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techno

While carefully handling their respective careers, postponing then their obvious collaboration, Möd3rn trio's members have capitalized its desire and now deliver its mere substance, in the rightest moment, where, simply, all the distant forces converge.
The six daring, expert hands merge now into a unique entity, unanimously moving within the same effort towards techno music. Of the distinct identities merely remains the ethereal, synthetic essence devoted to the group, and the common musical passion that leads it. The formula is elaborated freely: each one's adjunctions -subtle keys, nervous chords, underground blows, rhythmical uproars- pour into a thick maelstrom, opaque, condensing Detroit's grieving sensibilities as well as last decade's bewildering cacophonies. The potion obtained is irresistible, an ecstatic hybrid, prodigiously actual, that renders all the genre's diversity and dynamism.
Chance intertwined their paths and now the three companions celebrate both the friendship that resulted and the good fortune that has driven it, by improvising live together as one faceless, solid body agitated by the urge of dance and music, composing the material that shall be processed later on to form their eponym label's releases.

Mö1

Boris Brejcha   I Am The Joker (Original Mix)

Maceo Plex - Heads Above (Original Mix)

Alan Fitzpatrick - Skeksis (Original Mix)

Jeff mills - the bells

After appearing on our sister label Truesoul and also the A-sides Volume 2, dubspeeka releases his first full EP on Drumcode. Basing his sound heavily on his uniquely dark and twisted melodies, dubspeeka has created a brooding, atmospheric EP that capture each individual feeling on the techno scale from bouncing, energetic tracks to melancholic offerings. His use of Percussive sounds add energy to tracks such as Primary K290 and his array of eloquent lead lines add depth and character that can be heard on Primary K293.

dubspeeka - Primary K293 - Drumcode - DC137

A great philosopher (Samuel Johnson, not Ebeneezer Goode) once wrote… “our brightest blazes of gladness are commonly kindled by unexpected sparks”. While it would be a stretch to suggest the Drumcode artist roster are closet philosophy fans, once one begins to unravel the tale that led to Jel Ford remixing the 2012 Alan Fitzpatrick hit ‘For An Endless Night’ and it is impossible to escape the unexpected enterprise and spirit of surprise that are at the heart of this exciting collaboration. 

As fans of Adam Beyer’s label will testify, the two Drumcode names have more in common than just a label stable, they also share common ground with the peak-time melodic sound that has delivered many of the labels most memorable output. Ford being a much more recent addition than Fitzpatrick, whose history with the seminal Swedish imprint stretches back to 2009, however Ford’s history within techno goes back even further having released multiple EP’s through the early noughties on vintage UK techno labels including Dave Angel’s Rotation Records, Billy Nasty’s Tortured Records, Primate Recordings and Ford’s own Jericho imprint. 

It is within this shared passion for uplifting synths and big room melodies that the ‘unexpected spark’ of creativity that led to Ford remixing Fitzpatrick can be found. An long-time admirer of Fitzpatrick’s work, Ford had developed an idea for his alternative version and secretly worked on the remix long before any discussion of the project had taken place. Once given the draft version, Fitzpatrick immediately endorsed the remix, excited to have an updated version to breath new life into what had become a familiar staple of his sets for the past two years. Parts were swapped and the end result being the barnstorming end-of-night monster presented here. A track that will be familiar with many having been the subject of much social-media furor since it first surfaced back in Autumn 2014. 

Alan Fitzpatrick - For An Endless Night (Jel Ford Remix) - Drumcode - DC140

Etalage Records opens a window into the raw, rebellious sound of the underground.
Just pure, unfiltered noise that cuts through the silence.

Support the artist:
@ThomasFlavi

www.instagram.com/thomasflavi

linktr.ee/etalage.rec

Thomas Flavi - Radiative Cloud Effect

Nicole Moudaber - Old Soul "Young But Not New" - Intec

Buy On Beatport

[Suara] Nick & Danny Chatelain - Acid (Coyu Raw Mix)

Hot on the heels of the A-Sides Volume 5 compilation, Enrico Sangiuliano makes his return to Drumcode with his highly anticipated EP ‘Moon Rocks’. The heavy hitting four track EP shines a light on Sangiuliano’s tight, thundering production skills. The hoover heavy lead track ‘Moon Rocks’ is packed with booming percussion, intricate synths and brooding crescendos. The EP encapsulates Sangiuliano’s wide spectrum of sounds ranging from the fat bass line of ‘Moon Rocks’ to the more delicate harmonies shown within the ‘Dutch Kiss’ mixes whilst ‘Ghettoblaster’ sits somewhere in between.

