The stuff that dreams are made of. Perfect in every way.

Sergei Rachmaninoff: Piano Concerto No. 2 in C Minor, Op. 18

Piano Concerto No. 2 in C Minor, Op. 18: II. Adagio sostenuto

Michael Ponti, Piano
Philharmonia Hungarica
Hans Richard Stracke, Conductor

Moritz Moszkowski Piano Concerto in E major Op. 59, 2nd Movement Andante

Pas de Deux
Intrada (Sugar Plum Fairy and Her Cavalier)

Pas de deux
La Fée-Dragée et le Prince Orgeat

Па-де-дё
Танец принца Оршада и Феи Драже

Tchaikovsky - The Nutcracker, Op.71 - Act II, No.14 Pas De Deux: Sugar Plum Fairy and her Cavalier

Grandioso

"Vocatio Abrahae" (The Calling of Abraham) is a two-hour symphonic odyssey, divided into 12 main parts (plus optional postlude), designed for performance or sectional listening. Inspired by the Romantic tradition of programmatic music, it follows the biblical patriarch Abraham as a metaphor for radical faith — leaving home, journeying through trials, receiving divine promises, interceding for others, and ultimately facing the supreme test at Mount Moriah.

The work begins with a brooding Call in Ur, grows into the restless Journey, expands in wonder under the Starry Promise, and erupts into conflict in the War of Kings. A solemn Covenant passage anchors the symphony in sacred ritual, before turning toward the playful Hospitality at Mamre and the tragic shadows of Sodom’s Cry.

The final two sections, The Ascent to Moriah and The Sacrifice of Isaac, are the emotional and spiritual summit of the symphony: an immense meditation on obedience, anguish, and redemption. Here, motifs from earlier movements return, transformed into radiant light as the angel intervenes and the promise of faith is fulfilled.

The Postlude closes the journey with a gentle pastoral benediction, leaving the listener in peace after the storm.

Movement II – Vision Beneath the Stars - Part II-A: Andante Tranquillo

The Russian Souvenir

Waltz of The Flowers

A. Dvořák: Slavonic Dances, Op. 72, No. 2

Cellist Dennis Karmazyn plays 'The Swan' from 'Carnival of the Animals'  by Camille Saint-Saens.

Arrangement, Engineering, Production: Maxwell Karmazyn

The Swan | Carnival of the Animals | Dennis Karmazyn

Claude Debussy’s Clair de Lune is the third movement of his Suite Bergamasque, written for solo piano and completed in 1905. The title, meaning “Moonlight,” is inspired by Paul Verlaine’s poem, evoking a serene and reflective atmosphere. The piece epitomizes French Impressionism, focusing on mood and imagery over traditional form.
Structure and Atmosphere

The piece is in ternary form (ABA):

    Opening (A):
    A soft, flowing melody emerges over delicate arpeggios. The music feels weightless, like moonlight shimmering on water. Debussy uses rich harmonies and seventh chords to create a dreamlike quality, with a tender, introspective mood.

    Middle Section (B):
    The dynamics intensify, with fuller textures and soaring melodic lines. This section brings a sense of emotional depth and urgency, contrasting with the calm opening. Arpeggios cascade dramatically, giving the impression of moonlight suddenly brightening or revealing hidden beauty.

    Closing (A):
    The opening material returns, slightly varied, fading into a gentle, whisper-like conclusion. The piece ends as quietly as it began, leaving a sense of stillness and wonder.

Musical Features

    Harmonics: Debussy’s use of whole-tone scales, parallel chords, and non-functional harmony creates a suspended, ethereal soundscape.
    Melody: The lyrical melody floats effortlessly above the accompaniment, expressing both simplicity and emotional depth.
    Texture: Light, transparent textures alternate with moments of lush, resonant fullness, embodying the interplay of light and shadow.

Mood and Interpretation

Clair de Lune evokes the quiet magic of a moonlit night, combining serenity with subtle melancholy. Its poetic quality invites listeners to imagine moonlight reflecting on a calm lake, whispering through trees, or illuminating a tranquil landscape. The music feels timeless, blending stillness with fleeting moments of intensity.

Cultural Impact

This iconic piece has been widely used in films (Ocean’s Eleven, Twilight) and pop culture, often accompanying scenes of romance, nostalgia, or quiet reflection. Its universal appeal lies in its ability to evoke deep emotion while remaining understated.
Performance Notes

Expressive dynamics, fluid phrasing, and careful pedaling are essential to capturing its delicate atmosphere. A balance between freedom and control ensures its dreamlike flow remains intact.

Clair de Lune is a masterpiece of impressionistic music, celebrated for its ability to transport listeners into a realm of quiet beauty and introspection.

Claude Debussy - The Essential Collection

Clair de Lune

Clair de Lune - Debussy

Soyoung Yoon's debut album, released in 2012, contains recordings of two of most famous works for violin. The violin concerto in d minor, Op 47 of Jean Sibelius and well as Piotr Tchaikovsky's violin concerto in D major, Op 35. 
Th CD-album has been nominated to the International Classical Music Award (ICMA) 2013.

Piano Concerto No. 2 in C Minor, Op. 18: II. Adagio sostenuto

London Symphony Orchestra

Recent comments

Paul Maurice Roche | Composer

Homily, as the demon bronco

masoud aria

junpupu91

Related tracks