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Garbicz - it´s simply the best!

This is my sunday-afternoon-set.

David Dorad * Garbicz Festival 2014

Alan Fitzpatrick - Skeksis (Original Mix)

Out now, buy here:
http://boomkat.com/downloads/1164018-pablo-mateo-why-ep
http://www.junodownload.com/products/pablo-mateo-why-ep/2642477-02/

We first noticed Pablo Mateo on the Muting The Noise store. They distributed LackRec., the label he co-founded about a year ago. Before we got the chance to check out the 12” we bought, he sent us some demo’s. So either that’s some serious data mining or a fantastic coincidence ;-) Among the ton of demo’s there was lots of different stuff, and that’s why the EP tracklist turned out pretty diverse too. From techno to house and back, or “Berlin House” as Pablo likes to call it himself. Furthermore, Pablo’s also involved in Liit and the first two EP’s on 777 Recordings. Expect to hear lots more from this super talented producer.

TRACKLIST
1. Pablo Mateo - Animal Mother
2. Pablo Mateo - Why
3. Pablo Mateo - I Bet You’re The Kind Of Guy

http://www.curle.be
http://www.facebook.com/curlerec
http://www.newsrecords.be/
http://www.facebook.com/NEWSrecords

Why EP

Pablo Mateo - Why

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D-Unity - Sensation



A great philosopher (Samuel Johnson, not Ebeneezer Goode) once wrote… “our brightest blazes of gladness are commonly kindled by unexpected sparks”. While it would be a stretch to suggest the Drumcode artist roster are closet philosophy fans, once one begins to unravel the tale that led to Jel Ford remixing the 2012 Alan Fitzpatrick hit ‘For An Endless Night’ and it is impossible to escape the unexpected enterprise and spirit of surprise that are at the heart of this exciting collaboration.

As fans of Adam Beyer’s label will testify, the two Drumcode names have more in common than just a label stable, they also share common ground with the peak-time melodic sound that has delivered many of the labels most memorable output. Ford being a much more recent addition than Fitzpatrick, whose history with the seminal Swedish imprint stretches back to 2009, however Ford’s history within techno goes back even further having released multiple EP’s through the early noughties on vintage UK techno labels including Dave Angel’s Rotation Records, Billy Nasty’s Tortured Records, Primate Recordings and Ford’s own Jericho imprint.

It is within this shared passion for uplifting synths and big room melodies that the ‘unexpected spark’ of creativity that led to Ford remixing Fitzpatrick can be found. An long-time admirer of Fitzpatrick’s work, Ford had developed an idea for his alternative version and secretly worked on the remix long before any discussion of the project had taken place. Once given the draft version, Fitzpatrick immediately endorsed the remix, excited to have an updated version to breath new life into what had become a familiar staple of his sets for the past two years. Parts were swapped and the end result being the barnstorming end-of-night monster presented here. A track that will be familiar with many having been the subject of much social-media furor since it first surfaced back in Autumn 2014.


For An Endless Night (Jel Ford Remix)

DC140 For An Endless Night (Jel Ford Remix)[Drumcode]

Tag Team Aktion 

Paul Kremers & Michael Weis @ One Love, Ubar Saarbrücken (15-08-2015)

https://www.facebook.com/paulkremersofficial

Paul Kremers & Michael Weis @ One Love, Ubar Saarbrücken (15-08-2015)

Marko Drexler - Acid Dreams

Listen & Buy: https://ffm.to/marko-drexler-acid-dreams

'Acid Dreams' dives straight into the pulse of the night. Born from a moment of focused creative tension, the track shapes that energy into sound: driving techno drums, a hypnotic 303 line, and precise synth stabs that unfold with steady intensity.
The breakdown opens a more atmospheric space - subtle, immersive, and slightly surreal - before the rhythm returns with refined power. 'Acid Dreams' is designed for deep, late-night moments and listeners who appreciate detail.

