Learn Nothing - featuring Rully Shabara (Senyawa, Zoo, Setabuhan)

off of upcoming album Degenerates, out July 2022.

Composed by Dylan Amirio
Co-produced by Yudhistira Abjani
Artwork by Emirpasha Bhaskara
Mixed by Mahamboro
Mastered by Anggasta Giovanno Rheza


"An obvious sign of a deteriorated world is if things seem to stay the same. Prejudice, war, corruption, slavery, censorship, power abuse, seniority, money worship… history is full of examples on how these things inhibit mankind’s progress, yet it still happens on relatively similar scales as before. These problems appear in different forms in the next era, and now with the advent of technology, it seems these problems are more prevalent as we can feel it being directly used against us. So, with this endless cycle of suffering, we ask ourselves. What did we learn from the past?”

Degenerates

Learn Nothing

Track 9 of Degenerates

Purchase Album here:
https://logiclost.bandcamp.com/album/degenerates

A Race to the Bottom

Logic Lost and Individual Distortion reinterpret Slayer
mixed by Wing Narada Putra
video here: https://youtu.be/sXdq-jpHdSw

God Hates Us All Especially You (Logic Lost X Individual Distortion Remix)

Logic Lost and Shakaboyd remix La Luna song "Selepas Kau Pergi".
This is just for fun.

download mp3: https://drive.google.com/file/d/1m74HXwxBuQ4-YKt0u3QO1RFcaUK-jHbD/view?usp=sharing

mixed: Wing Narada Putra
sample by Bottlesmoker - Frozen Scratch Cerulean

Se Le Pa S Ka U Pe R Gi (Logic Lost x Shakaboyd Remix)

hit you with that xhabarabot

Sukatani - Bayar Bayar Bayar (Logic Lost Remix)

made this in 2022, out of similar conditions where my government workplace didnt pay me for 3 months. Now, 2 years later, the same thing is going to happen.

this is the sound of snotty government bureaucrats being beaten the shit out of
for constantly docking pay and supporting wage cuts every single fucking year.

Mana Gaji Gw Ngentot

A piece commissioned by ROH Projects, Jakarta for the "Split Body" Exhibition by Virginnie Ittah & Kai Yoda (Ittah Yoda), 5 June - 20 July.

The goal is to create a piece based on the duelling vibes/atmospheres of both artists. 
Virginnie Ittah's piece is lighter and airier, while Kai Yoda's piece is darker, more percussive. 
Ittah's piece occupies the left channel, while Yoda's piece occupies the right.
Both pieces are played simultaneously during the exhibition, with variations, spanning 35 minutes each.

The resulting track you hear is both pieces combined together as one track, as I originally made it to be. It features the initial bodies of both pieces, which span only 5 minutes each, which I later expanded as required.

I would like to thank both Virginnie and Kai, as well as ROH Projects, for the opportunity to work with them and provide the sounds to their beautiful artworks. Special thanks also to Mahamboro, who mastered the track, and to the XHABARABOT Ambiex machine that I partially used for the composition.

Please check out their exhibition and their sites:
https://www.instagram.com/ittahyoda/
https://rohprojects.net/


"SPLIT BODY" Exhibition Description:

ROH is pleased to present Split Body, the gallery’s first solo exhibition of artist duo Ittah Yoda — Virginie Ittah (b. 1984, Paris) and Kai Yoda (b. 1985, Tokyo). Since meeting at the Royal College of Art in London, the artists have developed a collaborative practice grounded in virtual world-building and nomadic material research, creating multi-sensorial environments that unfold across media.

The exhibition features a new body of work spanning painting, sculpture, virtual reality, sound, and scent—inviting viewers into an interplay of the five senses. In Split Body, Ittah Yoda interrogate the boundaries of the body and its potential multiplicities—across physical, spiritual, and technological realms. Their collaborative process blurs individual authorship, merging multicultural perspectives into a shared artistic language, while maintaining distinct agency.

The concept of a “split” or rupture runs throughout: painting becomes a psychic terrain; virtual reality conjures disembodied sensations; scent activates affect and memory. Guided by the notion of the Symbiocene—an era of balanced coexistence between human and non-human forms—the exhibition imagines hybrid embodiments that defy binaries of natural/digital, real/unreal, and human/non-human.

