TRAKA's debut on SATURATE! introduces us to a post-industrial, 5 am club stomper. Equipped with distorted bass, heavy percussion and industrial decimation - "The Wall Of Us" brings back the raw, underground sound to 2025. 

In a post-industrial dystopia where reliance oxidises, corrugating our stall of trust. The water's coloured rust, enclosed by The Wall Of Us. 

🥷🏾 TRAKA
 
🥷🏾 ig: [ https://www.instagram.com/traka.studio/ ]
🥷🏾 lt: [ https://linktr.ee/traka.studio ]
🥷🏾 sc: [ https://soundcloud.com/traka-studio ]

🗿 Collaborators:

🪨 "OXIC" feat. MYTHM [ https://linktr.ee/mythmofficial ] 
🪨 "Nasty Tone" feat. Chrizpy Chriz [ https://temple.fans/chrizpy-chriz ] 
🪨 "Benz OD" feat. JuLo, Censored The Audio
- JuLo [ https://beacons.ai/julomusic ] 
- Censored The Audio [ https://beacons.ai/censoredtheaudio ]

The Wall Of Us (STRTEP106)

Nasty Tone (ft. Chrizpy Chriz)

GET IT HERE

Into bass music? Get a monthly recap of the best news, releases & mixes 
📥 → https://bit.ly/3WSrsmA

Want more? Follow our 'Cutting-Edge Bass' playlist on Spotify 
🔊 → https://bit.ly/45CTUgV

----

⚡ Stream / Download 'Dead End - Temptress' → https://dead3nd.bandcamp.com/track/temptress

Rising artist Dead End presents Know Thyself, an 11-track instrumental journey blending bass-driven electronics and psychedelic guitars, unfolding like a cinematic soundtrack to an imaginary film.

https://soundcloud.com/dead-end
https://instagram.com/dead_endmusic

Dead End - Temptress [Premiere]

Our new track "Break a sweat" is out now exclusively on Bandcamp

https://faketwopiece.bandcamp.com/track/break-a-sweat

Fake Two Piece - Break a sweat

Get caught up in the whirlpool with Radiant's "Maelstrom". A dizzying demonstration of demonstrably turbulent, wonky beats bouncing on an ocean of swagger. 

Radiant returns to the camps with a swung out, hybrid-trap club banger in "Maelstrom"- destined to spin the dancefloor into a vortex of vibes! 

- Radiant: Maelstrom (BTS015)

🌀 Radiant 

🌀 sc: [ https://soundcloud.com/radiantproduction ] 
🌀 ig: [ https://www.instagram.com/radiant.wav/ ]
🌀 twt: [ https://twitter.com/radiant_noise ] 
🌀 fb: [ https://www.facebook.com/soundslikeradiant ]

💵 Above & Below releases now available via the SATURATE! SQUAD
[ 🔗 https://patreon.com/SATURATE ]

🔝 Above & Below👇🏽

꩜ discord: [ https://discord.gg/FDhMPMaKGN ]
꩜ artist dev: [ https://feedback.aboveandbelow.co ]
꩜ art: OV3RDRIVE [ https://www.instagram.com/ov3rdrivebass/ ]

Maelstrom

Behave

[bandcamp]

DIE LIKE A ROCKSTAR

As I mentioned a while back, now that I’ve cleared my release schedule, I’ll be taking a longer break from releasing music as MVRK.

Before I step away, here’s one final track that originally meant to be the outro for Liminal Spaces, but it didn’t make the final cut. I decided to share it as a free download on Bandcamp and SoundCloud as a little thank you for the support over the years.

https://thisismvrk.bandcamp.com/track/some-night-scenes-encore

Some Night Scenes (Encore)

Active Yoda

DE: Fruck – Verwundbarkeit

Von: Fracture + Fuck.

Ich hatte meine beste Freundin in Freiburg besucht, und wir sind wandern gegangen.

Wir kamen auf die Idee ein paar Foley-Sounds aufzunehmen (=Geräusche aus der Umwelt, die man für Tracks oder Sound-Design allgemein nutzen kann). Wir hatten ein kleines Arsenal an lustigen Gegenständen, mit denen wir die Geräusche recorded haben, unter anderem auch ein spezielles Gerät, welches sehr spannende Schwingungen erzeugt, die nicht nur die Ohrmuschel zum beben bringen sondern auch die Seele und den Körper. Die meisten Sounds die ihr hört sind unsere eigenen Aufnahmen, die lediglich mit Effekten bearbeitet wurden. So entstand die erste Version dieses Tracks.

Der Name Fruck ist durch einen Tippfehler entstanden. Sicherlich muss ich euch nicht erklären, wie er eigentlich heißen sollte. Die ersten Versionen waren deutlich mehr „In-Your-Face“, doch dann gefiel mir die erste Sektion nicht mehr so ganz, und ich ließ das Projekt ruhen – bis ich eines Tages die gesamte Struktur des Songs verändert habe. Nicht nur hatte ich ein paar heftige Schicksalsschläge erlitten, sondern war das Jahr 2025 allgemein auch sehr herausfordernd, voller Veränderungen und Umbrüche. Also tat ich das Einzige, was mir half, um mit meinen Emotionen klarzukommen: Ich schrieb Musik und machte aus dem einstigen „In-Your-Face“-Track eine Sound-Design-Story.

