Michael Jackson - I Shot The Sheriff

Stevie Wonder pays a great tribute to Michael Jackson

Stevie Wonder - Human Nature (Live) Michael Jackson cover

Tontelas - En Do

Album:  Fat Larry's Band - Lookin For Love 

Fat Larry's Band - Hey Pancho It's Disco 1979

Cametá, a historical little Amazonian town on the shores of the river Tocantins, is the birthplace of the scorching music known as “Siriá”; a cross pollination between the music of the inhabitants of the Quilombos, (a Brazilian hinterland settlement founded by escaped slaves of African origins) and the Indigenous People of the Amazon Rainforest. It is a breathing, pulsing, emphatic beat, and the modernised version of this local music, created by Mestre Cupijo, has been igniting street parties and traditional festivals across the state of Pará (Nothern Brazil) for decades. And at last in 2014, the combustible sound of Siriá will be celebrated internationally as the feverish, tropical sound of the summer!

Foretelling his talent to flow between cultures, Cupijó was named after a local river when he was born in 1936, into a family of musicians. His father, Mestre Vicente Castro, was also known as Mestre Sicudera, the musical director of Centennial Euterpe, one of Brazil´s oldest bands, founded in 1874. 
At 12, Cupijó started to play the clarinet. He became proficient at piano, mandolin, and guitar, although the instrument that came to personify his sound was the alto saxophone. Waltz, mambo, bolero and an assortment of dance hall music became part of Cupijó’s repertoire, but it was Carimbó and Siriá, the music played by the black communities of Pará, that had the strongest impact on the young musician. 

To grasp the soul of this music, Cupijo went to its source and lived with the Quilombolas community of the Amazon. 
Upon his return, enriched by this life changing experience, he founded the band "Jazz Orquestra os Azes do Ritmo" with the goal of modernizing the folkloric music of the state of Pará.- and as witness on this compilation – this had explosive effects. His fresh new sound became the soundtrack to Cametá´s legendary Carnival and soon his troupe were invited to other festivals along the river. Transportation to these concerts was via small boats, where 3 or 4 musicians would share a vessel with their instruments tucked between their legs. 

After the initial wave of enthusiasm, the first two LPs were recorded with rudimentary equipment in a dance club in Cametá. However it was the third attempt, recorded in a studio in Belém, which would trigger a phenomenal success. "Caboclinha Do Igapo" and "Mambo do Martela", included on this record, became instant hits. A year later "Mingau de Açai", one of Cupijo´s most popular tunes, took the region by storm. In total 6 LPs were recorded by Mestre Cupijo.

He then created "Concurso de Musicas Carnavalesco de Compositores Cametaenses”, a contest for carnival music composers. The songs composed expressly for these contests in the 70s are still performed today during carnival season. In addition to evolving the Pará music culture in this way, he also owned a rudimentary soundsystem, "Musicolor", to spin the discs of local artists before his own shows to the frenzied crowds. Mester Cupijo proved himself a philanthropist as well as a conductor for the people’s music, and acted as a provisional Lawyer for the city of Cameta, specialising in help for the poor. He had a short spell in politics and was elected by a vast majority to the station of Municipal Councillor of Cametá.

Master Cupjó, the pillar of Pará's festive culture, and a humble pop icon who was ushered prominently into the country’s history books, passed away on September 25, 2012 at the age of 76. 


Mestre Cupijo - Caboclinha Do Igapo

Yo, so GAMM been killing it with their Doin’ James 12″ remix series lately, recruiting everyone from Ayres to Red Astaire to revive the timeless funk of a one James Brown. It’s brilliant really, getting a bunch of modern producers to add a modern dancefloor touch to the most sampled man in history. The only con about the 12″s is that all the Serato and Digi-DJ’s kinda miss out on this vinyl exclusive series, until now. High quality mp3′s to heat up the dancefloor. Thanks for bridging the funk gap between the new and the old.
http://www.juno.co.uk/labels/Gamm/

Badsim - Bang It On (James Brown remix)

Super Loustic FACE A

Super Loustic FACE B

Kassav - Soleil (1980)

John D. Loudermilk - Road Hog 
Joe dassin - Bip Bip
Roberto Carolos - O Calhambeque
DJ WALDO SQUASH AND DANIEL HAAKSMAN EDIT
Found it on this mix : https://soundcloud.com/canalstreet/canal-street-presents-daniel-haaksman-brazil-bass-mix

Roberto Carlos - O Calhambeque (Waldo Squash remix) - Daniel Haaksman Edit

https://www.facebook.com/tbirdandthebreaks

Blacktreet - No diggity cover

T Bird And The Breaks - No Diggity (Blackstreet Cover)

House of Pain - Jump Around (Cumbia remix) by dj elwood woody calavera. Taken from this mix => https://soundcloud.com/groovewize-dj-elwood/weepaa-mixtape-for-stand-high

House of Pain - Jump Around (Cumbia remix)

Alô, Alô, Como Vai? é o décimo oitavo álbum de estúdio do cantor brasileiro Jorge Ben. Foi lançado em LP em 1980.


