amsterdam simmerdown

Moritz Von Oswald remix of the Tony Allen song 'Ole'. Taken from the 'A Tony Allen Chop Up' compilation.

Moritz Von Oswald - Ole (Remix)

12 Desidia



pre-released on March 2nd, 2014 as issue # 28 on www.other-people.net

Out on digital and vinyl on March 31st, 2014 .

Other People is a serial label. Like a magazine, we deliver new content each week. Every Sunday, our members receive a new issue.


Drew Gragg - Refraction

Herbert - Her Face

Soul Keita - Freedom

Solpara - Swing

Read more on THUMP: http://thump.vice.com/en_ca/track/guti-debuts-his-rompecorazones-live-showcase-in-time-for-sonar-in-barcelona

@guti_desolat 
@julienquentin 

Julien Quentin & Guti - Jazz Queen

A.A.L. - Minnesota 999

ot to, not to - Mamama

Samurai (Red Axes Remix)

mule musiq 214/mule musiq cd 57
2lp&cd
distributed by kompakt
www.kompakt.fm/releases/phase_transition_2xlp
www.kompakt.fm/releases/phase_transition

Lake People - Tomorrow's Happiness

A.A.L. (Against All Logic) - For Kennedy

Gwakasonné is the ecstatic articulation of Robert Oumaou’s artistic and political vision, a unified expression of his interests in American jazz, pre-colonial rhythms, Guadeloupian independence, and Créole poetics. Over the course of three albums, all released in the 80s, Robert piloted a revolving cast of musicians, a venerable who’s-who of Point-a-Pitre avant-jazz pioneers, to deftly intone his creative communal concepts. The songs on Vwayajé are compiled from these three releases, Gwakasonné, Temwen, and Moun, along with an electronic mantra taken from his 2007 solo album Sang Comment Taire. Viewed from our current artistic and cultural landscape, Robert’s work is exceptionally enduring, grounded in its declarations of freedom and foundational use of the Ka (drum) and voice, and prescient in its borderless explorations of protest folk, electronics, ambient atmosphere, music from the African diaspora, and spiritual jazz. The long-form hive-mind expression of the group has parallels with similar explorations by The Grateful Dead, electric Miles, Pharaoh Sanders, and even the Boredoms, but these are only oblique references for a truly peerless sound. Like other conceptual children of Gérard Lockel, the group was part of a progressive movement of like-minded musicians, such as Serge Fabriano, Dao, Erick Cosaque, and Gaoulé Mizik, who embraced Lockel’s modernist ideals, fusing Gwo Ka drumming and tuning systems with contemporary jazz and vanguard recording technologies. Robert’s ecstatic phrasings, embrace of electronic instruments, and daring lyrics set the group apart as the beatific expression of a sagacious soul.

Preorder : https://www.seance-centre.com/shop/gwakasonne-vwayaje

Vwayajé (16SC)

LISTEN ON YOUTUBE

PREMIERE : Gwakasonne - W3

Out now on Crosstown Rebels: lnk.to/CRMCD040

Following on from the Moment in the Dark EP featuring remixes from Adam Port, Satori and Tibi Dabo, Damian Lazarus celebrates the tenth anniversary of his acclaimed debut album Smoke the Monster Out, with the release of a remastered and expanded edition on his own label Crosstown Rebels.

A decade ago I released my debut solo album on the label Get physical. It was the first time I’d let myself loose in the studio and what came out was a psychedelic collection of extremely strange and bizarre songs. I wanted to make an album full of my inspirations and influences, for exotic after parties, and with no consideration about necessarily getting played in the clubs. It divided opinion at the time and seemed to defy easy categorisation. My own sonic curveball. Here we are ten years on. I’m pleased to report that ‘Smoke The Monster Out’ is still as weird as it ever was. Still genre proof. Still an ‘album’ in an era of tracks and playlists. Now forthcoming on Crosstown Rebels, remastered and with three bonus tracks from the original studio sessions, it’s ready to confuse everyone all over again!

Smoke The Monster Out, originally released in 2009, was the first time Damian had written and produced his own music. Known across the globe for founding the Crosstown Rebels label, his captivating DJ sets and divergent Lazpod podcast series, his debut album is an emotional and humorous expression of his genre-defying imagination.

Following ongoing experimentation with lyric writing and production, Damian invited Arthur Jeffes (son of the Penguin Café Orchestra’s Simon Jeffes), Classic records head honcho Luke Solomon and Mark Ralph (then a member of Filthy Dukes and now a world renowned producer for the likes of Clean Bandit, Years & Years, and Jax Jones) into the studio with him. The result was a unique blend of music that represents Lazarus’ personality and vast experience of the dark and light moments that are captured on the dancefloor. The Guardian went as far as describing the album in 2009 as: “Less troubled and deep than Björk's Debut, it still captures the atmosphere of late-night clubland – the transcendent freedom, the fuzzy unreality, the implicit emptiness, the dysfunction – with a similar potent accuracy. That it does so by fusing Ricardo Villalobos and Robert Wyatt, and slipping in a Scott Walker cover, might explain why it is not being hailed as one of the crossover albums of the year. But it is."

Ten years on the album that draws on inspiration from: techno and house, rock and pop and drum and bass, still remains as challenging and exciting as it was upon its initial release and will capture the attention of both new and old fans alike.

