ShamanStems

Artist: Dead Crush
Album: Good-Bye My Hero
Artwork: June Dune
https://redmazerecords.bandcamp.com/


Dead Crush is the new solo project of June Dune. An artist from Barcelona based in Brussels.Warmth and coldness are combined through her voice, synth, bass and guitar. Broken hearts, melancholic thoughts, derision and talent. 

Dead Crush est le nouveau projet solo de June Dune. Artiste de Barcelone résidant à Bruxelles. Chaleur et froideur sont mixées au travers de ses synthés, basse et guitare. Des cœurs brisés, des pensées mélancoliques, de la dérision et du talent. 

Dead Crush es el nuevo proyecto en solitario de June Dune. Artista barcelonesa afincada en Bruselas. Calidez y frialdad se combinan a través de su voz, sintetizador, bajo y guitarra. Corazones rotos, pensamientos melancólicos, burla y talento.

© all rights reserved Red Maze Records 2021

A1 Me Guiaras (RMR 009)

Star Of The Sea

Never Wake Up

Drift

Drift (demo)

Envisioned as the soundtrack to an Ecotopian future, ‘Solarpunk’ takes cues from New Age, J-Ambient, Classical Minimalism, Kosmische Musik and IDM, offering a vast assortment of shimmering pads, generative melodics, polymetric sequences, serene atmospheres and meditative bells.

Get it on Splice

Solarpunk

THE ONLY TIME

the way
... from the album "vivid night" ©2021 by RINA PAVAR
Release Date: 11/01/2021
@ coldtransmissionmusic  
_____________________________
FOLLOW ME
Instagram: @rinapavar_music
Bandcamp: https://rinapavar.bandcamp.com/releases
Facebook: www.facebook.com/rinapavarmusic/
_____________________________
© 2021 – song written, produced, mixed and performed by RINA PAVAR, mastering by Frithjof Rödel

the way

02- Old Beginnings

the bleeding conscience 
words are vile
the frenzy public 
out to fight 
the hungry citizen
wants to feed 
your opinion means nothing
unless it's mine
I dont want to hear your words
I dont want to hear you cry 
I dont want to hear you whine
all my patience is now gone
don't waste my time 
with your two cents on me
oh lord help me
youre so annoying 
that certain feeling
that certain lives 
are common useless
dont get me started

Critical Mass

After a year of (irregular) work, I'm glad to finally release this Album. A huge thanks to @german-bot for recording vocals, writing some lyrics and recording bass!

Lyrics (written by German Bot):
In grauen Bauten verbringe ich meine Tage
Immer wieder auf der Suche nach dem verlorenen Faden
Vergangene Zeit zieht wie Film an mir vorbei
Geist und Körper schon seit Ewigkeit entzweit

Und ich weiß, hier finde ich mein Ende
Doch mit nichts zu verlieren, entdecke ich die Grenze
Von Realität und Wahnsinn

Ich falle in die Stasis
Ich sehne nach Katharsis
Konflikt in mir zerfrisst mich
Gleich wie mein Blick auch Starr ist
Fragte mich wie es hier rausgeht
Doch ich fand nie einen Ausweg

In alten Häusern verbracht' ich meine Zeit
Nun stell ich mir die Frage, ging ich zu weit?
Und ich weiß ganz genau, wie das hier ausgeht
Will ich hier wieder raus, gibt es nur einen Ausweg

Grenze (ft. German Bot)

Early November

https://open.spotify.com/artist/3tIjal5JTGCQpN7wEpbIz7?si=Q2wsUBMqRXu8UkZIHqyNmw

esket

"I think about you from sun up to sun down"

Can't Get You off My mind

Lost in the Silence

SDH are: 
Andrea P. Latorre - vocals 
Sergi Algiz - electronics 

Recorded and mixed in Barcelona in october 2017 by Sergio Pérez at Maik Maier Studios. Mastered by Stephen Quinn at Analogue Heart, UK. 

Artwork by Sergi Algiz. Collage on the cover by Camila Dunster. 
cargocollective.com/camiladunster

Guilty And Gifted

Purchase: bit.ly/3oh8DpK
Catalog #: GN59
January 22, 2021
CASS+DIGI

Ever the aural adventurer, Carmen Villain has long traversed a boundless array of sounds, deftly moving from art nouveau pop to fog-laden avant-dub. Yet at every artistic turn, the Norwegian-Mexican’s chameleon-like charm seldom loses its alluring, organic beauty. Fresh off her contribution to 2020’s A Little Night Music… compilation, Carmen joins Geographic North’s Sketch for Winter series for its 9th installment. Perlita, named after Carmen’s grandmother living in Puebla, Mexico, is a sweetly somber reflection on the ever-present cycle of and hibernation and reemergence.

The A side begins with “Everything Without a Shadow”, a wide-angled and windswept vista of expansive permafrost and still-glowing embers of a recently extinguished fire. A sign of life in an otherwise desolate place. “Two Halves Touching” continues to drift through the frigid scene, lightly pulsing underneath a muted but vibrant tundra until coming upon echoes of voices chanted into the snowdrift. “Light in Phases” follows the cue with hurried hesitance, uncovering a sonic slush of radiant zither, blurred voices, and calm resolution.

“Things That Are Solid” begins to thaw the B side, strolling through newly uncovered verdancy, welcoming murmurs peeking out of the snow. With “Molina”, any last remnants of Winter have disappeared, leaving only a solemn suite of piano motifs breaking ground like seedlings bursting to life. With help from Johanna Scheie Orellana on flute and alt-flute, the album’s closer “Aqua Azul'' floats along with unencumbered motion like a happy stone skating across a tranquil pond.

Carmen Villain - "Molina"

Heavy Punk Rock 'n' Roll band turns into Synthwave nowadays! Brand NEW album "Ultraviolet Cosmos" available NOW!
https://shockthealgorithm.bandcamp.com/album/ultraviolet-cosmos

Lost in the Silence

Lonely Walk

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