Enrico Sangiuliano - Ghettoblaster - Drumcode - DC160

MODULAR BAPTISM

Pig&Dan GROWLER

Read more:
http://dancingastronaut.com/2016/11/da-premiere-moby-heart-feel-bad-enrico-sangiuliano-remix/

Premiere: Moby - Why Does My Heart Feel So Bad (Enrico Sangiuliano Remix)

A return to the source: ‘Ribcage’ is where it all began for the Dubfire project. After years of exploring, subverting and setting brave new benchmarks in the house world, this marked the start of Ali Shirazinia setting out to set the same creative benchmarks in techno. Restrained, drawn-out but beastly when it wanted to be, the original was a serious statement of intent. Even at the time you got a sense it was going to be a historic tune. Loco Dice especially felt that when he signed it to Desolat 10 years ago.

To celebrate this time-flying milestone, Dubfire’s recruited two of the most respected names possible for remix duties. First up, the unstoppable, unavoidable, unquenchable Dense & Pika who keep within the dramatic rising template but with a whole new set of instruments and textures… And a percussion palette that absolutely sizzles when the whole groove kicks in mid-way. Phenomenal.

Hot on their heels comes a unique remix invitation to On-U legend and one of the UK’s most decorated and treasured studio controllers Adrian Sherwood. Turning in a serious techno re-cut that pays tribute to every element and takes over 12 minutes to make sure they each shine amid the head-twisting pools of tripped-out decay, it’s clear his time with Pinch has had a profound effect.
Two incredibly well considered and detailed remixes that remind you what remixes should be… Brave new chapters of a story we all love being told. These will sound great when the 20th anniversary remixes are commissioned in 2027.

Dubfire - RibCage (Dense & Pika Remix)

Available on Beatport now
https://www.beatport.com/release/so-good-ep/2642038

Anfisa Letyago is a rising star of the Italian techno scene having on numerous occasions had tracks break into Beatports Top 100 sales chart. Born in the Siberian region of Russia, she has adopted Naples as her home, and become a regular DJ at many of the local events.

This is Anfisa Letyagos first release on Intec, but other imprints to have featured her music include an eclectic selection of labels ranging from Spinnin to Nervous. Still at a young age, she has already played at a number of festivals, and Carl Cox signed this release after already supporting many of her other tracks in his sets.

The opening track So Good breathes fresh life into a classic sample that gives the track an old school vibe. Added with just a hint of euphoria from the fluttering lead synth, this slice of peak time techno has a feel good mood whilst still packing a serious punch.

Keeping the good times vibe alive Catch The Spirit also makes use of a timeless sample fused with emotive synths and hard hitting percussion. Capturing the end of the night vibe, this track fully embraces the spirit of how a DJs set can unite a group of strangers on a dance floor.

ID184 1. Anfisa Letyago - So Good

If you're a fan of Techno, we have something you might be interested in...

Pan-Pot’s busy touring schedule over the Summer no doubt inspired their upcoming 12” ‘Captain My Captain’. Having performed for countless festivals and main-stage crowds, their new tracks put forth glacial soundscapes so epic they could sink the Titanic.

If it's possible to say this, title track 'Captain My Captain' is actually the more restrained and studied of the three - featuring vocals written and recorded by Los Angeles based studio vocalist and label freund Cari Golden, who also wrote and performed the vocals on Anja Schneider's recent release for the Hi Five! mobilee compilation 'Something Left'.

Meanwhile, 'Black Horse Down' and 'Bad Photocopy' have everything a true Pan-Pot fan could ever wish for - think dark and heavy, builds and drops, synths and loops - true four a.m. grit to get your hands in the air and keep you raving until dawn!

Pan-Pot feat. Cari Golden - Captain my Captain

DJ/Producer 
Electronic music enthusiast
 Born in Ukraine, Located in South Florida.
Stepan is known for creating captivating sets that go beyond typical genre limits. Inspired by the core energy of techno, his sets are a fluid fusion of hypnotic, minimal, dub techno, and the raw energy of hardgroove—but always with an unexpected twist. Infused with hints of funk and soul, Stepan brings a rare warmth and human touch to the often cold, mechanical world of techno.

Alan Fitzpatrick - Skeksis (Original Mix)

Long Burberry

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