Brood

Jose Macabra Soundtrack 3d video Kimatica Transcendence National Gallery

taken from the forthcoming 5LP / 5CD box set "Electroacoustic Works" celebrating Iannis Xenakis' 100th anniversay on May 29th, 2022. 

Newly mixed by longtime zeitkratzer sound engineer Martin Wurmnest, mastered by Rashad Becker.

Out in January 2022

IANNIS XENAKIS - Mycenae Alpha

Greatest Hits, Archive 2010-2015

Broke Over me Like a Rainstorm

Pobreza Espiritual

New Work City Records w/ Opal Opal - 24/11/2021

imryll - 02/12/2021

Not here is nowhere:Tzu Ni invites 破空間 The Post-Theatre - 09/12/2021

TAR145
@michelangl0

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Memos

Buy/Stream

MICHELANGEL0 - "The Ocean"

Berlin-based duo Workforce is the caustic love-child of Víctor Hidalgo and Josey Heyes - a sardonic collaborative powerhouse. Extending from their catwalk aesthetics and performative-based roots, “The Flood” sees Workforce at their peak musicality to date. Combining harsh and cutting electronics with a sense of twisted dystopian glamour, the duo’s second release sees the project pronounce its acid-tongued lyricism and esotericism with a biting wit. A brilliantly executed, blood spattered canvas of pure ecstasy and mania.

A noisy vortex of heavy, slow-burning pop anthems, familiar yet non-conformative, “The Flood” is ultimately a piece of tremendous transgressive allure; one that grabs you by the throat and drags you through a lurid, violent journey into its belly. It is music as a flag of resilience, a song of hope in the age of collapse - both a safehouse and a scorched-earth testament to youth. A comment that eviscerates as it extends a consolation.

Love is a flaming molotov in parabolic flight.

EN29

Written and recorded by Víctor Hidalgo and Josey Heyes in Berlin, Germany 2021

Mixed by Víctor Hidalgo
Mastered by Diego Escriche

The Flood

Workforce — Unknown

Sixtyseventytwentytwø

Cheng Daoyuan: inhale towards outcome - 11/05/2022

Mix de MIRE (@user-169639158)
"23h, couvre feu au camping"
60'

image : té strochnis

______________________________TRACKLIST
Rirette- Les Mauvais Fruits
SS Mylitta- Kali Nada (Tzii Remix)
Nadia Lena - Stridence et rayonnements lunaires
Ghédalia Tazartès - Un amour si grand qu'il nie son objet
NudoTxMx - Nosoma
Tomoko Sauvage - VIII
Hélène Magne- Deux
Christophe Ratier et Julia Hanadi Al Abed - Eubulie
Shibuya Motors - Amayami
Dead Western - All I Need Is All Around
Arnau Sala -  Live Excerpt
Birtawil – Ungha
Unas Rakraganh - Nerf
Les Morts Vont bien-  Schwein

______________________________IMAGELIST 
- Hamza Elaafifi, Biscarosse, photograpy, summer 2022
-  Philipp Franz von Siebold and Joseph Gerhard Zuccarini, Flora Japonica, Sectio Prima, Hydrangea, 1870
- Hennequin de Bruges and Nicolas Bataille, Tapisserie de l'apocalypse, scene 12, deuxième trompette, 450×14000cm, between 1373 and 1382, Château d'Angers
- Francisco de Zurbaran, Sainte Paule, sa fille sainte Eustochium et Jérôme de Stridon, oil on canvas, 247x174cm, 1638 - 1640, National Gallery of Art, Washington DC
- Excerpt from postal card, found on internet, sent from Maurice Island to Paris, 1989

𝐌𝐈𝐑𝐄 - 𝟐𝟑𝒉, 𝒄𝒐𝒖𝒗𝒓𝒆 𝒇𝒆𝒖 𝒂𝒖 𝒄𝒂𝒎𝒑𝒊𝒏𝒈 .(?).

live@TCL Party

vinyl:   https://honestjons.com/shop/label/Mana      
digital: https://manarecs.bandcamp.com/album/de-leon     
info:     http://manarecords.com/004 

Gamelan and capoeira in dub. The collective behind this doesn’t like to talk much but their music is beautifully conversational. De Leon is the most organic and percussive of their shifting identities, developed on their Aught project in small-run, clear-shell cassette tape releases over the last few years.

They've appreciated a cult interest for their takes on outernational rhythm, field recording, and the tension and relief on the knife-edge of dance music; all delivered with an impressive commitment to anonymity and clarity of vision through cut-and-dried aesthetic minimalism.

These six pieces of music seem formed from wood, metal, air. Dramatic, balletic flourishes and tightly woven interlocking patterns are embedded in slowly changing and "live" atmospheres. The shadow of a hand over the mixing desk makes gradual adjustments to alter the pressure and dimension of the space.

A number of tracks first appeared on De Leon's set for Blowing Up The Workshop in February 2016.

Mastered and cut at D&M.
Distributed by Honest Jon's, London.

Art by Gustavo Eandi

De Leon

De Leon - B1

Site specific piece recorded in Teufelsberg (The Devil's Mountain). 
Minimal editing, recorded inside the largest radar reflexion beacon situated in Grunewald (West Berlin) for future 8.1 piece.
This piece is  Brood's sonic representation of the history of this man made mountain and N.S.A. spy base.

2010

The Devil's Mountain

The Ministry of Defence in the UK has developed mind control methods using a sonic weapon.  The Department of Science Technology lab influence thoughts and control dreams of their adversaries.  The sound waves infiltrate the brain to disrupt normal thought patterns and lead the victim to execute actions decided by the government.

the largest organization in the world that openly research mind control weapons and torture methods is the United States of America government. http://www.bbc.co.uk/news/world-us-canada-41077339

My question is, if you were dealing with a government that developed mind control and used this technology to engineer behavior in a subject, would you not disclose this openly to the public to save the millions of innocent lives that are at stake? How could you possibly control and use mind control


Aural mind control is known to be effective for espionage campaigns against ally and adversarial states.  The sound waves operate at a frequency which uses alpha and gamma waves.  Espionage operations using speakers and audio are known to have existed since the 1980s.

Voice impersonation has become a technology of surveillance and cybercrime. There are many video files on YouTube of apparent online video tutorials in regards to voice synthesis. Other software, such as smsMachine have been used to create new voices and sound alike.

These people were no expert in voice synthesis. But if you watched the video of them saying “hey”, you could hear what sounded like them saying “hey”. Their voice quality wasn’t perfect.

Sonic Mind Control Weapon Conspiracy Theory [keto432]

Brood is the sound worship duo formed by Jose Macabra and Sammie Joplin (Mothax). 
Brood started its journey when they met at London College of Communication whilst both were studying B.A. Sound Arts and Design. 
It is a noise/industrial music project that explores the subconscious and hypnotic trance state in sound form. Hypnagogic exploration draws themes from innate contradiction within the worlds society expressed through a mix of soundscapes and improvised sonics. The band started in 2008 when they decided to unite forces to create a collaborative improvisation group that would generate a new concept in music and performing arts, mixing old and new techniques to deliver a melodramatic and aggressive journey that would immerse the public in an unforgettable experience.
Their first single “Filth Me Tonite” and first album “Your Mother” are now available.


live@TCL Party

Raymonde

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