mishxn — аудио-визуальный проект Миши Бекзадяна, который является основателем и куратором лейбла shxmxn, Москва. Ядро проекта — экспериментальная электроника: постоянный диалог с технологиями интересен Мише даже больше, чем фактический результат.

Friends Only сконцентрирован вокруг непосредственного окружения Миши: «Это мои друзья, настоящий андеграунд, эксклюзив уровня моих переписок в Telegram. Бутлеги, демки, неизданное».

https://soundcloud.com/moirenoire
https://soundcloud.com/larisa-irisa
https://soundcloud.com/user-452063784
https://soundcloud.com/igorforkash
https://soundcloud.com/reselresel
https://soundcloud.com/lnvdkn
https://soundcloud.com/mishanikitin
https://soundcloud.com/lyubaberezka
https://soundcloud.com/user-1560546
https://soundcloud.com/exetexe
https://soundcloud.com/zf95ybp0qban
https://soundcloud.com/mishxn

LTRS Mix 07 • mishxn: «Friends Only»

Alone in the Wind

#hiphop #rap #instrumental #keys #bass #jayyybillzzz

Snax

Fly On Wings

Jock Van Vliet: The Lake Within The Lake
In the world of flora, Stellaria Nemorum is the name for forest wall. 
However, the music that Joanna Pavelescu makes under this Latin alias is
certainly not for wallflowers. In fact, the basses and beats on her latest EP "The Lake Within The Lake" 
would blow any kind of vegetation out of the ground.

The titles of both the EP and the
tracks give a good indication of what the listener can expect: a pretty surreal, 
imaginative music trip through time and space. 
A dark journey full of disturbing creaks and moans and industrial 
sounds that occasionally start a surprise attack. With beats that evoke memories of the machine-experimental 
of Speedy J and sometimes relentlessly
grim, Scorn style distorted bass. 
However dark and heavy 
the ambiance is the addition of light with spatial sounds.
  As an accomplished alchemist, Stellaria Nemorum has managed to find an excellent balance in this.

The remixes also come from the Antiloungekamp,
The Hague quality label for electronic music. 
They are from Charly & Gallus (with whom it all started years ago), 
Olaf Wempe (Stellaria Nemorum's former partner in crime as the duo WG @ EET) 
and Foresense, who provides a surprising final chord with jungle beats. 
They all retain the bass-averse character, but are a 
little less heavy in terms of atmosphere.
Light at the end of the dark sonic tunnel. After which a listener with a cleansed soul and new energy can face 
everyday life again. 
After many years of musical pause, Stellaria Nemorum came back strongly with this extensive EP.

The Lake within the Lake

See You Through

Originally broadcast on August 29, 2019. 

Kallista Kult LP out now: https://acolourfulstorm.bandcamp.com/album/kallista-kult

Kallista Kult - NTS Radio, August 2019

Svitlana Nainio and Oleksandr Yurchenko are musicians with a long history in the still-mysterious Kiev Underground. Nainio’s first group Cukor Bima Smert [Sugar, The White Death] were active in the late 80s before Nainio’s solo record was released in 1992. Her work centers around deconstructed, minimal treatments of Ukrainian folk music and the palette of Eastern European harmony and rhythm. Oleksandr Yurchenko, a longtime collaborator and a pivotal figure in the Kiev music scene, was instrumental in creating the Novaya Scena, a loose conglomerate of artists who encouraged eachother to excavate both the sounds of the west and Ukrainian tradition.  'Znayesh Yak? Rozkazhi' ('Know How? Tell Me') is the duo’s most fully realised collaboration, an enchanting, complete world informed by Yurchenko’s instrumentation and playfulness with form and how it frames Nainio’s otherworldly soprano, recalling Liz Fraser steeped in contrapuntal melody and hymnal improvisation …. Originally released in 1996, this is the debut release of Znayesh Yak? Roxkazhi outside of Ukraine and a follow up to Lisova Kolekciya, re-issued by Skire in 2017.
Recorded in an abandoned park in Kiev during a fertile period for artists and musicians following the collapse of the Soviet Union, 'Znayesh Yak? Rozkazhi' sees Nianio and Yurchenko combine Casio keyboard, hammered dulcimer, percussion, and Nainio's unmistakeable soprano vocalisations to create music sympathetic to the specific locations in which they chose to record. Yurchenko's contribution is perhaps more present on this recording than anything else we have heard from the duo. His percussive dulcimer playing provides the basis on which Nianio can weave delicate keyboard lines while playfully contorting her voice, shifting from a low register reminiscent of Nico to what could be the call of a bird or an animal in distress. Whatever the intent, the effect is haunting and beautiful in equal measure. 

Nainio’s unique, unmistakeable vocal rings true here, weaving through the interlocking rhythmic patterns conjured by Yurchenko. There’s prevailing earthiness on the recordings, found in the warm hiss of the lo fi means of recording or the grinding, unspecified sounds that occasionally accompany the melody, like drones created on the fly by hands trying to keep warm in the ice. A prevailing mood of fragility and beauty seeps from these melodies, delicate moments of clarity spun by the two musicians. Znayesh Yak. Rozkazhi? is a dream spun in twilight, a crystalline, private world the listener feels both alien and welcome in.

Svitlana Nianio + Oleksandr Yurchenko - Untitled 1 (from Znayesh Yak. Rozkazhi?)

Divide カセット 20

Robotic ロボット

universal frequency

noosa:
Abandoned buildings, broken promises,
Blinding snowstorms, crushing waves, —
Digital glitches, and chaos, —
Underneath, the melancholy
of loss, and decay.
Yet somewhere, there is a time after us.

kotaerecords.com/projects/gleb-gl…b-2020-teriberka

A new event in the Field Recording Labs series for sound artists and musicians working with the sounds of the environments. The third release of the Laboratory is an expedition to a fishing village on the shores of the Barents Sea from February 3 to 5, 2020. The sounds of the endless Arctic space and the whisper of the tundra at the edge of the Earth in front of the Arctic Ocean.

CURATORS
— Idea, implementation — Gleb Glonti — sound artist, curator, general producer of the Kotä music company, and Experimental Music and Art (EMA) Expo.
— Local curator and guide — Slava Krasnov — musician and author of the electroacoustic project Jasnazima.

HOSTS
Fridaymilk, independent project and curating group.
fridaymilk.com
fieldreclab.com

--

Новое событие серии Лабораторий полевых записей для саунд артистов и музыкантов, работающих со звуками окружающей среды. Третий релиз Лаборатории — это экспедиция в суровый рыбацкий поселок на берегу Баренцева моря с 3 по 5 февраля 2020. Звуки бескрайнего арктического пространства и шепот тундры на краю Земли перед лицом Северного Ледовитого океана.

Кураторы лаборатории:
— Идея, реализация — Глеб Глонти — звуковой художник, куратор, генеральный продюсер музыкальной компании Kotä и Experimental Music and Art (EMA) Expo.
— Локальный куратор и гид проекта — Слава Краснов — музыкант и автор электроакустического проекта Jasnazima.

Организаторы лаборатории:
Независимая проектная и кураторская группа Фрайдеймилк.
fridaymilk.com
fieldreclab.com

Credits
Music produced by Joonas Parviainen, Slava Krasnov, Alla Burakova, Dmitry Gorbas, Gleb Glonti
Mastered by Mikhail Myasoedov
Curated by Gleb Glonti
Photo by Slava Krasnov

Field Recording Lab 2020 Teriberka

noosa — raunioina

Lover

Baked and frozen in the lofts of empty houses.

Robotic ロボット

ロフト tapes

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