Gustav Mahler: Symphony No. 1 in D Major

Symphony No. 1 in D Major: IV. Stürmisch bewegt

Symphony No. 1 in D Major: I. Langsam, schleppend

David Loebel conducts the New England Conservatory Symphony and soloist Elina Akselrud in a performance of Chopin's Concerto for Piano no 1 in E minor. Recorded live in Jordan Hall November 13, 2013 by Jeremy Sarna.

Chopin: Concerto for Piano no 1 in E minor-Rondo  Vivace

Played by Wim Lassche on Kawai VPC1 and Pianoteq 5.1.1


J.S. Bach, Capriccio From Partita No. 2 for piano solo

Stürmisch bewegt - dalla Sinfonia n.1 "Titano" di Gustav Mahler diretta da Zubin Mehta con l'Orchestra del Maggio Musicale Fiorentino al Teatro Comunale di Firenze il 4 febbraio 2000

Stürmisch bewegt - dalla Sinfonia n.1 "Titano" di Gustav Mahler - Zubin Mehta

Of course, it's not Halloween yet, but here's a sneak preview 😀
The choice of title reveals that this is a traditional folk song with elements of neoclassical music.

Samhain, which is pronounced “Sauwen” (with a breathy “w”), marks the beginning, end and new beginning. While the time of summer has finally come to an end, a new year is already beginning...

VIDEO

Samhain

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The String Quartet No. 16 in E flat major, K. 428/421b, was composed by Wolfgang Amadeus Mozart. This is the third of the Haydn Quartets, a set of six string quartets he wrote during his first few years in Vienna and later dedicated to Joseph Haydn.

It is in four movements:

I. Allegro non troppo
II. Andante con moto
III. Menuetto & Trio
IV. Allegro vivace

The first movement is highly chromatic, with the chromaticized bridge theme in the exposition being one of several examples, the end of the exposition being another.

The slow movement "invokes ... the slow movement of Haydn's Op. 20 No. 1. The ostentatious dissonances of its opening almost have an antique flavour, caused by the collision of semitonal ascents and descents, and this strongly suggests the opening subject of the first movement, so surprisingly isolated there." Other commentators hear it as pointing forward to Johannes Brahms.

Throughout the third movement Mozart "makes use of a pedal point in the bass, thus giving the music an entrancing rustic effect." The last movement "can best be described as being an abridged rondo form."

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Orchestral samples included in this recording from the Vienna Symphonic Library.

Symphony No. 1 in D Major: I. Langsam, schleppend

London Symphony Orchestra

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