The goods

Produced and arranged by True Bypass @h-y-576316558
Bass, drum programming, mastering & vocals: Isabelle Poinloup @https://www.facebook.com/isabelle.poinloup
Guitars & vocals: Hervé Louradour 

Here is our version of this all time classic by Jimi Hendrix, the 20th Century Mozart !
What a pleasure to record this cover with Isabelle Poinloup, such a fantastic musician and human being ! 

Release date:  10 Novembre 2021

Little Wing - featuring Isabelle Poinloup

There's Lizzards on the walls in my hotel, it's hot as hell and it don't smell like my home town.
There's strangers in the halls, and the Punjab calls
while children laugh out loud without regard or regret

Ensconced in cotton course and white
the Charpois wait for another night
and the jet is on the runway, waiting for the northern flight
and Kashmir waits with open arms and mountains bright.

There's Lizzards on the walls of my hotel
Theres loaded Tongas on the teeming street that's lined with open stalls of spice and fruit and brass and salt and hanging meat.

There's Lizzards on the walls
Marigolds strung on strings wrapped around all kind of things.
Beggers on the street with broken arms and legs and feet, still smiling as they reach through diesel fumes and swarms of flys and eyes that stare longingly for some relief.

The Privileged life it dawns on me i didn't see till then and there
where a thousand stare in disbelief 
Humbled like a thief before the judge.

There's Lizzards on the Walls(a distant memory)

My favorite Beatles song… since I can remember!! All recorded on “ touch” instruments @ GarageBand!!!

Strawberry Fields Forever ( The Beatles cover )

Composed, played, sung, recorded and mixed by Loony on his own ^^     Illustrated by Nataly NGM 🎈🤍🖤

ON MY OWN

pasterz wyruszający na bliskie spotkanie z fraktalną wiedźmą

La civilisation de la graine

Enquête Païenne

Credits for the beginning passage and ending passage
https://soundcloud.com/adrianhallam for music vocals and composition
Backing vocals and pixie dust applications here and there by conover.

Credits for center section
Lead vocal and lyrics by @j-rivas
@jonathan_beckenstein on 1st guitar
@matt-warnick-58962582 on 2nd guitar
Music Bed by unknown collaborator that went unfinished and unlabeled
BGV by conover
Mastering by @blake-cranford said

You Took The Road and came for that Feeling again (Hallam/Conover)

cut the string

when you gotta make a song to give her the hint lol

Do What's Right Master

Indie psych gospel
https://on.soundcloud.com/je4cmGbuRec3cXr97
 
Backing vocals. D.k.A. Spencer. Lioness Pinky 
Artwork. Lyrics.Cosmic Keanu

Travel through the midnight hour
On our way back home

The sun and stars our guide
And a prayer in our soul

The Word in our hearts and minds
Everything left behind

We will reach our destination,
There we will find

Love is patient,
Love is kind,
He’s The Way
The Truth
And the Life

And in our trials and tribulation
We sing a song of praise

In mercy and grace, He provides
In God we Trust, He’s always by our side

Nothing here worth clinging to,
All is left behind

When we reach our destination,
There we will find

Love is patient,
Love is kind,
He’s The Way
The Truth
And the Life

And in our trials and tribulation
We sing a song of praise

In mercy and grace, He provides
In God we Trust, He’s always by our side

And as this world crumbles to dust,
Even the sun, moon, and stars,
Thy Kingdom come
Thy Kingdom come
Thy will be done

Grace. (Cosmic Keanu (Vocals

The Funky Kaiju

Drum Beat 2

Cast of Characters:
Witches of the Alamo-- @witchesofthealamo – James – vocals, mix, and production
TexMex Shaman–@texmex-shaman –Stephen–  rhythm and solo guitar
J.J. Terrell–@j-j-terrell – piano
K2 and the Three [and the Four]--@k2andthe3, @k2-kara -–Ken–drums
Entheogenic Psychonaught (Josh Clary)–@josh-clary-1 –- four-string fretless bass


