to the hard-hitting throws of ‘End of an Era’, there’s a taste to suit every palette throughout every expertly composed record. 

After already setting an enviable standard with the undeniably heavyweight standards on tracks like ‘Looking for Trouble’ alongside the notorious Nuklear MC, standalone offerings such as ‘Mankind’ and ‘30a #3a-23 Happiness’ peddle an unforgettable level of engineering whilst also pushing through a cinematic backdrop. Then a range of collaborations follow in their wake, including ‘Astronauts’ alongside Impak, as well as Snotrocket for ‘Friends in the Hood’. Merikan also joins the fray with ‘Fast Way’. 

The pace is continued to be set with ‘Cattle Mutilation’, whilst Mizo and The Clamps join forces for the meticulously sequenced drums of ‘Time Pressure’. ‘Medina’ pulls you through its half-time madness whilst adding to the LP’s strident versatility, which is followed in quick succession by ‘Soul of the Abyss’ with its throbbing LFOs. The Clamps and NickBee then merge their collective talents for ‘Addicted’, with its more old-school underpinnings. ‘The First and the Last’ platforms the creeping atmospherics which characterises many pieces of The Clamps’ sonic artillery, whilst ‘End of an Era’ draws the album to a close on a cataclysmic breakdown which takes you deep into the belly of the beast. ‘End of an Era’ alludes to The Clamps’ hardcore roots, whilst paying homage to the new foundations he’s laid down through his new music and Kosen Productions.



Follow The Clamps: 
https://www.facebook.com/theclampsmusic/
https://www.instagram.com/theclamps_music/
https://twitter.com/wayofcrab


Follow Kosenprod: 
https://www.kosenprod.com 
https://soundcloud.com/kosenprod
https://www.facebook.com/KOSEN.PRODUCTION
https://www.instagram.com/kosenprod/
https://twitter.com/kosenprod

The Clamps - End Of An Era [Kosenprod] OUT ON SEPT 24

Buy & Stream:
http://smarturl.it/kosen38

Artwork by https://soundcloud.com/jondeerhill

The forthcoming LP from The Clamps and Kosen Productions isn’t just a collection of records which the French artist has spent months perfecting. It’s also a colossal look into the soundscape which such a high-calibre artist has at their disposal. Stretching across fifteen tracks, between drum & bass and garage, The Clamps focuses around the insanity that is stretching itself across the contemporary world and how he’s helped to define this sonically through each one of his records. There’s also a host of sci-fi inspired cuts which add to the LP’s explosive themes. From the already revealed record ‘LHS 1140b’, with a name that’ll resonate for any space fans, right through to the hard-hitting throws of ‘End of an Era’, there’s a taste to suit every palette throughout every expertly composed record. 

After already setting an enviable standard with the undeniably heavyweight standards on tracks like ‘Looking for Trouble’ alongside the notorious Nuklear MC, standalone offerings such as ‘Mankind’ and ‘30a #3a-23 Happiness’ peddle an unforgettable level of engineering whilst also pushing through a cinematic backdrop. Then a range of collaborations follow in their wake, including ‘Astronauts’ alongside Impak, as well as Snotrocket for ‘Friends in the Hood’. Merikan also joins the fray with ‘Fast Way’. 

The pace is continued to be set with ‘Cattle Mutilation’, whilst Mizo and The Clamps join forces for the meticulously sequenced drums of ‘Time Pressure’. ‘Medina’ pulls you through its half-time madness whilst adding to the LP’s strident versatility, which is followed in quick succession by ‘Soul of the Abyss’ with its throbbing LFOs. The Clamps and NickBee then merge their collective talents for ‘Addicted’, with its more old-school underpinnings. ‘The First and the Last’ platforms the creeping atmospherics which characterises many pieces of The Clamps’ sonic artillery, whilst ‘End of an Era’ draws the album to a close on a cataclysmic breakdown which takes you deep into the belly of the beast. ‘End of an Era’ alludes to The Clamps’ hardcore roots, whilst paying homage to the new foundations he’s laid down through his new music and Kosen Productions.