Developed through two residencies with ROH—at DESA, Ubud (2024) and Rumah Tangga, Depok(2025)—Split Body folds together “genetic-artistic” material from Indonesia, Greece, and France into an evolving ecosystem. Through an accumulative journey of cultural and material gathering, the exhibition proposes forms of being that are yet to come.

Sounds for Ittah Yoda "Split Body" Exhibition - ROH Projects, Jakarta - June 2025

First single off of upcoming album Disposable Gods.
Out 28 November 2025 on Avon Terror Corps.
https://avonterrorcorps.bandcamp.com

Rully Shabara's voice aims to depict the sound of anguish exploding out of a population that has been oppressed and mocked by its powerful for so long. "Insurgents" is the sound of that explosion as a whole.

Disposable Gods is structured as an eight-act film, which begins in a broken world and ends with the leaders' execution. There are no characters, just an overall view. "Insurgents" is scene two.


Insurgents (ft. Rully Shabara)

Disposable Gods is an exploration of the concept of power and the cyclical nature of oppression. It is set within a fictional society that has reached a breaking point against its masters.

The thirst for power is a fundamental part of human nature. Those who seek it speak of a desire to shape the world for the better, but this often disguises a hidden truth: the will to rule as they see fit.

History has shown that this impulse creates a predictable and dismal cycle that shows those in charge becoming detached and inevitably prioritizing their personal, social, economic, and racial privileges through impunity and force.

This pattern manifests across nations and ideologies throughout history, whether in Israel and the USA’s Zionist expansion policies, India’s hyper-charged Hindutva, or the familiar entrenched class hierarchies seen in Indonesia and many more. In each case, power seeks legitimacy through wealth, extremely militarized authority forces, the suppression of dissent, and the instrumentalization of the vulnerable to maintain control.

Yet power is fragile. When the masters lose all control of their defiant subjects, they are brought down, filthy and frightened, back to earth as mortals once more and brought to the slaughter for their crimes to rapturous celebration.

However, the resulting power vacuum, never truly empty, is vulnerable for the taking. Those who eventually fill it must maintain their vision somehow.

releases November 28, 2025

Lody Andrian (Gowa) - synths Track 1 ("World of Prayer")
Deathless Ramz (Deathless) - guitars Track 2 ("Insurgents")
Rully Shabara (Senyawa, Wusa) - vocals Track 2 ("Insurgents")
Wukir Suryadi (Senyawa) - selompret jaranan Track 5 ("Biadab")
Ferdian G. Maulana (Hakkon) - guitar Track 6 ("Trash Begets Trash")
“Xhabarabot” - various sounds, Track 8 ("Without Sin")

Deathless Ramz - co-producer & mixing
James Plotkin - mastering

Dylan Amirio & Emma Day - cover art
Emma Day & Sam O’Connor - layouting/art direction

Artwork description: a self-taken photograph of an 18th century Russian soldier statue found in Cesme Castle, Turkey.

Trash Begets Trash

simple ambient remix of a great George Michael track.

George Michael - Amazing (Logic Lost remix)

Logic Lost tries vaporwave
part 1 - the vaporwave,
part 2 - logicwave

Planes Trains and Automobiles is a great film.

E V E R Y T I M E  Y O U  G O / B O R I N G  S T E P S

Madarame-san

Hikikomori

1999

Nobody has the right to restrict our rights as musicians and control our process from what we choose to say, to how we say it. We ourselves decide what music is. 

We as musicians feel that the best thing we can do to respond to anyone who wants to take this away from us is to just keep creating. 

Because, no matter how you learn how to make music, your ‘certificate of competency’ is your work. 

- Logic Lost x Maverick

N.A.F.T (Nobody Asked For This) - ft. Maverick

first attempt at shoegaze is a cover
play with headphones or really loud

Sometimes (my bloody valentine cover)

Hero Worship EP

slow collapse

la destruction

zahir

door 1

NEW ALBUM 'DISPOSABLE GODS' OUT 28 NOVEMBER 2025 on AVON TERROR CORPS
https://logiclost.bandcamp.com/album/disposable-gods

Contact:
dylanamirio@gmail.com
orangecliffrecords@gmail.com

Logic Lost

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