This classic Grateful Dead song has been a favorite of JJ's since his playing in a bar band days, decades ago. Therefore, he decided to come up with a perfect, lively skeleton on his piano for us to use for it, and shared it with us. Josh, being a Deadhead as well, jumped on the chance to play Phil's part on his four string fretless bass. Ken, who isn't necessarily a Deadhead, but can play most anything, jumped on with his driving drums around the same time as Josh added his bass line, as they went back and forth a few times before getting the rhythm section settled. 
  Stephen came along next with his cunning rhythm guitar, follow closely by his solo for the solo section. JJ added his solo for that section right after Stephen had laid his part down. Then we turned it over to James to add his rich, accent-drenched vocals. 
  When we had all the parts down, we turned it over to James (or Stephen) to produce and mix for us, which he did in expert fashion.
  This song was a lot of fun for the Deadheads in the band and non-Deadheads alike to record. This is also the second collaboration done by James and the Eclectic Collective, and we all enjoyed having him on this project.
  We hope you enjoy listening to this as much as we enjoyed making it.

Me And My Uncle (Eclectic Collective feat. Witches of the Alamo)

Keep trying

Lonely

An uplifting track with a set of cool feels and lyrics.

Do U Know Anymore demo

I was so inspired by the beautiful Varanda Velha by Soundwanderer - this melody and these words just appeared and demanded to be recorded. You can hear the wonderful original tune, and many other sound treats, here: @soundwanderer
Edit: The most talented Christian Zatloukal, Soundwanderer, is no long with us. He rings loudly in our hearts. <3 

Music: @Soundwanderer  (Christian Zatloukal)
Lyrics, Vocals: Janine Levinson

If I had a bell to ring
I think I’d ring from spring to autumn
If I had a bell to ring

If I had a hill so green
I think I’d roll from top to bottom
If I had a hill so green

If I had a song to sing
I think I’d sing from night to morning
If I had a song to sing

If I had a hill so green
I think I’d dance from spring to autumn
If I had a hill so green

