The movement of the celestial sphere felt by an actinometer.

Sunrise Starchart

Buried in a Safe Place

One of those noisy songs from 2008. Soundtrack to an imaginary technological horror game.

Instruction Tape

Based around chords serialized by interleaving. Low variant (original).

Latency (low)

Based around chords serialized by interleaving. High variant.

Latency (high)

A lover is long gone, but vivid in the head. They can't be fixed into something resisting and textured. Panic. Write song about it (can't do anything else with panic) and publish (can't do anything else with song).

Love Panics Quarterly

For the death of the last member of a self-concerned dynasty.

Line of Succession

A deep need to force something into a shape that speaks.

Jabbing the Clay

When I was a young lad I was always wish for a little dog to little pinky inside, and when I slept it in I would wonder whether the stars would just stop for the world to keep spinning around to keep your hot tongue inside the molten moon blueblack red.

Rescue Op

Roughly "chasings and strange (unfamiliar) gestures." Kynjalæti characterizes language as audio gestures. The messages of language are hotlined to the brain's innards, bypassing awareness of its physical identity, the signal. Like Morse code experienced as both signal and signs, the sound of language can be separated out to make the act seem like a code, self-foreignized into patterns. This intonation denotes this emotion. Conversely, hot yellow magenta in the darkness can now be interpreted as directions to where the brian stores a surging, blinding, ecstasy. This music attempts to render the listener susceptible to sensory overload so that vital information from a different medium can be hotlined as if it were language, by being loped after in the slow time of a dream through an empty plain by three Norse kings. When faced one imparts information in a Kynjalæti experience.

Kynjalæti ok Eltingar

Tunneling in Feldspar

Modem handshake.

When musicians advance the language of music, it's usually slow and unmixed, so that like reading a careful definition, the example can be coped with. Instead, overload the senses so that if the terms can't be interpreted in the old idiom which assigns nonce words to them, the sounds themselves don't register. There's enough music passing during the interpretation delay to show that the old idiom is failing to model the speech. Maybe the overloading of the listener forces the information through uninterpreted, like Morse code, entering the brain as-is before made into words.

Direct transmission.

Loki Clock

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