Listen & Buy

Acid Dreams (Extended Mix)

Italy’s fastest rising name in house and techno returns to the respected Drumcode imprint with this blistering new 4-track EP, ‘Climax’. Featuring a distinctive vocal sample crescending over a typically thumping bassline, opening lead track ‘Climax’ grows gradually with the introduction of a single synth note and skipping hi-hats. Two beatless breakdowns increase the pressure whilst a new synth melody is introduced in the second, making for a powerful ending as all the elements join together.

‘Boost’ starts out deep and dark, with a high-pitched call echoing over a determined beat. The track changes course mid-way through with the introduction of a bassy, low-pitched synth melody, helping ‘Boost’ evolve into a catchier, more playful track.

‘Spectre’, a no-nonsense closing piece featuring a jittering synth note, rattling hi-hats and a trademark tension-filled breakdown.

‘Over The Clouds’, as its name would suggest, is the gentlest of the four tracks. Filled with dusty textures over a rumbling bassline, twinkling synths move in waves before lower-pitched chords join, adding a real sense of depth to this production.

Overall, ‘Climax’ is an outstanding example of Faraone’s ear for detail as a producer: his experience as both a resident and touring DJ clearly feeds into his skill for manipulating tension in his productions like he does on the dancefloors. Having recently warmed up for Adam Beyer at Tenax, Marco Faraone’s relationship with the iconic label continues to grow.

Marco Faraone - Boost - Drumcode - DC154

Download the set here: 
http://corenews.me/stephan-bodzin-essential-mix-2016-02-06/
Tracklist over here:
http://tracklists.thomaslaupstad.com/stephan-bodzin-essential-mix-2016-02-06/

Stephan Bodzin – Essential Mix 2016-02-06

2017’s first Drumcode release comes in the form of chart topping regular Julian Jeweil, who’ll be putting out his first solo effort on the label. Jeweil’s ‘Rolling EP’ showcases his skill as a producer and kicks off with the emphatic title track ‘Rolling’. The perfect soundtrack for the early hours in the club, this sweaty affair proves just why he’s at the top of the game right now. ‘Venice’ and ‘Blue’ illustrate his signature sound to a tee, with the EP’s final track ‘Traffic’ an acid-tinged behemoth, guaranteed to light up any set.

Julian Jeweil – Rolling – Drumcode – DC167

Sam Paganini   - Desire (JAM001)

Pleasurekraft share a dark techno revision of their seminal hit, "Tarantula." The "7 Year Itch Rework" will be released via Kraftek May 5.

Read our review, and enter for a chance to win a signed, limited edition vinyl of the track here: dncgastrnt.co/4rbz

Preorder the digital track here: http://www.beatport.com/track/tarantula-7-year-itch-rework/9243625

Premiere: Pleasurekraft - Tarantula (Pleasurekraft's '7 Year Itch Rework')

Midfield EP

Luigi Madonna, Roberto Capuano - Midfield

@wehbba returns to @drumcode with his second  EP 'Catarse' Released July 9th 2018 on Digital and Vinyl. Available via Beatport. 

For more info, visit: https://earmilk.com/2018/07/06/wehbba-drops-on-…catarse-premiere/

Catarse - Wehbba

Out now on Rekids: https://lnk.to/REKIDS145

Radio Slave’s momentous ‘Another Club’ receives two thumping remixes from SRVD and Charlotte de Witte.

‘Another Club’ was the 100th release on Rekids and dropped as the label celebrated a milestone ten years. It unquestionably became one of Techno’s biggest tracks ever made. Two years later, the landmark production receives outstanding remixes from two of the genre’s most salient artists: NovaMute producer Charlotte de Witte, who’s just collaborated with Chris Liebing on her newly launched KNTXT imprint, as well as the ever-impressive Patrick Mason and Radio Slave who team up again as SRVD.

Charlotte de Witte’s remix of ‘Another Club’ marches forward with pounding 909 style kicks, hooking acid hits, fleeting voice samples and haunting pads. SRVD’s remix then uses the vocals as stabs, adding tension with rave inspired synths, buzzing keys and splashing cymbals, while locking it all together with thundering drums and sub frequency rumbles.

Alan Fitzpatrick - Skeksis (Original Mix)

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