If I Had A Hill So Green (Veranda Velha) with Soundwanderer

"Magic is what we do. Music is how we do it." -- Jerry Garcia

Welcome to my page, my peers, associates, friends, and musical family. I'm a lifelong, multi-instrumentalist musician who records prolifically and joyfully. You'll hear me play guitar, bass (regular four string, and four and five string fretless), mandolin, banjo, keys (piano, organ, synth), lap slide, sitar, and sing on my recordings here. I've been in a few dozen bands in my life, playing everything from bluegrass, jazz, rock, jam band, reggae, funk, afrobeat, Middle Eastern, traditional Irish, singer/songwriter, pop/covers, to experimental/avant garde. 
  Since I found SoundCloud a couple years ago, I've found many talented, creative people with whom to create music. However, in the summer of '23 I formed a band called The Eclectic Collective with some of my favorite musicians I've met through here. It started as a loose collective of musicians and coalesced into a core group of musicians who find other musicians with whom we'd like to make music, then run their songs through our process, and in effect add a full band. That core of The Eclectic Collective includes Tez (Llanpsych), J.J. Terrel, Ken (K2 and the Three), Stephen (Texmex Shaman), Chris (cgmaness), and Mark (mistermark). A couple of other musicians are frequent collaborators, as well, including Artur of Surfers Like Us, and Steve Vervaet of Steve's World. More recently, we've been joined by Carl of The Beautiful Dark fame. 
  The magic of music is amplified exponentially by each person adding to it. So, we really try to add our sorcery all kinds of music from all kinds of artists. Sometimes, we keep it within the group, but a lot of what we do is collaboration with other artists. Therefore these days, 100% of what I do is collaboration, within the group or with other artists on the side.
  I, and we, are also available for hire if you have a song or lyrics and you really want to add bigger instrumentation or a band and good production to it. 
  A small sampling of the artists whom I consider primary influences, and whom you will hear coming through my fingers include Phish, The Flaming Lips, The Grateful Dead, Radiohead, Rye Cooder, Steve Earle, Miles Davis, Fela Kuti, Arcade Fire, Mikey Dread, Yellowman, Purpleman, The Meditations, Michigan and Smiley, Lee Perry, Dillinger, Django Reinhardt, Impossible Recording Machine, The Allman Bros Band, Pink Floyd, Led Zeppelin, Cream, Bela Fleck, Les Claypool, Sam Bush, David Grissman, John Prine, Talking Heads, Beastie Boys, MMW, Moe., Morphine, Ween, Steve Lukather, Michael McDonald, John Abercrombie, Dave Holland, John Scofield, Victor Wooten,  Cannonball Adderly, Thelonious Monk, Flea, Parliament Funkadelic,  Frank Zappa, Prince Paul, Pete Rock, Thievery Corporation, Amon Tobin, Chet Baker, Joao Gilberto, Stan Getz, Astrud Gilberto, Carol Kaye, Tame Impala, Mumford and Sons, Japanese Breakfast, LCD Soundsystem, Beach House, Sean Lennon, and Billy Strings, but of course there are many more. I also really like and am influenced by traditional Iranian, Palestinian, Indian, Sri Lankan, Sudanese, Mauritian, Somalian, Egyptian, West African, and Syrian music. I welcome anyone who plays non-western music to contact me for a collaboration, too.
 I'm overjoyed to have found my community on SoundCloud. This is a truly unique forum where everyone is sincerely trying to build each other up. The profoundly supportive and positive SoundCloud community has really opened up an exciting new world of collaboration for me. That is the main reason I'm in the Cloud, actually, to connect with other musicians and make music that I enjoy listening to, and hopefully others do, as well. I am ALWAYS looking to collaborate with interesting musicians, mostly though BandLab, which is where I record almost exclusively. It's a solid, free digital audio workstation hub where you can share recording projects, even if it's not where you make your recordings.
  Everything I do is live instrumental, not programmed, and using no computer beyond my phone. That's not to say that I would be opposed to using that kind of tool, it's just not my preferred medium with which to paint. If you like my music, please share it. If you want to collaborate, my BandLab handle is @bingo_pajama. Feel free to contact me at cornbreadband@hotmail.com, as well, even if you aren't on BandLab.
  If your music is primarily AI, please don't come around my page, as I'm not at all interested in complimenting a machine.
  Here's a link to music I've recorded live with a group of musicians here in Pittsburgh called The Northumberland Street Ramblers.
Check out The Northumberland Street Ramblers on #SoundCloud
https://soundcloud.app.goo.gl/fU4Me

Welcome here to all music lovers and thanks for your support 🎈 

[ 🛎️ Important information (October 2024) :
I’m distributed now on other - more mainstream - platforms where you’re very WELCOME TOO !
You will hear on them some songs that were here but in remastered and more efficient versions.
And also some of my new stuff in the future !!

However I keep my Soundcloud especially for fantastic colleagues and public I’ve met here, and I hope I have time to publish soon some others of my more alternative, raw and low-fi tracks ! ]


Multi- styles composer,  guitarist , bassist and author / singer, I present here a blend of very different songs or instrumentals, recorded on more than three decades

        So you can find here ones with my rock band  The CATS BLEED, who had a bit of success in France in the mid nineties.
 Some with GOLDEN AGE , an Anglo-French pop-folk duet in the mid 2000s.
And some totally solo as LOONY in the early 2000s or later
 Or BRUNO C for my first compositions, from mid 80’s to 90’s 

      


https://open.spotify.com/artist/1mDnyuPaI4RhiGaTRDjJFW?si=Z5xa7rwVRQSqwyZ_UIkE1w


https://youtube.com/channel/UC4Rf_HIxsZlLGE9sKnhzfMw

https://instagram.com/loonydebussy?utm_medium=copy_link

brunochassaigne.mus@gmail.com

ON MY OWN

LOONY DE BUSSY

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