Follow The Clamps: 
https://www.facebook.com/theclampsmusic/
https://www.instagram.com/theclamps_music/
https://twitter.com/wayofcrab

Follow Nickbee: 
https://soundcloud.com/nickbee
https://www.facebook.com/nickbeeaudio/
https://www.instagram.com/nickbeeaudio/
https://twitter.com/NickBeeAudio


Follow Kosenprod: 
https://www.kosenprod.com 
https://soundcloud.com/kosenprod
https://www.facebook.com/KOSEN.PRODUCTION
https://www.instagram.com/kosenprod/
https://twitter.com/kosenprod

The Clamps & NickBee - Addicted [Kosenprod] OUT ON SEPT 24

Buy & Stream:
http://smarturl.it/kosen38

Artwork by https://soundcloud.com/jondeerhill

The forthcoming LP from The Clamps and Kosen Productions isn’t just a collection of records which the French artist has spent months perfecting. It’s also a colossal look into the soundscape which such a high-calibre artist has at their disposal. Stretching across fifteen tracks, between drum & bass and garage, The Clamps focuses around the insanity that is stretching itself across the contemporary world and how he’s helped to define this sonically through each one of his records. There’s also a host of sci-fi inspired cuts which add to the LP’s explosive themes. From the already revealed record ‘LHS 1140b’, with a name that’ll resonate for any space fans, right through to the hard-hitting throws of ‘End of an Era’, there’s a taste to suit every palette throughout every expertly composed record. 

After already setting an enviable standard with the undeniably heavyweight standards on tracks like ‘Looking for Trouble’ alongside the notorious Nuklear MC, standalone offerings such as ‘Mankind’ and ‘30a #3a-23 Happiness’ peddle an unforgettable level of engineering whilst also pushing through a cinematic backdrop. Then a range of collaborations follow in their wake, including ‘Astronauts’ alongside Impak, as well as Snotrocket for ‘Friends in the Hood’. Merikan also joins the fray with ‘Fast Way’. 

The pace is continued to be set with ‘Cattle Mutilation’, whilst Mizo and The Clamps join forces for the meticulously sequenced drums of ‘Time Pressure’. ‘Medina’ pulls you through its half-time madness whilst adding to the LP’s strident versatility, which is followed in quick succession by ‘Soul of the Abyss’ with its throbbing LFOs. The Clamps and NickBee then merge their collective talents for ‘Addicted’, with its more old-school underpinnings. ‘The First and the Last’ platforms the creeping atmospherics which characterises many pieces of The Clamps’ sonic artillery, whilst ‘End of an Era’ draws the album to a close on a cataclysmic breakdown which takes you deep into the belly of the beast. ‘End of an Era’ alludes to The Clamps’ hardcore roots, whilst paying homage to the new foundations he’s laid down through his new music and Kosen Productions.



Follow The Clamps: 
https://www.facebook.com/theclampsmusic/
https://www.instagram.com/theclamps_music/
https://twitter.com/wayofcrab

Follow Mizo: 
https://soundcloud.com/mizodnb
https://www.facebook.com/mizodnb/
https://www.instagram.com/alex_mizo/

Follow Kosenprod: 
https://www.kosenprod.com 
https://soundcloud.com/kosenprod
https://www.facebook.com/KOSEN.PRODUCTION
https://www.instagram.com/kosenprod/
https://twitter.com/kosenprod

The Clamps & Mizo - Time Pressure [Kosenprod] OUT ON SEPT 24

The Clamps  - 30a #3a - 23 Happiness [Kosenprod] OUT ON SEPT 24

The Viral Collection ORDER NOW:
presave.io/t/theviralcollection

Follow on social:

www.instagram.com/dfencenl/
facebook.com/DFenceNL
youtube.com/DFenceNL
twitter.com/DFenceNL

D-Fence - So Loud

Everyone in the village is speaking about, the monster.

Creature

One of the biggest industrial hardcore hits of the past few years reworked by the master him self. Was it even possible to make this tune any more brutal then it already was before? Well, here is your answer.....

2019 could not start more brutal then this. World wide alert! 
Industrial Hardcore Bomb incoming!! 

Tracks:
01: Informer VIP

Informer VIP

Get it here!

Sei2ure - Informer VIP (PRSPCTXTRM012VIP) Available Feb 22nd

A FEW DAYS LEFT TO VOTE 👊🏼
http://top100djsvote.djmag.com

We mash up the place, turn up the bass, and make them all have fun
A-we a blaze the fire, make it bun dem

Skrillex & Damian Marley - Make It Bun Dem (Angerfist 2019 Refix)

French DJ/Producer of Mainstream Hardcore
NEW ACCOUNT --> @thewitness-of-time

Brutal X.0

LOCKDOWN

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