Jorge Ben - Ma Ma Ma Ma Mãe

Teruko Akatsuki — Tokyo Shoe Shine Boy

https://pro.beatport.com/track/jackie-chan-feat-earl-zinger-original-mix/5315325

Shawn Lee - Jackie Chan (feat. Earl Zinger)

Voici un joyau de l'âme musicale profonde de la Guadeloupe,
sauvegardé dans les années 60-70 grâce au producteur 
Raymond Célini. La clarinette allègre de Robert Mavounzy et 
la voix poignante de Manuela Pioche nous restituent la beauté 
des plus célèbres biguines d'autrefois. Elie  Cologer nous entraîne 
dans les rythme envoûtant de quadrilles séculaires ressucités 
par la magie de son violon.

ORCHESTRE TRADITIONNEL DE LA GUADELOUPE :
Enregistré à Pointe-à-Pitre Fin 1966
--> Robert MAVOUNZY
--> Alain JEAN-MARIE
--> Donnadié MONPIERRE
--> Théomel URSULE
--> Charly CHOMEREAU-LAMOTTE
--> Manuela PIOCHE
--> Claude TRANCHOT


Nous les cuisinieres - Robert Mavounzy & Alain Jean-Marie

Nate Dogg - Gangsta Walk (Prince Club 6am Bake Mix)

Tracklisting

1. DOM LA NENA - Batuque (Jeremy Sole & Astropolis)
2. SAMBA DE COCO RAIZES DE ARCOVERDE - Ê Boi (Maga Bo Remix)
3. TONY QUATTRO - Zulu Carnival
4. MC DELANO - Devagarinho
5. MC JOAO - Baile de Favela
6. THIAGUINHO - Caraca Muleke! (Joao Brasil Remix)
7. MOHANDAS - Saudades Do Para
8. DJ MAM Feat. NAZACO GOMES - Sambarimbó (Mambathon Mix)
9. FRANCIS DALVA - Ovelha Desgarrada  [Maffalda Muy Vida Trap Mix]
10. VALESCA POPOZUDA - Beijinho No Ombro(2PeKes Tropical ReMix)

Brazilian Booty Shake Minimix - Lokofinger

http://www.redeyerecords.co.uk/vinyl/61625-bhe-5-gay-marvine-bath-house-etiquette-vol-5

Gay Marvine - Wacky Jacky

Dj Reaganomics began music selecting in the early eighties by making mix-tapes, using recorded songs off of Detroit radio programs. Using the pause button, a song could be stopped on the beat in mid recording and then resumed on the beat of a new song, sometimes over the course of days, and spanning many radio programs. These "pause-tapes" covered the territory between pop electronica and rap: Prince, Zapp, Cybertron, Egyptian Lover, Rockmaster Scott & the Dynamic Three. The technique was perfected and the tapes were given to friends. 
Thirty years later, he's still at it. Only instead of a just a handful of kids in Ann Arbor Mi, Thousands of people, worldwide have heard and downloaded his mixes, re-mixes and original tracks. People in Japan, Czeck Republic, and Colombia, have Seen him Dj live, as well as audiences in NYC for the last fifteen years. 
His sound is an accumulation of every musical encounter along the way: modern classical and world music records in his fathers collection, rap, punk and metal in the 80s, Jazz, Funk, Salsa, Jungle and 2step in the 90s. In the last ten years a typical Dj Reaganomics set will have New Orleans Brass, Dancehall, Moombahton, Reaggeton, Kuduro, Cumbia, Salsa, Batucada, Baile Funk, Putaria, Electro, Miami Bass, as well as hip hop from all of its decades of existence. 
He has played with Douster, Drop the Lime, LOL Boys, Geko Jones and Uproot Andy at Que Bajo (as well as in Baranquilla Colombia, Carnival 2011), DJ Spooky, Dj Olive, Aphrodite, Aaron Spectre, Jess Jubilee, Munchi, Porier, Maga Bo, Dj Rupture, Matt Shadetek, and many others.

Volksgroep Naks - mi libi a no, j'a wan kama (dj reaganomics remix)


Année : 1971
Auteurs compositeurs : Salomon Balou - Kouango
Pochette : Gilbert Moreau
Label : Flèche

lokofinger

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