I’ve been revisiting an old recording technique I named - “Dragged Mics” - it is what it’s called! I drag two dynamic mics behind me on various surfaces. This one is from my lawn this morning, where the grass was frosty. No edits to the recording. Works great with headphones so you get the full effect of the crazy stereo perspective.

Dragged Mics Frozen Grass

TR156 - Samuel D. Loveless - 'Sanctus'

OM 52 GATES AND VARIATIONS LP OUT NOW

Open Mouth
http://openmouthrecords.blogspot.com

US distro
http://www.forcedexposure.com/Catalog/meginsky-jake-gates-and-variations-lp/OM.052LP.html

EU
http://www.metamkine.com/?monnouveaute=1



Jake Meginsky
Gates and Variations
Open Mouth LP
OM52

Gates and Variations rounds out a loose trilogy of records by Jake Meginsky for Open Mouth. Not an intended trilogy on Jakes part but it has become one to my mind. It has come to be how I listen to them and experience them, all informing each other, echoing and challenging each other and growing into each others space and light like a garden of plants that would never actually coexist anywhere in reality. Jake is always tirelessly reaching for something new yet I'd avoid using the word progression here. It instead feels to me like the last piece of a puzzle, or of a world created by some Jack Kirby demigod. Something has been completed and now all the pieces are interchangeable. The first can go last. The middle can be first. The whole thing becoming a universe looping in on itself with a multitude of entry points and not a lot of exits. These are dense environments where sections can move from microscopic to macroscopic, day to night and back again,  so effortlessly that its hard to tell if its intended or if something imperceptible within  you shifted the locus of yr perception. But it is all very intentional, something carefully carved to give the feeling of something, though unfamiliar and strange, organic and grown. Theres a sense of danger here like warning transmissions, concussive roiling rhythms and jagged disturbances. Yet also clear straight lines giving way to enveloping curve and staggering beauty. Supplant the beginning with the end with the beginning 

Bill Nace
Philadelphia, PA
September 2017

Gates and Variations OM 52 LP - Third Gate _ Track 4 Side A

Guitarra Bohlen-Pierce - Climério Euribes

De 10:15 à meia noite, todo mundo tá na BOÎTE.

Disco Crime (em BP - vocais Cláudia O'Connor)

Excerpt taken from Clara de Asís -  Sans Nom Ni Forme
Pilgrim Talk 2020

Clara de Asís - De ce côté-ci (excerpt) [PT39]

New Form

Letra de Johann Heyss
Música de LL
Teclados - Gustavo Jobim
Baixo em BP - LL

Nojo, em BP - vocais Lisa Nascimento Watson - FREE DOWNLOAD

Trio for harp, flute and viola

Performed by Ghost Ensemble at Areté venue and gallery, Brooklyn November 2019

Margaret Lancaster(flute)
Lucia Stavros (harp)
Carrie Frey(viola)

After some time away from composing notated music, being occupied more with open and text scores, the lovely Ghost Ensemble approached me for a piece, and what came out is an actual score and this lovely performance in November 2019. 

Thank you Ben Richter and Ghost Ensemble for organizing this sensitive, nuanced and thoughtful performance of a piece that could have gone many different ways.

Please write me if you'd like to take a look at the score!

Trio for Flute, Viola and Harp

©2021 ༼ つ ◕_◕ ༽つ ♥♥♥♥ X4 RECORDS
Produced & Mixed by Danny Playamaqui 

Artwork by Wou-Wou & The Wormling
https://wouwouandthewormling.com

Disco Crime (em BP - vocais Cláudia O'Connor)

os sons de Löis Lancaster

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