Womit ich schon immer zu kämpfen hatte, ist Perfektionismus. Er hindert mich in vielerlei Hinsicht daran, simple Songs zu kreieren geschweige denn diese zu veröffentlichen. Dieser Track ist ein Paradebeispiel dafür: Ein endloses Rennen gegen mich selbst, bei dem ich immer wieder dachte, dass er nicht gut genug sei und ich hier und da noch etwas verändern müsste, anstatt ihn einfach in seiner Vollkommenheit ruhen zu lassen.

Deshalb habe ich mich entschlossen, diesen Track und sein Gegenstück "Don't need a harmony" nächste Woche zu releasen, als Zeichen meines Vertrauens zu mir selbst und meiner musikalischen Vision.

EN: Fruck – Vulnerability

From: Fracture + Fuck.

I visited my best friend in Freiburg, and we went hiking.

We came up with the idea of recording some Foley sounds (noises from the environment that can be used for tracks or sound design in general). We had a small arsenal of funny objects that we used to record these sounds — among them a special device that created fascinating vibrations, not only resonating in your ears but also deep within your body and soul. Most of the sounds you hear are our own recordings, only processed with a few effects. That’s how the first version of this track came to life.

The name Fruck came from a typo. I’m sure I don’t need to explain what it was originally supposed to be called. The first versions were much more “in your face,” but at some point, I didn’t like the first section anymore and decided to let the project rest — until one day I completely restructured the song. Not only had I gone through some tough personal challenges, but the year 2025 itself was also very intense, full of changes and transformation. So I did the only thing I knew to cope with my emotions: I wrote music and turned what was once an “in-your-face” track into a sound design story.

Something I’ve always struggled with is perfectionism. It often stops me from creating simple songs, let alone releasing them. This track is a perfect example of that — an endless race against myself, constantly thinking it wasn’t good enough and that I needed to tweak things here and there, instead of simply letting it rest in its own completeness.

That’s why I decided to release this track and its counterpart Don’t Need a Harmony next week as a symbol of trust in myself and my musical vision.

Fruck

Quitters

Taxonomy is a kind of killing things. So how go about formalizing something as amorphous as the music of @c-a-a-r-l | You could practice apophatic musicology. This isn’t jump-up, because it goes beyond puckish hyperreality. This isn’t deconstructed club, it being so entirely stripped of referentiality. Rattle off sub-genres as impossibilities. And perhaps it is only drum & bass by the exceptionality it embodies. Of a category’s weightlessness when every technique and decision overbounds its associable formulae and expectations.

The only way I’ve come to understand CÅARL‘s music is in indefinite times. There is a mythic time to the music of this producer racking up releases on Barcelona’s @genome-records-1 | Of a music that does not seem to describe humanity, that in its combination of contorted, choral voices, palatial orchestration and infernal low-end appears to visualize each a mountainous past and the afterlives of apocalypse. So there is herein an eschatological time and a geological one. A music of tectonics and cataclysm. There is the time too conjured by CÅARL‘s aesthetic of petroleum and mud. The musical equivalent of banked sunlight and generative mires. Synonyms to the history of extreme and experimental electronics and a generic footprint. Thus a music best understood in terms of divergence, of the annihilation of stasis and priority in the making of something we have not yet a vocabulary to articulate.

With a bagful of IDs from CÅARL‘s own upcoming torrent of releases & those of their circle, this mercurial producer links up with Realist Alive.

Tracklist -

CÅARL - LOST IT (136 VIP)
@xx_deltav_xx - Treachery
CÅARL - LEECH (ft. Nikki Simmons)
Noisia & Phace - Purpose (@buunshin remix)
CÅARL - ID
@vulturesy - GIVE ME
@ceptre - Rhythm
@jorodudovski - ID
@fifthdnb - ID
@thezaiaku - ID
@malixemusic - Break
@finalfix & @omneum Omnieum - Resonance (Audio Remix)
CÅARL - ID
@billain - Nubium Slap
@misanthropnsgnl - Turbine VIP
@signdnb & @soesei - Always Late
CÅARL - ID

art by https://www.instagram.com/grinnallll/

Realist Alive Radio 026: CÅARL

DJ and Soundcollector (Producer)


The young and aspiring producer proves that his interest in different styles of dnb allows him to take you on an alternating journey.
From minimalistic dark rollers to heavy floor-smashers, every minute in this versatile mosaic of sound shows his deep passion and devotion for the music and the scene. 


https://linktr.ee/FaderDnB?utm_source=linktree_profile_share&ltsid=c768c899-c67b-4e60-b89e-66d0b706b06f






Fruck

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