Everything about Smoke The Monster Out feels idiosyncratic, direct and carefully thought-out: both the artwork and the title (which references Alice in Wonderland) evoke Lazarus’s interest in the loss and the return of innocence, the imagery of fairytale fables, and the battle to control and satisfy the emotions without losing sight of humour. Lazarus has a vision, and isn’t afraid to realize it. He continues to live this vision through the music released on his label, the groundbreaking festival he curates Day Zero and the story that unfolds during his DJ sets to audiences around the world every week.

Damian Lazarus - Moment

Prismatica - Elucidate
Label: Baikal Nomads
Release date: 28th September 2019

A Cocktail of diverse frequencies world music related with a forceful rhythmic design within the electronic music downtempo and vocal improvisation of @iraida-noriega, instrumental with guitars and harps of @vlambeat and in the live percussion section, Ableton live and scratch of @circular-mex

Cirqular and V-Lam Beat, producers with more than 20 years of experience from the beginnings of rave culture in Mexico transiting through projects and publications for decades until reaching this project in combination with Iraida Noriega one of the best voices that this country has given with a historical trajectory in multiple fields but mainly Jazz. In addition to the participation in studio of various guest musicians such as @signos-sonoros-osiris-heyerdahl (Flutes) Luis Miguel Costero (Tabla) and @olinkaoficial and @sylviehenry (Vocals)

More info:

Prismatica
SC: https://soundcloud.com/prismatica

Baikal Nomads
SC: https://soundcloud.com/baikalnomads

KataHaifisch
SC: https://soundcloud.com/katahaifisch

Premiere: Prismatica - Increment Feat. Olinka, Osiris Heyerdahl [Baikal Nomads]

Baikal Nomads

RELEASE INFO
ARTIST:  ELPECHE
TITLE: “A.MANHÃ EP”
FORMAT: MP3/WAV
LABEL: SHANGO RECORDS
CAT. No: SHNG067
RELEASE DATE: EARLY OCTOBER
GENRE: Brasilian Electronica/Downtempo/
COVER DESIGN: 2.46 Design

Born in the dark streets of Cairo, grown to the unforgettable forests of Santa Esmeralda, spending its teen years in Bombay and Tangier markets, mature into the deep spacey Jungle of Ghana we proudly present you a new label from the land of the pyramids: SHANGO RECORDS invites you to an unheard world music psychedelic trip: like through a colorful kaleidoscope we will melt down Indian and Pakistani Vibes, Arab-Tek and Oriental groovy vibes, Afro-Beat rhythms n' pieces, Cumbia Tropicana flavors and cosmic Ghetto-Latin vibes into forbidden sounds of frenzied electronic dancefloor rituals. Outside traditional paths these driving grooves and polyphonic structures take the adventure seeking dancer to Dionysian highs and places never been before.

THEY HAD SPENT the morning at the Prado and now were sitting at a place in a building with thick stone waIls. It was cool and very old. There were wine casks around the walls. The tables
were old and thick and the chairs were worn. The light came from the door, The waiter brought them glasses of mazanilla from the lowland near Cadiz called the Marismas with thin slices of jamon serrano, a smoky, hard cured ham from pigs that fed on acorns, and bright red spicy salchichon, another even spicier dark sausage from a town called Vich and anchovies and garlic olives. They ate these and drank more of the manzanilla, which was light and nutty tasting. Catherine had a Spanish-English Method book with a green cover on the table close to her hand and David had a stack of the morning papers. It was a hot day but coo'l in the old building and the waiter asked, "Do you want gazpacho?" He was an old man and he filled their glasses again. "Do you think the senorita would like it?" "Try her," the waiter said gravely as though he were speaking of a mare. The new Shango Records EP comes by Brasilian music wizard ElPeche and contains five amazing Brasilian-Electronica tracks that can simply make you think of how beautiful life, time and love is.  

1.ElPeche “A.manhã”
2.ElPeche “Do Averso”
3.ElPeche & Dj Carlota “Nascer Do Sol”
4.ElPeche & LIAN “Como Ele Vem”
5.ElPeche & Furmiga Dub “Crônica”

Available Early October from selected major online retailers.
PLEASE SEND US YOUR FEEDBACK…..
https://soundcloud.com/shango-records
https://shangorecords.bandcamp.com
https://soundcloud.com/elpeche 

______________________________________________________________________________

Do Avesso

A.MANHÃ EP

Beatport

2.ElPeche - Do Avesso

A.manhã

1.ElPeche - A.manhã

it was such a nice summer in europe, lots of nice people and beautiful parties. again im back in bogota, and it has been productive as always hehe. made a new album and a few eps, but i decided to give you this track. there is no spring here in bogota.
download: https://menteorganica.bandcamp.com/track/en-bogot-no-hay-primavera

En Bogotá No Hay Primavera

Buy on Beatport: http://bit.ly/32L1W4y

Follow on SoundCloud:

https://soundcloud.com/mockbeat

Become a member of Suprematic Sounds pool to receive exclusive unreleased high quality tracks every month + bonus access to 80+ tracks catalogue for all subscribers: http://gum.co/suprematic

Follow Suprematic Sounds:

✖ Membership ▸ https://bit.ly/2E9IKCH
✖ Facebook ▸ https://bit.ly/2Th3BNY
✖ SoundCloud ▸ https://bit.ly/2I1OW0g
✖ YouTube ▸ https://bit.ly/2ID9FMv
✖ Spotify ▸ https://bit.ly/2VfnUbO
✖ Instagram ▸ http://bit.ly/2MqfZc7

amsterdam simmerdown

Lolasandra